The Flying Machine

Synopsis: 'The Flying Machine' is a 3D live action/animation family feature film about a stressed out business-woman, Georgie (played by Heather Graham), who takes her two children to see the animation film 'Magic Piano', which is being performed live by world famous pianist Lang Lang. A magical event occurs and Georgie's kids get transported inside the animation world, and Georgie has to pursue them, with a little help from Maestro Lang Lang. The "Magic Piano" which is a stop-motion animation tells a story of Anna, a girl whose dad had to leave Poland to work in London. Anna and her cousin Chip Chip find a broken piano which magically transforms into a flying machine and takes them across the Europe. The girl hopes to meet her longing dad.
Genre: Adventure, Animation, Family
Director(s): Martin Clapp, Geoff Lindsey, Dorota Kobiela
Actors: Heather Graham, Benedict Wong, Lang Lang, Steve Cookman
Production: Media International Pictures
 
IMDB:
4.9
  The Flying Machine Movie Quotes »
Collection  Edit  Watch  PDF  Buy   
NOT RATED
Year:
2011
85 min
40 Views

[ CLASSICAL MUSIC PLAYS ]

THAT'S ME -- JANE.

YOU'LL E-MAIL ME THE

CONTRACTS RIGHT AWAY?

YOU'LL E-MAIL ME THE

CONTRACTS RIGHT AWAY?

THAT'S OUR MUM.

CONTRACTS RIGHT AWAY?

THAT'S OUR MUM.

GREAT, UH, I'LL GET THEM BACK

THAT'S OUR MUM.

GREAT, UH, I'LL GET THEM BACK

TO YOU AS SOON AS POSSIBLE.

GREAT, UH, I'LL GET THEM BACK

TO YOU AS SOON AS POSSIBLE.

AND THAT'S MY LITTLE BROTH,

TO YOU AS SOON AS POSSIBLE.

AND THAT'S MY LITTLE BROTH,

FRED.

AND THAT'S MY LITTLE BROTH,

FRED.

REALLY?

FRED.

REALLY?

THIS IS US ON THE AMAZING

REALLY?

THIS IS US ON THE AMAZING

DAY.

THIS IS US ON THE AMAZING

DAY.

OKAY, I'LL TALK TO YOU LATER.

DAY.

OKAY, I'LL TALK TO YOU LATER.

THE DAY OUR MUM...CHANGED.

OKAY, I'LL TALK TO YOU LATER.

THE DAY OUR MUM...CHANGED.

OOH.

THE DAY OUR MUM...CHANGED.

OOH.

KIDS, WASN'T THAT FANTASTIC?

OOH.

KIDS, WASN'T THAT FANTASTIC?

IT'S GONNA BE OUR DREAM HOME.

KIDS, WASN'T THAT FANTASTIC?

IT'S GONNA BE OUR DREAM HOME.

BUT, MUM, NOW WE'RE NOT GONNA

IT'S GONNA BE OUR DREAM HOME.

BUT, MUM, NOW WE'RE NOT GONNA

BE IN TIME FOR THE SHOW.

BUT, MUM, NOW WE'RE NOT GONNA

BE IN TIME FOR THE SHOW.

YOU'LL HAVE A ROOM FOR YOUR

BE IN TIME FOR THE SHOW.

YOU'LL HAVE A ROOM FOR YOUR

PIANO.

YOU'LL HAVE A ROOM FOR YOUR

PIANO.

SOUND-PROOFED.

PIANO.

SOUND-PROOFED.

YOU'RE GONNA BE CLOSER TO YOUR

SOUND-PROOFED.

YOU'RE GONNA BE CLOSER TO YOUR

DAD AND HIS DELIGHTFUL NEW

YOU'RE GONNA BE CLOSER TO YOUR

DAD AND HIS DELIGHTFUL NEW

FRIEND.

DAD AND HIS DELIGHTFUL NEW

FRIEND.

[ CELLPHONE RINGS ]

FRIEND.

[ CELLPHONE RINGS ]

HI.

[ CELLPHONE RINGS ]

HI.

[ SIGHS ]

HI.

[ SIGHS ]

YEAH, I'M JUST TAKING MY KIDS

[ SIGHS ]

YEAH, I'M JUST TAKING MY KIDS

TO THIS PIANO THING.

YEAH, I'M JUST TAKING MY KIDS

TO THIS PIANO THING.

I DON'T KNOW.

TO THIS PIANO THING.

I DON'T KNOW.

UH-HUH.

I DON'T KNOW.

UH-HUH.

I'M DOWNLOADING THE FIRST ONE

UH-HUH.

I'M DOWNLOADING THE FIRST ONE

RIGHT NOW.

I'M DOWNLOADING THE FIRST ONE

RIGHT NOW.

MUM, THAT'S IT!

RIGHT NOW.

MUM, THAT'S IT!

WE'RE HERE.

MUM, THAT'S IT!

WE'RE HERE.

UH-HUH.

WE'RE HERE.

UH-HUH.

YOUR E-MAILS ARE JUST COMING

UH-HUH.

YOUR E-MAILS ARE JUST COMING

THROUGH RIGHT NOW.

YOUR E-MAILS ARE JUST COMING

THROUGH RIGHT NOW.

PLEASE TAKE YOUR SEATS.

THROUGH RIGHT NOW.

PLEASE TAKE YOUR SEATS.

THE SHOW IS ABOUT TO BEGIN.

PLEASE TAKE YOUR SEATS.

THE SHOW IS ABOUT TO BEGIN.

THAT'S $30,000 MORE THAN MY

THE SHOW IS ABOUT TO BEGIN.

THAT'S $30,000 MORE THAN MY

LAST OFFER.

THAT'S $30,000 MORE THAN MY

LAST OFFER.

THERE SHE IS.

LAST OFFER.

THERE SHE IS.

MUM, YOU'VE MADE US LATE.

THERE SHE IS.

MUM, YOU'VE MADE US LATE.

I'LL GO TO $750,000, BU

MUM, YOU'VE MADE US LATE.

I'LL GO TO $750,000, BU THAT'S IT -- THE FINAL OFFER.

I'LL GO TO $750,000, BU THAT'S IT -- THE FINAL OFFER.

OUR MUM IS SO PRETTY...

THAT'S IT -- THE FINAL OFFER.

OUR MUM IS SO PRETTY...

DON'T WORRY, SWEETIE.

OUR MUM IS SO PRETTY...

DON'T WORRY, SWEETIE.

YOU'RE GONNA THANK ME WHEN WE'RE

DON'T WORRY, SWEETIE.

YOU'RE GONNA THANK ME WHEN WE'RE

IN THIS DREAM HOUSE I'M GETTING

YOU'RE GONNA THANK ME WHEN WE'RE

IN THIS DREAM HOUSE I'M GETTING

US.

IN THIS DREAM HOUSE I'M GETTING

US.

...AND PRETTY ANNOYING.

US.

...AND PRETTY ANNOYING.

WELL, EXACTLY.

...AND PRETTY ANNOYING.

WELL, EXACTLY.

I'M PROPOSING A COORDINATED

WELL, EXACTLY.

I'M PROPOSING A COORDINATED

COMMUNICATIONS DRIVE...

I'M PROPOSING A COORDINATED

COMMUNICATIONS DRIVE...

THAT BAG OF HERS IS A MOBIE

COMMUNICATIONS DRIVE...

THAT BAG OF HERS IS A MOBIE

OFFICE.

THAT BAG OF HERS IS A MOBIE

OFFICE.

EVERYTHING WILL RUN...

OFFICE.

EVERYTHING WILL RUN...

[ GASPS ]

EVERYTHING WILL RUN...

[ GASPS ]

[ CHUCKLES ]

[ GASPS ]

[ CHUCKLES ]

THANK YOU, FRED.

[ CHUCKLES ]

THANK YOU, FRED.

...LIKE CLOCKWORK.

THANK YOU, FRED.

...LIKE CLOCKWORK.

WELL, WHERE DID THESE NEW PEOPLE

...LIKE CLOCKWORK.

WELL, WHERE DID THESE NEW PEOPLE

COME FROM?

WELL, WHERE DID THESE NEW PEOPLE

COME FROM?

THEY CAN'T START BIDDING OUT OF

COME FROM?

THEY CAN'T START BIDDING OUT OF

THE BLUE LIKE THAT.

THEY CAN'T START BIDDING OUT OF

THE BLUE LIKE THAT.

LANG LANG COULD PLAY ALL OF

THE BLUE LIKE THAT.

LANG LANG COULD PLAY ALL OF

CHOPIN'S TUDES WHEN HE WAS 13.

LANG LANG COULD PLAY ALL OF

CHOPIN'S TUDES WHEN HE WAS 13.

REALLY, HONEY?

CHOPIN'S TUDES WHEN HE WAS 13.

REALLY, HONEY?

$800,000?

REALLY, HONEY?

$800,000?

HERE.

$800,000?

HERE.

WELL, FORTUNATELY, I HAVE A

HERE.

WELL, FORTUNATELY, I HAVE A

NICE, NEW CLIENT, SO...I'LL GO

WELL, FORTUNATELY, I HAVE A

NICE, NEW CLIENT, SO...I'LL GO

TO $800,000.

NICE, NEW CLIENT, SO...I'LL GO

TO $800,000.

MUM, I HAVE TO GE

TO $800,000.

MUM, I HAVE TO GE LANG LANG'S AUTOGRAPH.

MUM, I HAVE TO GE LANG LANG'S AUTOGRAPH.

FRED.

LANG LANG'S AUTOGRAPH.

FRED.

[ HUMMING ]

SO THAT WE ALL ENJOY OUR TRIP

ON THE FLYING MACHINE, PLEASE

REMEMBER TO SWITCH OFF YOUR

ON THE FLYING MACHINE, PLEASE

REMEMBER TO SWITCH OFF YOUR

MOBILE PHONES.

REMEMBER TO SWITCH OFF YOUR

MOBILE PHONES.

MUM.

MOBILE PHONES.

MUM.

HONEY, THESE CONTRACTS THA

MUM.

HONEY, THESE CONTRACTS THA ARE COMING THROUGH ARE REALLY

HONEY, THESE CONTRACTS THA ARE COMING THROUGH ARE REALLY

IMPORTANT.

ARE COMING THROUGH ARE REALLY

IMPORTANT.

[ SIGHS ]

IMPORTANT.

[ SIGHS ]

IT'S ON SILENT.

[ SIGHS ]

IT'S ON SILENT.

I PROMISE YOU WE CAN GET YOU

IT'S ON SILENT.

I PROMISE YOU WE CAN GET YOU

YOUR AUTOGRAPH AFTER.

I PROMISE YOU WE CAN GET YOU

YOUR AUTOGRAPH AFTER.

[ GASPS ]

YOUR AUTOGRAPH AFTER.

[ GASPS ]

[ CHEERS AND APPLAUSE ]

[ WIND WHISTLING ]

[ BIRDS CHIRPING ]

[ CLATTERING ]

[ ELECTRICITY CRACKLES ]

[ BANGING ]

[ MID-TEMPO MUSIC PLAYS ]

[ MUSIC INTENSIFIES ]

[ MUSIC SOFTENS ]

[ CHUCKLES ]

[ MUSIC INTENSIFIES ]

[ MUSIC STOPS ]

[ SLOW-TEMPO MUSIC PLAYS ]

[ BELL RINGS ]

OW!

[ MUSIC INTENSIFIES ]

[ SIGHS ]

[ MUSIC SOFTENS ]

[ SIGHS ]

[ MUSIC STOPS ]

[ BIRDS CHIRPING ]

[ MID-TEMPO MUSIC PLAYS ]

[ GROWLS ]

[ GASPS ]

[ MUSIC INTENSIFIES ]

[ GRUNTS ]

[ DOOR CLOSES ]

[ MUSIC SOFTENS ]

[ CRYING ]

[ SIGHS ]

[ MUSIC INTENSIFIES ]

[ SIGHS ]

[ MUSIC SOFTENS ]

[ MUSIC FADES ]

[ MUSIC INTENSIFIES ]

[ GASPS ]

[ GRUNTS ]

[ WHIMPERS ]

[ MUSIC STOPS ]

[ WIND WHISTLING ]

[ UP-TEMPO MUSIC PLAYS ]

[ MUSIC STOPS ]

[ UP-TEMPO MUSIC PLAYS ]

[ MUSIC INTENSIFIES ]

[ MUSIC SOFTENS ]

[ WHIMPERING ]

[ MUSIC INTENSIFIES ]

[ MUSIC STOPS ]

[ BIRDS CHIRPING ]

[ WINGS FLAPPING ]

[ WHIMPERS ]

[ GRUNTS ]

[ GRUNTS ]

[ UP-TEMPO MUSIC PLAYS ]

[ MUSIC INTENSIFIES ]

[ GRUNTS ]

[ GASPS ]

[ MUSIC SOFTENS ]

[ MUSIC STOPS ]

[ CREAKING ]

[ WIND WHISTLING ]

[ CREAKING ]

[ WIND WHISTLING ]

[ WHIMPERING ]

[ COMPASS CHIMES ]

[ BELL TOLLING ]

[ SLOW-TEMPO MUSIC PLAYS ]

[ MUSIC INTENSIFIES ]

[ MUSIC SOFTENS ]

[ GASPS ]

[ MUSIC INTENSIFIES ]

[ GRUNTS ]

[ MUSIC SOFTENS ]

[ BIRDS CHIRPING ]

[ COMPASS CHIMES ]

[ MUSIC STOPS ]

[ SIGHS ]

[ MUSIC STOPS ]

[ SIGHS ]

[ WINGS FLAPPING ]

[ SIGHS ]

Rate this script:0.0 / 0 votes

Geoff Lindsey

Geoff Lindsey is a British writer and director who has written episodes for television series including the BBC soap opera EastEnders and The Bill. Lindsey trained in directing at the Bournemouth Film School, where he wrote and directed the short film The Band Parts starring Graham Fellows. In 1999 he was selected for the Carlton Screenwriters course. This led to his writing the anthology tribute Inspector Morse: Rest In Peace, and to his first television episode commissions. As a lead writer on the soap opera Family Affairs, he wrote the UK's first ever interactive soap episodes. Lindsey directed Michael Palin in the short How to Use Your Coconuts for the DVD of Monty Python and the Holy Grail. With BreakThru Films, he wrote and directed the short film The Clap starring Steve Furst which was a finalist in Turner Classic Movies Classic Shorts 2005. For BreakThru Films' Magic Piano, Lindsey wrote the screenplay, and selected and arranged the musical score performed by Lang Lang. He also directed Lang Lang and Heather Graham in the live action segments of the feature-length The Flying Machine. Lindsey is also a pronunciation coach and gives workshops on contemporary English pronunciation, at University College London and internationally. He was interviewed on intonation as the studio guest of Stephen Fry on the BBC radio series Fry's English Delight. He has argued that the phonetic transcriptions for Received Pronunciation used in dictionaries are outdated as the upper-class accent of the 20th century has died out. He has proposed a replacement transcription system for a more modern form of British English.Lindsey previously worked as a lecturer in phonetics at University College London. He has an MA from UCL and an MA and PhD from University of California Los Angeles. more…

All Geoff Lindsey scripts | Geoff Lindsey Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Flying Machine" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/the_flying_machine_8364>.

    Powered by CITE.ME Cite.Me

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Flying Machine

    Browse Scripts.com

    #ABCDEFGHIJKLMNOPQRSTUVWXYZ 

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the purpose of a "tagline"?
    A A catchy phrase used for marketing
    B The opening line of a screenplay
    C A character’s catchphrase
    D The final line of dialogue