The Dramatics: A Comedy Page #7

Synopsis: The Dramatics is a romantic comedy about a sweet, but stressed out actress, who unexpectedly lands a starring role in the sexually explicit mini-series adaptation of a best-selling, erotic chick lit novel and her loving, but tortured stoner boyfriend, who is forced to deal with it. Loosely based on the lives of Kat Foster and Scott Rodgers, who co-penned the script and co-star in the film, The Dramatics marks their first feature together and Rodger's directorial debut.
Genre: Comedy, Romance
Director(s): Scott Rodgers
Production: The Orchard
 
IMDB:
4.7
NOT RATED
Year:
2015
89 min
Website
125 Views


like that.

Hey, you better watch it man.

All right. You watch it, okay.

You're spending our last night together

tied up, making out with this D-bag?

- We weren't making out.

- F*** you guys.

Paul, can I talk to you

for a second.

Oh wow! Whoa! Oh my God!

- Are you Bryan J. Macy?

- Oh boy!

- Oh my God!

- What are you doing here?

- Who are you?

- She's just an improv friend of mine.

Yeah, I-I'm no one.

I just followed you here

because I felt like I needed to apologize

right away for what just happened.

- What just happened?

- Paul and I just kissed.

- Oh!

- I know, I'm sorry. It's totally my fault.

I knew he had a girlfriend.

But I'm a big fan of yours by the way. You're

great in that web series you guys did.

You... I can't believe I'm in

the same room as Bryan J. Macy.

Just freaking out. Sorry, I just wanted

to say that I'm sorry for doing that

and I hope it doesn't destroy you guys relationship

in any way because that would really suck.

Wow, looks like we're not

the only ones huh?

- F*** you dude.

- You f***ing kissed this girl?

Who the f*** is she.

Does it matter? I mean, there is obviously

something going on between them. So...

- Is there?

- No there's not and you better f***ing watch it man, okay.

- 'cause I will shoot you in the face. I am not kidding.

- Paul, calm down.

- Oh... You're gonna shoot me in the face.

- Yeah.

- Shoot me. What the f*** you're gonna shoot me with?

- With my gun.

- Oh...

- He doesn't have a gun.

- Yes he does.

- Then go ahead. Come on. Pull your gun out.

Well, let me see

your f***ing gun.

- You want to see it, big man.

- Yeah, come on.

Oh my God!

Where did you get that?

Don't worry about it.

Oh my God! Oh my God!

- No gun.

- Are you okay?

Oh my God! Paul are you okay?

- Paul are you okay?

- Get out of here.

You're gonna hear from

my lawyers you f***.

And you're fired.

Wait, Bryan, wait.

Don't leave me just try and understand.

- Don't go.

- Oh my God! Paul are you okay?

- You should go.

- I'm so sorry.

It's fine.

It's my fault too. Just...

- Get, get out of here.

- Please leave. Now.

I'm, again I'm sorry.

- We are f***ing done.

- Come on, Katie.

No, you just lost me

the best job of my life

and you're f***ing

cheating on me.

I am not cheating on you. Okay.

I coach that girls f***ing improve

group and it was only a kiss.

- Only a kiss?

- Yes, which is a lot less than what I f***ing walked in on.

- She was not certainly dressed like a dominatrix.

- We were f***ing rehearsing.

That is bull sh*t.

- F***!

- Oh my God! Oh my God!

- I took out all the bullets.

- Obviously not you f***ing idiot.

Loafie.

Look.

This is not all your fault.

I shouldn't have done

all that stuff with Bryan.

Felt like I should...

I don't know, anyway.

I'm sorry, I'm sorry about that.

But I still think

we should take a break.

I mean, you pulled a gun

on someone, Paul.

- I didn't think it had bullets.

- Still!

For you to do that or whatever.

- Who was that chick?

- I don't even like her.

It doesn't matter

at this point honestly.

Katie, please.

I'm sorry. It's over.

It really is.

Uh... You can, uh... pick up your

stuff or whatever, when ever, but...

Just...

I just want to be

alone right now.

Oh... Are you good?

You look like sh*t.

- I need your help.

- All right.

Sir, are you expecting

a package?

- No, Dennis.

- Sorry, sir.

Actually, Dennis.

I think that may be my sterling

silver director's chair.

Okay, sir.

Gates are opening.

We... Well... Hey...

Uh... Got a delivery.

- Okay, I'll sign for it.

- Uh... No, you don't have to.

Uh... I'll just bring it in. I got to

bring it in. It's the shippers request.

All right.

Excellent. Thank you, sir.

You're welcome,

Bryan J. Macy.

- You need me to sign for that or...

- Nope. We're good.

No signature required.

- Fantastic. Dennis, can you show him the door.

- Yeah, sure.

- Let's go ahead and head out.

- No, I got to be here.

- No you don't.

- No, I gotta, I gotta, be here.

What?

- Damn it, damn it.

- Fine, fine, fine.

I know this is crazy that I'm

breaking into your house. I just...

I need to talk to you

for one second, please.

First of all,

I want to apologize.

It was idiotic and dangerous for me to pull

out that gun. I shouldn't have done that,

and I hope that you

can accept my apology.

- Fine.

- Great. Thank you. Thank you.

Besides that,

I'm here to ask you

beg you, to reconsider

and give Katie the job back.

She doesn't deserve to be punished just

because she has a crazy jealous boy friend.

Or had.

She broke up with me,

but I owe it to her

to at least try to right my wrongs.

Please.

Please, let Katie

play this role.

No.

What's done is done.

- Dennis, get these ass holes out of my house please.

- Okay, come on.

- Wait, Mr. Macy.

- No, I'm done here.

But this is just like

the "Master Maiden".

Exactly.

This is just like chapter 5. When uh...

Charlie almost banishes Lucy from

his manor in Canterbury, after he's

threatened by Sir Lyons of Nottingham Shire.

Okay, Sir Lyons and Lucy were

arranged to be married, right,

but then her father

suddenly dies,

and the pre-arrangement

became void.

Which is great,

because by that point,

Lucy's totally

in love with Charlie.

And then Sir Lyons, think Paul.

Is a jealous, petty man

who can't get over Lucy.

Right?

So when Sir Lyons walks in

on Lucy and Charlie

as Charlie is punishing her because

she over boiled the sheep's pudding

and he draws his sword.

Yeah Charlie banished her

at first.

But then he realized that it was Sir Lyons'

fault the whole time.

And again think Paul

when I say Sir Lyons,

'cause he's whinny

and he's insecure

and no impulse control.

Right?

But that doesn't mean

that Lucy should be banished.

Katie.

I think.

I think you should let

Katie back in the manor.

You need to get your Lucy back.

I got your job back.

- What?

- I went to Bryan's and I begged him for it.

It's a long story.

Jim was involved.

- But, yeah.

- Oh my god!

I went to Bryan's and convinced

him and he gave you the job back.

Paul!

Thank you!

Thank God!

That's so exciting.

Oh, thank you!

Oh! Um...

- What?

- Um...

I'm sorry.

I just...

I'm so grateful

that you got my job back,

but I, I still think

that we need a break.

No. Don't... What?

We just...

We've just been at each

other for so long.

And, and...

This whole situation

was awful, but no.

In a way,

I'm glad it all went down this way.

They past 24 hours has brought

so much stuff to light.

Especially with me

being in England.

I just...

I don't know how we're gonna fix it.

I know everything's not better

just because I got your job back.

The truth is

I never really loved you.

I thought I did.

And I said I did.

But I've been so angry

and jealous

and insecure,

there's no way that

I really could have.

So I'm sorry.

I'm very sorry

that I didn't love you

the way that you deserve

to be loved.

It's okay.

Rate this script:0.0 / 0 votes

Kat Foster

Kathryn Davidametja "Kat" Foster (born May 17, 1978) is an American actress known for her role as Steph Woodcock on 'Til Death. more…

All Kat Foster scripts | Kat Foster Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Dramatics: A Comedy" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/the_dramatics:_a_comedy_20112>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is "exposition" in screenwriting?
    A The introduction of background information
    B The climax of the story
    C The ending of the story
    D The dialogue between characters