
The Farmer Takes a Wife Page #5
- NOT RATED
- Year:
- 1935
- 91 min
- 74 Views
WELL, IF YOU GET MAD ENOUGH, WHY DON' YOU TRANSFER TO MR. WEAVER'S BOAT?
HE NEEDS:
A COOK.
OH, I COULD
GET A JOB EASY ENOUGH.
IT'S JUST THA HIS BOAT'S SO HANDY.
I AIN'T WORKED UP
ENOUGH YET.
MAYBE KLORE WAS JUS SHOWING OFF IN FRONT OF YOU.
WELL, I SUPPOSE I HAVE
TO MAKE HIS BREAKFAST.
SEE YOU WHEN:
THE FOG LIFTS.
WELL, I HOPE SO,
BUT MAYBE I WON'T.
- WHY?
- I MAY HIRE OUT TO MR. BUTTERFIELD.
- TODAY?
OH.
I JUST CAN' UNDERSTAND IT.
YOU HANKERING FOR A FARM!
HERE. HERE.
YOU CAN' SLEEP HERE!
GO IN:
YOUR OWN CABIN.
I WAN MY BREAKFAST.
YOU'LL GE YOUR BREAKFAST.
- I WANT EGGS.
- YOU'LL GET EGGS.
OH.
SO YOU THINK YOU CAN TELL ME
WELL, I WON' EAT EGGS!
WHAT DO YOU WANT?
I WANT... EGGS.
BUT I WANT 'EM
DIFFERENT.
I'M SICK
OF YOUR EGGS.
BOILED EGGS:
AND FRIED EGGS.
I WANT SOME:
BOILED FRIED EGGS!
THAT'S WHAT I WANT.
WELL, LISTEN, KLORE-
YOU ARE DRUNK NOW.
WHY DON'T YOU GO IN
AND GET SOME SLEEP
SO WE CAN GET OUTTA HERE THIS AFTERNOON.
I AIN'T GOT A TASTE
FOR THIS TOWN ANYMORE.
- THANKS.
- MORNING, DAN.
- MORNING, MRS. GURGET.
KNOW MOLLY:
GOT IN LAST NIGHT?
YES, MA'AM. SHE'S TIED UP TO OUR BOAT.
HEY, LOOK OUT!
NOW, WAIT A MINUTE, MOLLY.
BE CAREFUL.
HEY, DON'T THROW
THOSE EGGS!
HEY!
LIKE FUN YOU WILL!
WHAT'S THE MATTER,
MOLLY?
IT'S THIS HERE KLORE!
HE'S GONE AND GOTTEN ME
PRETTY MAD.
I'VE STOOD JUS ABOUT ENOUGH OF HIM.
HE AIN'T GONNA GIVE ME
NO LICKING,
AND I AIN'T WIPING NO
EGG OFF OF HIS FACE!
WHAT'S THE EGG
DOING THERE?
I PUT I THERE.
MUST HAVE THROWN THE WHOLE DOZEN AT HIM.
EXCUSE ME FOR MAKING YOU A WITNESS.
IF I WAS YOU, I'D UP AND LEAVE HIM.
THAT'S JUST WHAT I'M GONNA DO.
I AIN'T NEVER BEEN ASHAMED OF MYSELF,
AND I AIN'T GONNA BE ASHAMED
GET YOUR THINGS AND
I'LL SEE YOU LATER
IN THE HOTEL.
WELL, NOW THA YOU'VE QUIT KLORE,
WHY DON'T YOU
YOU'RE GOING
ON A FARM.
WILL THE COOKING
BE GOOD ON A FARM?
I GUESS NOT.
DO YOU LIKE:
CHICKEN PIE?
YES, MA'AM,
I DO.
WELL, I AIN'T BOASTFUL,
MR. HARROW,
BUT I DON'T KNOW
WHERE YOU COULD GE A BETTER CHICKEN-PIE MAKER THAN I AM.
- AND GRIDDLE CAKES ON MORNINGS LIKE THIS?
- I DO LIKE GRIDDLE CAKES.
WITH MR. WEAVER A WHILE LONGER?
I'D LIKE TO EAT YOUR COOKING, MA'AM,
BUT I DON'T THINK THE CANAL'S
EVER GONNA AMOUNT TO ANYTHING.
- WHAT?
- NO, MA'AM, I DON'T.
NOT WITH THE RAILROADS
YOU'RE FOR
THE RAILROADS, TOO!
WAIT A MINUTE, MA'AM, DON' GET YOUR DANDER UP AGAIN.
- YOU'RE FOR THE RAILROADS!
- NO, MA'AM, I AIN'T,
BUT THEY'RE BUILDING
RAILROADS ALL OVER NOW.
THE PEOPLE AND GOODS FROM EUROPE CAN
GO OUT WEST QUICKER ON THE RAILROADS
THAN THEY CAN:
ON THE CANAL.
THAT'S THE WAY THEY'RE
BUILDING UP THE COUNTRY.
NOW, DON'T GE YOUR DANDER UP.
I AIN'T.
I'LL NEVER GET ANYWHERE ON THE CANAL.
I KNOW A LO ABOUT A FARM.
MAYBE IF YOU HAD SOME GOOD CANAL
COOKING YOU'D FEEL DIFFERENT.
NO, MA'AM,
I WOULDN'T.
GOING ON MR. WEAVER'S BOAT THEN.
HE'LL GE ANOTHER DRIVER.
I DON'T KNOW WHETHER
WELL, I GOT TO
GET MY THINGS.
BUFFALO GAL, CAN' YOU COME OUT TONIGHT?
CAN YOU COME OUT TONIGHT,
CAN YOU COME OUT TONIGHT?
BUFFALO GAL, CAN'T YOU COME OUT TONIGH AND DANCE BY THE LIGHT OF THE MOON?
I ASKED HER:
WOULD SHE HAD SOME TALK
HAD SOME TALK,
HAD SOME TALK:
HER FEET COVERED UP THE WHOLE
SIDEWALK AS SHE STOOD CLOSE TO ME
BUFFALO GAL,
CAN'T YOU COME OUT TONIGHT?
CAN'T YOU COME OUT TONIGHT,
CAN'T YOU COME OUT TONIGHT?
BUFFALO GAL, CAN'T YOU COME OUT TONIGH AND DANCE BY THE LIGHT OF THE MOON?
- I'D LIKE TO MAKE THAT GAL MY WIFE
- HEY!
GAL MY WIFE,
GAL MY WIFE:
I'D BE HAPPY ALL MY LIFE
IF HAD HER BY ME
BUFFALO GAL, CAN' YOU COME OUT TONIGHT?
BUFFALO GAL, CAN'T YOU COME OUT TONIGH AND DANCE BY THE LIGHT OF THE MOON?
HELLO, DAN!
WAIT A MINUTE, BOYS.
HEY, DAN!
I JUST WON $5,000
IN THE OHIO STATE LOTTERY.
YOU BRUNG ME LUCK.
FROM TODAY ON, YOU'RE THE
CAPTAIN OF THE SARSEY SAL.
WE'LL DIVIDE WHA SHE MAKES EVEN-STEVEN.
YAY!
SCOTLAND! THAT'S A FINE
PRESENT, MR. WEAVER.
YOU'RE
HALF OWNER NOW.
GOSH, I DON'T KNOW
WHAT TO SAY.
IS THAT YOU'LL NEVER HAUL HOGS.
THINK IT OVER.
IF YOU STILL WANT A FARM,
YOU CAN BUY:
YOURSELF ONE THEN.
EXCUSE ME.
MISS LARKINS?
WILL YOU...
MARRY ME?
WHAT?
IT'S ABOU GETTING MARRIED.
YOU LIKE ME,
DON'T YOU?
YES, MA'AM,
I'VE GOT TO SAY I DO.
WELL, I LIKED YOU THE
FIRST TIME I SEEN YOU.
OH, THEN, NOW YOU'RE
GONNA STAY ON THE CANAL.
I WOULD IF I KNEW AT THE END OF I I COULD BUY US A FARM YOU'D LIKE.
WELL, WHAT IF
YOU FIND OU YOU LIKE THE ERIE
MORE THAN A FARM?
THEN I'LL STAY.
I'LL COME
AND COOK FOR YOU.
YOU DON'T WAN TO GET MARRIED NOW?
NOT TILL WE'RE
SURE OF OURSELVES.
LET'S MAKE A PROMISE-
AND YOU PROMISE NEVER
TO TALK ABOUT A FARM.
WE'LL SEE HOW
IT WORKS OUT.
I PROMISE.
I PROMISE, TOO.
THEN I'LL GET MY THINGS, MR. HARROW.
I GUESS I CAN CALL YOU
DAN NOW, MR. HARROW.
YES, MA'AM-
MOLLY.
CAN I HELP YOU:
PACK?
LAND OF GOSHEN, FORTUNE,
HE HAD:
A NERVOUS SHOCK.
SAM WEAVER WON $5,000 IN THE OHIO.
WELL, WHY SHOULD THAT GIVE YOU A SHOCK?
THE WINNING TICKET WAS MINE.
THEN HOW DID:
SAM GET IT?
I BOUGHT THE TICKE AND THEN SOLD IT TO SAM
IN A MOMENT OF FINANCIAL MISJUDGMENT.
OH, NOT THA I BEGRUDGE HIM,
BUT WHEN FATE DOES A
THING LIKE THAT TO YOU,
ONE WONDERS WHAT ELSE WILL HAPPEN.
- GOT ALL YOUR THINGS?
- YEAH.
KLORE NEVER:
EVEN MOVED.
HE'S GOING TO BE
MAD, I SUPPOSE.
- YOU AIN'T AFRAID, ARE YOU, DAN?
- NO.
WE'LL GIVE FORTUNE FRIENDLY
A JOB. HE CAN DRIVE.
HOUR. I'M ALREADY LOADED.
WELL, WAIT A MINUTE,
DAN.
- PUT IT FORWARD ON THE BOW END.
- WHY?
I WANT TO KEEP MY EYES OPEN
FOR ELDERBERRY BLOSSOMS.
4:
00.YES, SIR.
MOLLY AND DAN OUGHT TO BE JUS SAILING PAST ORISKANY BY NOW.
OOH!
KLORE IS AWAKE.
THE MINUTE HE HEARS MOLLY SKIPPED,
HE'LL WANNA FIGHT THE
I JUST HAPPEN:
TO THINK:
I'VE GOT TO
SEE IVY.
SIT DOWN!
MIGHT BE A GOOD IDEA IF
SAVE TROUBLE FOR MOLLY AND DAN.
WHERE MOLLY WENT,
SEND HIM OVER:
TO THE AGENT.
I- I'LL GO WITH YOU,
MR. WEAVER.
YOU'LL STAY
RIGHT HERE.
SOL, AIN'T NONE OF YOU GO NO BRISTLE ON YOUR BELLY
WHERE KLORE IS:
CONCERNED.
OH, HELLO,
SHERIFF.
HELLO,
SAMSON!
YOUR BROTHER'S A BOAT BUILDER, AIN'T HE?
- I'M BUYING A NEW BOAT.
SAY, SHERIFF, WE MIGHT TALK ABOUT THAT.
WILL YOU BE HERE
IN 10 MINUTES?
- I'LL WAIT FOR YOU.
- I'LL BE RIGHT BACK.
- HAVE YOU SEEN MOLLY?
- TELL HIM, ELMER.
- WHERE IS SHE?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Farmer Takes a Wife" Scripts.com. STANDS4 LLC, 2025. Web. 12 Mar. 2025. <https://www.scripts.com/script/the_farmer_takes_a_wife_20198>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In