The English Teacher Page #4
I am...
I'm glad you brought it up.
You're right.
Tim is repressed.
He's spent his whole life bottling
up everything he feels.
That's why he hates
Jane so much.
Because she represents
everything he isn't.
She is wide open,
she can't hold back.
So when he hits her,
it's like all the rage
he's been suppressing over
and when it happens,
if it plays
the way it should,
it will not be trite.
Does that answer
your question?
Um... Yeah.
Thanks.
Yeah.
Any other comments?
Wonderful.
Let's move on.
As many of you know, I too was once
Shocking, I know.
The year was 1983.
walk-up on Avenue C,
waiting for my big break.
And then one day
I was called in to audition
for that living God
of Theater himself,
Mr. Stephen Sondheim.
And though
I wasn't ultimately cast,
I did receive a blessing
from the great man himself,
who took me aside and said three
little words that changed my life.
"Keep at it."
Well, I did keep at it,
and that's how I found my way here,
to Kingston, and to all of you.
And now, as we embark
on that...
...tough but oh-so-rewarding
road ahead,
I would like to honor Mr. Sondheim with
a humble blessing of my own...
And if our young documentarian
would care to commence filming...
Okay, hit it, George.
# Bit by bit,
putting it together
# Piece by piece,
the only way to make
a work of art
# Every moment
makes a contribution
plays a part
# Piece by piece...
I hate you worse
than your bleedin' da!
Shut your mouth,
you stupid girl!
I hate you worse
than your bleedin' da!
Let me hear it
one more time.
Shut your mouth,
you stupid girl!
I hate you worse
than your bleedin' da!
All the trees.
Watch, watch.
If a tree falls in a hallway...
...the entire world.
Shut your mouth,
you stupid girl!
I hate you worse
than your bleedin' da!
Carl, could I have a word?
Mmm-hmm.
Um...
It seems to me... And Carl...
Jason, uh, correct me if I'm wrong
that Margaret might
be a tad more menacing
if she were just
a tiniest bit more subdued.
Yes. Thank you.
You mean like Amanda
in The Glass Menagerie?
Dominating her children,
but with a deceptive softness.
The velvet glove
and the iron grip.
Exactly.
Hmm... Interesting.
Let's try it.
Sheila,
I have an idea.
That's a good note.
Shut your mouth,
you stupid girl.
I hate you worse
than your bleedin' da!
Jason!
Oh, sh*t.
I don't believe this.
I need to talk to you outside.
Let's go.
Excuse me, but you can't just
barge in here like this.
Excuse me, I'm gonna
talk to my son. Now!
- Let's go! - Uh, no. I don't think
you understand...
Ms. Sinclair,
it's fine.
Just go on without me, please.
Go on without me, guys.
I'll be right back.
Is he gonna be okay?
Perhaps not.
But all great art
comes from pain.
Remember that.
...making such a crazy scene
right now!
What is going on here?
This is my school. And when I
- it is my business.
- Now wait a second...
Your son challenging himself in ways
that any parent would be proud of.
And you finally show up,
and what do you do...
Do you show
any appreciation?
No! You drag him
from rehearsal.
Ms. Sinclair.
With all due respect,
you have no idea
what's going on here.
On the contrary.
I know exactly what's going on.
What... What are you talking about?
What is she talking about?
I've dealt with men like him before,
the alpha male.
You may fool most people,
but you don't fool me.
No, you do need to hear this!
Oh, all right then, go. Go!
Go! But know this,
you cannot stop this play!
Jason will have the life
he deserves, as an artist!
Fine!
- Oh. Oh, Jason...
- It's my ulcer.
- It's totally fine.
- Here.
All right. Okay.
Let's get back inside,
all right?
Let's get you inside.
- Oh, no.
- Thank you.
Come on in. I think
I have something for you.
Oh, where is it,
where is it?
- Okay.
Oh... Oh, I found it.
Okay.
Oh.
This is still okay.
Okay.
It'll be gone
in like 10 minutes.
Okay.
Here you go.
Oh...
Thank you.
I'm just glad
I had that bottle.
No, I mean thank you for what
you did outside.
For standing up
to him like that.
Well, you know what?
him that he's wrong.
Yeah.
Well, he's been doing
that ever since my mother...
Jason...
I'm so sorry.
I am so, so sorry.
It's okay.
He's an a**hole.
I know. I know.
I know.
Mmm.
Oops, sorry.
Okay.
I'm going to, uh,
head home now.
Okay.
- And we'll talk a little later.
- Mmm-hmm.
What had she done?
What had she done?
do happen.
The pages of literature
were filled with such affairs.
It was only natural that
...spill over.
for such a minor indiscretion.
Linda, dear.
I have a somewhat
delicate matter
to discuss with you.
What? What is it?
Jason and I were
talking and...
...we agree that the backdrop
in the Moth Queen's lair,
oomph than the voile,
but it puts us
a tiny bit over budget.
I hate to ask
but you did say...
How much?
We shall hang
a plaque in your honor.
Carl, it's fine.
I feel like if I had a cane,
I'd look more regal.
- Hey, Ms. Sinclair.
- Hello, Will.
Hey, did you speak to Kapinas
about the backdrop?
Yes! Yes,
I spoke with Carl.
May I have a private
word with you?
Yes. Sure.
- Shall we?
Okay.
- We can, uh, talk in here.
- Sure.
And while it is possible
to have a meaningful
relationship...
- Sure.
- I think...
It is best that
what happened,
uh, does not
happen again.
- Not that we did anything wrong.
- No. Not at all.
Because of the play...
The, um...
We must be professional.
The play requires
complete commitment
with no distractions
and no complications.
And as a playwright,
you need to keep a clear head
from now on in.
Right. Because the play's
the thing.
Yes! The play
is the thing.
- The play's the thing.
- Yes!
I'm glad
you're in agreement.
So we're still friends?
Oh, Jason, of course.
No. Of course we're friends.
- I was just worried for a second.
- No, no, no.
You have more important things
to worry about,
like whether or not Will nails that
funeral speech in Act two.
- Right. Because he always loses
focus in the middle. - He does.
Yes, he does, so you should get
out there and, um...
- And work on that, so...
- Yeah.
Well, I might
need your help.
Well, all right
then, um...
You will have it.
- Thank you.
- Let's do it!
- Um, well, no. Let's, uh,
we'll go out, and... - Yeah.
Excuse me.
Hi.
Just so you know...
Just for the record
I did not go to the school
because of the play.
I was there because
Jason lied to me.
- Dr. Sherwood, I'm not interested.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The English Teacher" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/the_english_teacher_7677>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In