The Distinguished Gentleman Page #12

Synopsis: In the conniving world of politics, even a professional shyster like Thomas Jefferson Johnson (Eddie Murphy) can find himself outmatched. After using name recognition to get elected, Johnson enjoys many of the same financial perks as other politicians. However, while investigating the connection between electric companies and cancer in young children, he unexpectedly develops a conscience. Unfortunately, fellow Congressman Dick Dodge (Lane Smith) isn't about to let him rock the boat.
Genre: Comedy, Crime
Production: Hollywood Pictures
  4 wins.
 
IMDB:
5.9
Metacritic:
45
Rotten Tomatoes:
13%
R
Year:
1992
112 min
710 Views


TOMMY:

Six-fifty? Highway robbery! A chopshop wouldn't give you more than ahundred forty for a junker like that.

(beat)

Or so I've heard.

(beat)

But I'm flying blind here, I needdepth. Could Miss Kirby put togethera briefing? Maybe schedule aSaturday or two to really dig intothe issues?

IRA:

(surprised and pleased)

Oh... we'd be delighted. We've gotsome figures that will amaze you.

TOMMY:

I'm sure you do.

CELIA:

(rising)

Well, we won't take up any more...

TOMMY:

Whoa, whoa, hold on, what about

child safety?

CELIA:

Well, we're sponsoring a billimposing safety standards onimported toys...

(CONTINUED)

THE DISTINGUISHED GENTLEMAN - Rev. 4/3/92 59.

89 CONTINUED:
(2) 89

TOMMY:

Great! About time! I hate imported

toys. What about food additives?

How about we block out a few

evenings, you can take me throughthe details.

IRA:

Celia, if that's what the

Congressman wants... any problem?

CELIA:

(to him)

You want to do this in the evening?

IRA:

I'm away for the next two weeks.

She gives him a look. Ira turns to Tommy.

IRA:

So, when can Celia start yourbriefings?

TOMMY:

Saturday night?

IRA:

Saturday night sounds fine.

CELIA:

Fine. Wednesday morning. Nine-

fifteen.

90 INT. CATACOMBS - NIGHT - CLOSE ANGLE - A SIGN 90

On a door in the House sub-basement: MEMBERS ONLY.

91 INT. HOUSE GYM - NIGHT 91

The regular evening pickup basketball game. Even amongthese ruthless players, Tommy's street moves are outstandingly

down and dirty. His principal accomplice: ElijahMarshall.

92 INT. LOCKER ROOM - HOUSE GYM - NIGHT 92

A standing poker game among the towel- and robe-cladMembers.

It's Tommy's shuffle and deal. He is convincingly awkward.

A BULLDOG of a man examines his hand, tosses two cards in.

He assembles his new hand. Four fives and an ace.

(CONTINUED)

THE DISTINGUISHED GENTLEMAN - Rev. 4/3/92 60.

92 CONTINUED:
92

ON Tommy's hand. A pair of threes.

The betting starts, at a couple of chips, and comes roundto Tommy. He pushes a stack of chips to the center.

TOMMY:

Let's get serious, fellas.

93 INT. CATACOMBS (OR CORRIDOR) - NIGHT 93

Tommy, Marshall, and the Bulldog, back in suits, exit theMEMBERS ONLY door and move through the catacombs.

MARSHALL:

I need your help on the ethicsbill, Leon. I want you to cosponsor

my amendments.

BULLDOG:

You make a persuasive case, Eli.

MARSHALL:

That wasn't a yes.

BULLDOG:

(courteously

ambiguous)

I promise to give it the attentionit deserves.

The Bulldog gives Tommy a friendly squeeze -

BULLDOG:

Better luck next time, son.

-- and leaves them. Tommy and Marshall continue on.

MARSHALL:

He took six hundred dollars off

you that last hand, didn't he?

TOMMY:

Yeah, he's taking a real shine to

me.

MARSHALL:

If I didn't know better, I'd sayyou lost to him on purpose.

TOMMY:

Nothing wrong with letting thechairman of the ethics committee

roll you once in a while.

(CONTINUED)

THE DISTINGUISHED GENTLEMAN - Rev. 4/3/92 60A.

93 CONTINUED:
93

MARSHALL:

(shaking his head)

You fit in real well up here. Too

well.

TOMMY:

So Eli, how come you haven't askedfor my help with your amendments?

MARSHALL:

Give it a rest, Tommy. You've gota great jump shot. But everyoneknows you're Dick Dodge's boy.

TOMMY:

(bristling)

I'm nobody's boy, mister.

MARSHALL:

(weary)

Don't waste your outrage on me.

I know what you are.

TOMMY:

I'm no different from anyone else.

MARSHALL:

That's not true. Some people hereactually try to do somethingbesides save their own ass.

TOMMY:

You know, Eli, I like you, I reallydo. You remind me of my father.

MARSHALL:

Oh, really? How so?

TOMMY:

He thought I was scum, too.

BELLS begin RINGING and LIGHTS FLASHING on all the clocksand sconces down the corridor. Three RINGS, pause,

three RINGS, pause... Marshall does a U-turn. Tommydoesn't follow suit.

MARSHALL:

Aren't you going to vote?

TOMMY:

(indicating clocks)

Vote? Is that what that is? We

got a pool going in the office onwhen it'll go off next.

THE DISTINGUISHED GENTLEMAN - Rev. 4/3/92 60B.

93A INT. LOBBY OUTSIDE HOUSE CHAMBER - DAY 93A

It's called "Gucci Gulch." The lobby just outside thedoors to the House chamber is pandemonium -- a sea oflobbyists, lawyers, PACmen, Members, and staffersurgently trying to find their masters and signal themthumbs-up or-down. Tommy enters, sweeps the room withhis eyes, looking for Reinhardt, shrugs, then goesthrough the doors onto the floor.

93B INT. HOUSE CHAMBER - DAY 93B

Tommy goes to a console on the rear of a seat.

A blue light says OPEN. Tommy inserts a card (it lookslike an electronic hotel key). Red, green, and amberlights at buttons labeled NAY, YEA, and PRES. Tommyshrugs, pushes NAY.

93C INT. LOBBY OUTSIDE HOUSE CHAMBER - DAY 93C

As Tommy heads away, he passes a class trip -- a dozenfifth-graders and their TEACHER, who hails him.

TEACHER:

Excuse me -- Congressman? Do you

have a moment? We're from the

Hawthorne Avenue School, in Union,

New Jersey? I'm Mrs. Kozlowski.

Social Studies. We were just

learning how a bill becomes a law.

(indicating theBELLS)

Was that a vote?

TOMMY:

Yes, it was.

TEACHER:

And what did you vote?

TOMMY:

I voted "Nay." It's a terrible

bill. It'd destroy the fabric of

American life.

TEACHER:

And what was the vote on?

Tommy hasn't a clue. He calls out to Rafe, who is amongthose leaving the chamber.

TOMMY:

Hey, Rafe! Tell these kids what

that vote was about.

(MORE)

(CONTINUED)

THE DISTINGUISHED GENTLEMAN - Rev. 4/3/92 61.

93C CONTINUED:
93C

TOMMY (CONT'D)

(to kids)

Guy's got a real knack forexplaining things.

RAFE:

Well, it was a motion to reconsider

the motion to reconsider.

Bo, passing by, intervenes.

BO:

No, it was the rule on amending thereauthorization.

Which means?

TOMMY:

Clean Air.

BO:

RAFE:

(overlapping)

School lunches.

TOMMY:

You're in excellent hands, kids.

94 INT. RESTAURANT - DAY 94

A NOISY restaurant popular with lobbyists. Power photoson the wall. Table hopping. People SHOUTING greetingsacross the room. Waiters in long aprons. Tommy ishaving lunch with Tommy O'Connor.

O'CONNOR

You're a gentleman, Tommy. We can

always do bid'ness -- I like thatin a Member.

TOMMY:

Thank you, Tommy. I love you too.

O'CONNOR

Listen, I'd like to do more moneyfor you -- I just need to knowyour positions on a few issues.

O'Connor takes out a pen and leather notecard case.

O'CONNOR

For instance, where are you onsugar price supports?

(CONTINUED)

THE DISTINGUISHED GENTLEMAN - Rev. 4/3/92 62.

94 CONTINUED:
94

Tommy has no idea, but he's certainly open tosuggestions.

TOMMY:

Sugar price supports. Where do

you think I should be, Tommy?

O'CONNOR

Sh*t -- makes no difference to me.

If you're for 'em, I got money for

you from my sugar producers in

Louisiana and Hawaii. If you're

against 'em, I got money for you

from the candy manufacturers.

TOMMY:

You pick.

O'CONNOR

(writing)

Let's put you down as for. Now

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Marty Kaplan

Marty Kaplan is the Norman Lear Professor of Entertainment, Media and Society at the USC Annenberg School for Communication & Journalism and the founding director of the Norman Lear Center for the study of the impact of entertainment on society. more…

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