The Dog Page #4
she was happy that much.
I really don't.
She showed me her wrists once,
come to think of it,
and I could see scars
on her wrists,
and I said,
"Why did you do that?"
and she kind of downplayed it,
made it into a joke.
OK. Now, as I explained
to you earlier,
after we got married around
the corner, what we did is,
we moved out of the apartment
where I got down
with the two gay priests and
my first relations with Ernie,
OK, and then we moved
into this fancy place, OK?
This is where our apartment was,
and about a month or two after
we got married in December,
this is where Ernie first tried
to commit suicide, OK,
because he still wanted
the sex change,
which we agreed he wasn't
going to have
because I was against it, OK,
and he said,
"I can't take it anymore.
I want to have a sex change,
or I want to die."
So he took a butcher knife out
this long
and tried to stick it in him.
I grabbed the butcher knife
from him,
and as we struggled,
I got out in my hand, OK?
So we wind up getting into a
fight because he wouldn't stop.
Somebody called the cops, right?
They came and arrested us,
right, and they brought us
to St. Vincent's,
to the nuthouse.
When we got there,
Ernie turned the story around
and said that I had tried
to kill him with the knife
because he didn't want to go
in the nuthouse.
So then they tried to put me
in the nuthouse,
but after the cops
stopped and left,
I knocked down two
of the security guards
and one restraining guy and
ran the f*** out of the place
because I ain't going
in no nuthouse, right,
but this was the apartment
we lived in.
WOJTOWICZ, VOICE-OVER:
Ernie kept becoming violent.
He would take an overdose.
He would put his hand
through a plate glass window.
He would cut his wrists, and he
kept getting worse and worse,
and then his birthday came
on August 19, 1972.
EDEN:
The doctor told me, "You know
he's never getting out of here,
"right, and we're going to give
him electronic shock therapy,
"and he's sick.
He wants to chop off his dick."
Then I got in to see him,
and that's when I made
the decision right then
because they're never
letting him out.
So I'm going to take him out
by force.
OK. This was Ernie and I's
neighborhood bar.
It was called Old Jimmy's,
and it was owned
by a guy named Buddha,
who was a fat guy, OK?
In this bar, Ernie and I used
to socialize and meet everybody.
This is where
I met Bobby Westenberg,
and he's the second guy
that went with us
for the bank robbery.
He had a bad lung,
and I offered him $50,000
to help get Ernie
out of the nuthouse, OK?
That's why we robbed the bank,
to get the money.
Also, in here is where I met
the third partner
that robbed the bank with me.
His name was Sal Naturale.
His real name was Masterson.
He was an escaped fugitive
from New Jersey,
and he never wanted
to go back to jail then, OK?
He had just turned 18,
the way I understand it,
and Bobby Westenberg was
about 20, and that's the story.
Cut.
So we went and got the guns,
the rifles,
everything we needed.
Then we went to
the Golden Nugget Motel
the night before the robbery.
OK. While we were in there,
I grabbed a hold
of Bobby Westenberg,
and I wanted to f*** him
because he used to dress up
as a girl with a dress, right,
and he goes,
"What are you talking about?"
I said, "I want to f*** you."
"Well, I don't want you
f***ing me."
I said, "I'm giving you
$50,000, right?
"You're going to tell me I'm
not getting a f*** out of it?
"You're out
of your f***ing mind.
Because I'm getting
a f*** out of this."
So then I f***ed him,
and then Sal came over,
and he wanted to f*** Bobby.
Bobby tells him no.
So they start getting
into a fight.
So I come out of the shower.
I says, "Hey, what are you
two b*tches arguing about?"
"Well, he won't let me..."
"Hey, what is it
with you Bobby?"
I said, "We could all die
tomorrow, so let's die happy,"
but Sal was pissed off at him
because Sal didn't
get the booty.
Next morning, we get up.
and then we started going
to different banks.
We went down to one bank
So we park the car.
Bobby and Sal
get out of the car to go,
and all of a sudden,
I hear this boom.
I go, "What's this boom?"
I look out the side
of the car window,
and the a**holes
dropped the shotgun.
It fell out of the back
of the box.
They were carrying it in a
Wrigley's Spearmint gum package.
It's about this big, and it
says, "Wrigley's Spearmint gum."
It's pop art, like Andy Warhol,
all right,
because, you know, if you walk
into a bank with a package,
they're going to be suspicious,
but if you walk into the bank
with a Wrigley's Spearmint
gum package,
they just think it's pop art
and you're bringing it home
to put on your wall
or something, right?
At least it made sense to me,
right?
So I get out.
I pick up the shotgun.
I said, "You two a**holes
get in the car,"
and we drive away,
and all these people
are standing there
looking at us,
but, you know, who's
going to say anything?
"Oh, you dropped your shotgun,"
right,
and we were gone in the wind,
and I said, "You dumb fucks,
what's the matter with you?"
"Well, I told you the box
was too heavy."
I said, "Oh, you f***ing wimp,
Bobby, be butch, will you?"
and then Sal gave him
the, "Oh, he can't be butch.
He's a girl that don't
get f***ed."
I said, "Well, you can f*** him
after the robbery.
Don't worry about it."
We went to this first bank...
it was on Delancey and Essex...
The Manufacturers Hanover Trust.
Then we out down here
on Howard Beach.
It looked like an easy hit.
There's a lot of money
in that bank,
being that it's
the only one around.
We walked in there, and
my mother's friend,
her best friend, is,
"How you doing, Bobby?"
while Sal is ready to take
his gun out on the guard.
So we foiled that one.
Then we get into this other
Chase Manhattan Bank
down in Manhattan.
Now we're driving all over,
a series of banks,
and we get in front
of this one bank,
and we're just doing
a practice run.
Goes in for a silver dollar,
comes back out.
"OK. "Lets try to get away."
Try to get away,
we smack into a car,
and they're threatening to call
the police and have the police.
They'll want to search the car,
see the guns, the note, which...
The note was weird.
At the end of the note, it says,
"This is an offer you can't
refuse," from "The Godfather."
WOJTOWICZ:
Before we went to the bank,
we decided to go to 42nd Street
to watch "The Godfather"
for inspiration, and it was
the first time it was playing.
So I said, "Come on.
Let's go get turned on."
It's just like a coach.
You get your team ready.
You get them all fired up,
and they go gung ho, right?
So we go and watch
"The Godfather" for inspiration,
right, and then I write out
the note.
I go to the bank manager,
"This is an offer you can't
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"The Dog" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/the_dog_20102>.
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