The Flintstones Page #16
- PG
- Year:
- 1994
- 91 min
- 1,466 Views
82.
179 CONTINUED:
179BETTY:
I don't know why you want to go
to this thing... after the way
Fred's been treating you lately -BARNEY
Fred's in a high-powered
executive job, Betty. There's a
lot of pressure on him.
BETTY:
Yeah... and it's all around his
belt. If it wasn't for poor Wilma
I wouldn't give him the Geological
Time -BARNEY
Trust me, Betty. After the
Fibrerock debut, he'll be the same
old Fred.
Both react to the sound of HAMMERING and SAWING.
Curious, they go out the sliding bedroom door into the
yard and see -180
The television crew has just finished nailing boards up
over the top of the fence. Now the big potted plants
are dropped into place. With each hammer stroke or thud
a little more of the late afternoon sun is shut off
until Barney and Betty are in shadow.
Finally a canvas tarp is tossed as gracefully as pizza
dough, sails into the Rubble yard and covers their bird
bath. One last stray end lands on Barney's head.
CUT TO:
181 QUICK CUTS -FLINTSTONE YARD -ANGLE ON "KLEIG LIGHTS" 181
Inside each one, a little BIRD in hardhat and smoked
visor lights up the arc, gets knocked on his butt when
it catches.
BIRD:
(slowly getting up)
I've heard of a flash in the pan,
but this is ridiculous...
182 ON DINO 182
He's squirming uncomfortably under the attentions of two
crew members who are busy with scissors and combs and
brushes.
(CONTINUED)
83.
182 CONTINUED:
182Finally, they're done and leave him.
He has been cut and trimmed like a French poodle. He
gets a glimpse of himself in the swimming pool and freaks
out. Then he arches his back, shakes out the hairstyle.
183 CLOSER ON ROCKIN' LEACH 183
The MAIN TITLE of the show can be heard O.S.
ANNOUNCER (O.S.)
And now... the man who brings you
the romance and excitement you
crave... from the casinos of
Monte Carlrock to the glamour of
Hollyrock, here's your guide to
the Rockstyles of the Rich and
Famous, Rockin' Leach!
Leach takes his cue from the director -
LEACH:
(INTO CAMERA)
Good evening. Tonight we come
to you live from the ah... charming
pied a terre of the man of the
'our, Fred Flintstone -
Leach pauses, hearing the sound of someone CHIPPING AWAY
at a stone tablet... he looks up at -
184 HIS POV -FRED 184
He has just carved "FREDERICK" into a stone cue card
and points to it.
LEACH:
'Ere we are at the 'ome of
Bedrock's man o' the 'our,
Frederick Flint-
More CHIPPING. Leach looks up and sees:
186 HIS POV -FRED 186
Now he's carved something grander. Leach sighs, goes
on.
LEACH:
'Ere we are at the fabulous 'ome
of Bedrock's man o' the 'our,
Frederick von Flintstone -
84.
Barney and Betty appear, Bam-Bam in tow. They come out
into the yard. Betty waves at Wilma, who comes over,
whispers.
WILMA:
Thank heaven. There isn't one
person I know here.
BARNEY:
You mean beside Fred?
WILMA:
I mean including Fred.
They look over at -188
THE SET 188
Where Leach has pulled Fred on camera. Fred is posing,
fluffing his ascot, etc. We notice a "FVF" embroidered
patch on his jacket.
LEACH:
Frederick, of course, is the man
behind Fibrerock --the invention
that some predict will
revolutionize life in the future.
Frederick, 'ow does it feel to
know that you 'ave personally
brought the Stone Age as we know
it to a long-deserved end?
FRED:
(very affected accent)
Well, Rockin', you're right, I
mankind, and it's a sobering
thought. However, if I may add a
personal note at this time, I
myself cannot personally take
all the credit for Fibrerock...
189 WILMA, BARNEY, BETTY 189
react with hopeful expressions -See?
BARNEY:
(sotto, to them)
What'd I tell ya?
85.
FRED:
No, I could never have done it
without the inspiration and
support of a very special person.
I'm speaking, of course, of my
close friend and associate,
Mister Slate, founder and C.E.O.
of Slate Construction...
191 WILMA, BARNEY, BETTY 191
Barney's face falls. So do Wilma and Betty's.
CUT TO:
192 EXT. SLATE CITY -NIGHT 192
Slate City! In the far future, Manhattan will have New
Jersey... Philadelphia will have Levittown... L.A. will
have Burbank... but today Bedrock has... Slate City!
193 CLOSE ON "SLATE NEEDLE" AND FIBRESPHERE 193
Both decorated in pennants and bunting, connected to each
other by a gangway six stories up. Block letters on the
Fibresphere proclaim "Slate Construction brings you THE
WONDERFUL WORLD OF FIBRE." A heroic statue of Slate
himself stands close by the structures. (Sphere and
needle, of course, are dead on parodies of the Trylon
and Perisphere, centerpieces of the '39 World's Fair.)
A limousine pedaled by two chauffeurs pulls up. Mr. and
Mrs. Slate and Lava, and Lava's son, POINDEXTER, get out.
It is immediately evident that the little obnoxious acorn
hasn't fallen far from the tree.
POINDEXTER:
Wow! Is this ever keen! Dad, you
promise I can cut in all the lines?
LAVA:
Of course, Poindexter, of course.
They head for the mastodon and pully-powered elevator.
Standing there are Piltdown and Pyrite, both in security
guard uniforms. (Piltdown is carrying a vaguely-familiar
satchel). Lava gives them a big look. They nod. As
the elevator rises, his two cronies duck into a stairwell
marked "NO ADMITTANCE."
CUT TO:
194 RESUME -FLINTSTONE HOUSE 194
The party is in full swing.
(CONTINUED)
86.
194 CONTINUED:
194We see Pebbles and Bam-Bam squirming uncomfortably in
their party clothes. They take some canapes off of a
table, take a bite... spit them out.
195 FRED 195
Stands beaming, nodding to his guests.
FRED:
Hello, hello. Bon soir. Good to
see ya... glad you could make it...
GUEST:
(unconvincingly)
Hello, Frank...
FRED:
Fred --there's the bar, make
yourself at home --mi casa es
votre casa, so, when in Rome and
all that -WILMA
(coming over)
Fred, can I talk to you --?
Fred? Fred?
(concerned)
We have a serious problem with
Betty and Barney.
FRED:
(alarmed)
You mean you can see their
house --?
WILMA:
(exasperated)
I mean you're treating them
horribly! What's come over you,
Fred? Does a little money mean so
much to you that you just turn
your back on the things that
really count?
FRED:
Wilma, I'm shocked. I wouldn't do
that. Okay, I admit it: I'm
trying to make an impression here,
I wanna look good, I wanna be a
success...
He takes her hand, looks into her eyes.
Wilma's face softens.
For a moment,
(CONTINUED)
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