The Dresser

Synopsis: In the closing months of World War Two ageing actor 'Sir' and his wife Her Ladyship bring Shakespeare to the provinces with a company depleted by conscription. 'Sir' is plainly unwell, discharging himself from hospital and Her Ladyship believes he should cancel his upcoming performance of 'King Lear'. However Norman, his outspoken, gay dresser disagrees and is determined that the show will go on, cajoling the confused 'Sir' into giving a performance - one which will be his swansong, at the same time drawing a parallel between King Lear and his fool as Norman, despite ultimate disappointment, serves his master.
Genre: Drama
Director(s): Richard Eyre
Production: Playground Productions
  Nominated for 1 Golden Globe. Another 1 win & 7 nominations.
 
IMDB:
6.8
Rotten Tomatoes:
100%
TV-14
Year:
2015
105 min
1,632 Views


'German aircraft carried out

a number of attacks

'on Great Britain last night.

'The raids,

which lasted for several hours,

'were scattered over many

parts of the country.

'And the enemy aircraft has been...

AIR- RAID SIREN

'.. reported over towns on

the south coast,

'the west of England, the North

Midlands and the north-west,

'as well as over the London area. '

He does nothing but cry.

Are they keeping him in?

They wouldn't let me stay.

The doctor said

I seemed to make matters worse.

I should never have taken him

to the hospital.

I don't know what came over me.

I should have brought him

back here where he belongs.

Why is his coat on the floor?

And his hat?

Drying out. They're wet through.

Well, how did he come to

be in such a state, Norman?

When you telephoned, I thought

at first that he'd been hurt

in the air raid. Oh, no.

Or had an accident.

Oh, no, not an accident.

No, I know because they said there

was no sign of physical injury.

Your Ladyship. He's in a state

of collapse. Yes, I know.

Well, how did he get like that?

Your Ladyship... What happened to

him? Sit down. Please, sit down.

We must remain calm.

The doctor said it must have been

coming on for weeks.

Oh, if not longer.

Well, I didn't see him this morning.

He left the digs before I woke.

Where was he all day?

Where did you find him? Well, what

happened was this, Your Ladyship.

After the last "all clear" sounded,

I went into Market Square

just as dusk was coming on.

Peculiar light, ever so yellowish.

I'd hoped to find a packet or two

of Brown & Polson's cornflour,

since our supplies are rather low.

So I was asking at this stall

and that's when I heard his voice.

Whose voice?

Sir's, of course.

He was taking off his overcoat -

in this weather!

"God help the man who stops me,"

he shouted, and then

he threw the coat to the ground just

like King Lear in the storm scene.

Look at it. I don't know

that I'll ever get it clean.

And he was so proud of it,

do you remember...?

Oh, no, perhaps it

was before your time.

The first Canadian tour, Toronto.

What happened after

he took off his coat?

Started on the hat!

Dunn's, Piccadilly, only a year ago,

down on the coat it went and

he jumped on it, he stamped on his

hat, viciously stamped on his hat.

Well, you can see.

Then he lifted his arms in the air

like he does to convey

sterility into Goneril's womb, "How

much further do you want me to go?"

His fingers were all of a fidget,

undoing his jacket,

loosening his collar and tie,

tearing at the buttons of his shirt.

Were there many people about?

A small crowd.

That's why I ran to him.

I didn't want him to stand there

looking ridiculous

with people all around, sniggering.

Did he see you?

Did he know who you were?

I didn't wait to find out.

I just took his hand and I said,

"Good evening, Sir, shouldn't

we be getting to the theatre?"

in my best nanny voice, the one

I use when he's being wayward.

He paid no attention.

He was shivering.

You shouldn't have let the public

see him like that.

It's easy to be wise after

the event, if you don't mind

my saying so, Your Ladyship,

but I tried to spirit him away,

not easy with a man

of his proportions.

Only, just then...

.. a woman approached,

quite old, wearing bombazine

under a tweed coat

but perfectly respectable.

She'd picked up his clothes

and wanted to help him dress.

And Sir said to the lady,

"Thank you, my dear,

but Norman usually helps me.

"I'd be lost without Norman,"

and I thought,

"Well, this is your cue, ducky,"

so I said,

"I'm Norman, I'm his dresser. "

And the woman, she had her hair in

curlers, she took his hand,

she kissed it, and she said,

"You was lovely in

The Corsican Brothers. "

He looked at her for a long time,

then he smiled sweetly,

you know the way he does

when he's wanting to charm?

"Thank you, my dear,

but you must excuse me.

"I have to make an exit,"

and he ran off.

He said, "I have to make an exit"?

Well, of course, I followed him,

fearing the worst.

I didn't know he could run so fast.

I just followed this trail of

discarded clothing, the jacket,

the waistcoat, and I thought,

"We can't have Sir doing a

striptease round town. "

But then I found him.

Leaning up against a lamppost.

Weeping. Where?

Outside the Kardomah.

Without a word,

hardly knowing what I was doing,

I led him to the hospital.

The sister didn't recognise him,

although later she said she'd

seen him last night as Othello.

A doctor was summoned,

short, bald, bespectacled,

and I was excluded

by the drawing of screens.

And then you telephoned me.

No, I waited.

I lurked, as Edgar says,

and I heard the doctor whisper,

"This man is exhausted.

This man is in a state of collapse. "

And that's how it happened.

He did nothing but cry.

Yes, you said.

I left him lying on top of the bed,

still in his clothes, crying,

no, weeping, as though he'd lost

control, had no choice,

wept and wept, floodgates.

What are we to do?

In an hour there will be

an audience in this theatre

hoping to see him as King Lear.

What AM I to do?

Well, don't upset

yourself, for a start.

Well, I've never had to make this

sort of decision before.

Any sort of decision before.

As soon as I came out

of the hospital I telephoned Madge

and asked her to meet me

here as soon as possible.

She'll know what to do.

Oh, yes, Madge'll know what to do.

She won't upset herself,

that's for certain.

No, Madge will be ever so sensible.

I suppose stage managers have to be.

I had a friend once,

had been a vicar before falling from

the pulpit and landing on the stage.

Ever so good as an ugly sister.

To the manner born.

His wife didn't upset easily.

Just as well, I suppose,

all things considered.

Madge reminds me of her.

Cold, businesslike, boring.

The doctor took me into a little

room littered with enamel dishes

full of blood-stained bandages.

The smell made me faint.

He asked me

about his behaviour in recent days.

Had I noticed anything untoward?

And what did you say?

If you don't mind my asking.

I lied.

I said he'd been perfectly normal.

I don't want to appear neglectful.

I should have been more vigilant.

Only last night I woke...

Is that Madge? No, it's Irene.

You were saying?

Last night you woke.

He was looking at me. He was naked.

It was bitter cold,

he was shivering.

He said, "Thank you for watching

over me but don't worry.

"Just go on looking after me.

"I have the feeling

I may do something violent. "

Talk about untoward.

I'm glad you didn't

tell the doctors that,

they'd have locked him up for good.

Last night, after Othello,

he asked me,

"What do we play tomorrow, Norman?"

I told him King Lear and he said,

"Then I shall wake with

the storm clouds over my head. "

I should have made him rest.

The doctor said he'd come to the end

of his rope and found it frayed.

So would anyone that had to

put up with

what he's had to put up with.

Rate this script:0.0 / 0 votes

Richard Eyre

Sir Richard Charles Hastings Eyre (born 28 March 1943) is an English film, theatre, television and opera director. more…

All Richard Eyre scripts | Richard Eyre Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Dresser" Scripts.com. STANDS4 LLC, 2024. Web. 26 Dec. 2024. <https://www.scripts.com/script/the_dresser_20116>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Dresser

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is "subtext" in screenwriting?
    A The underlying meaning behind the dialogue
    B The background music
    C The visual elements of the scene
    D The literal meaning of the dialogue