The Flying Machine Page #2

Synopsis: 'The Flying Machine' is a 3D live action/animation family feature film about a stressed out business-woman, Georgie (played by Heather Graham), who takes her two children to see the animation film 'Magic Piano', which is being performed live by world famous pianist Lang Lang. A magical event occurs and Georgie's kids get transported inside the animation world, and Georgie has to pursue them, with a little help from Maestro Lang Lang. The "Magic Piano" which is a stop-motion animation tells a story of Anna, a girl whose dad had to leave Poland to work in London. Anna and her cousin Chip Chip find a broken piano which magically transforms into a flying machine and takes them across the Europe. The girl hopes to meet her longing dad.
Genre: Adventure, Animation, Family
Director(s): Martin Clapp, Geoff Lindsey, Dorota Kobiela
Actors: Heather Graham, Benedict Wong, Lang Lang, Steve Cookman
Production: Media International Pictures
 
IMDB:
4.9
  The Flying Machine Movie Quotes »
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NOT RATED
Year:
2011
85 min
40 Views

[ WINGS FLAPPING ]

[ WIND WHISTLING ]

[ THUNDER RUMBLING ]

[ DRAMATIC MUSIC PLAYS ]

[ GRUNTS ]

[ COMPASS CHIMES ]

[ GLASS SHATTERS ]

[ MUSIC STOPS ]

[ BIRDS SQUAWKING ]

[ BELL TOLLS ]

[ MID-TEMPO MUSIC PLAYS ]

[ MUSIC INTENSIFIES ]

[ MUSIC SOFTENS ]

[ MUSIC INTENSIFIES ]

[ MUSIC SOFTENS ]

[ MUSIC STOPS ]

[ COMPASS CHIMES ]

[ SLOW-TEMPO MUSIC PLAYS ]

WE GLISTEN FREE:

WE FLOAT ALONG:

TOO HIGH TO CATCH

WE FLOAT ALONG:

TOO HIGH TO CATCH

LIKE PETALS IN THE WIND

TOO HIGH TO CATCH

LIKE PETALS IN THE WIND

NOT COMING DOWN:

LIKE PETALS IN THE WIND

NOT COMING DOWN:

I PRINT YOU IN MY MIND

NOT COMING DOWN:

I PRINT YOU IN MY MIND

WHERE I CAN SEE YOU

I PRINT YOU IN MY MIND

WHERE I CAN SEE YOU

UNTIL YOU'RE HOME AND STAY

WHERE I CAN SEE YOU

UNTIL YOU'RE HOME AND STAY

WITH ME:

UNTIL YOU'RE HOME AND STAY

WITH ME:

LEANING TOWARDS:

WITH ME:

LEANING TOWARDS:

THE FADING DAWN:

LEANING TOWARDS:

THE FADING DAWN:

WHERE WE'RE JUST PARTICLES

THE FADING DAWN:

WHERE WE'RE JUST PARTICLES

OF DUST AND DREAMS

WHERE WE'RE JUST PARTICLES

OF DUST AND DREAMS

VELOCITY:

OF DUST AND DREAMS

VELOCITY:

MOVING SILENTLY:

VELOCITY:

MOVING SILENTLY:

WE'RE CROSSING FASTER THAN THE

MOVING SILENTLY:

WE'RE CROSSING FASTER THAN THE

SPEED OF THINKING

WE'RE CROSSING FASTER THAN THE

SPEED OF THINKING

WE ARE...WHERE WE CAN

SPEED OF THINKING

WE ARE...WHERE WE CAN

BE TOGETHER:

WE ARE...WHERE WE CAN

BE TOGETHER:

AND STAY THE PATH WE'RE ON

BE TOGETHER:

AND STAY THE PATH WE'RE ON

KEEP THE FAITH IN WHA

AND STAY THE PATH WE'RE ON

KEEP THE FAITH IN WHA WE ALMOST TOUCHED

KEEP THE FAITH IN WHA WE ALMOST TOUCHED

NO MORE, NO LESS

TREATISE:

[ THUNDER RUMBLING ]

[ SLOW-TEMPO MUSIC PLAYS ]

[ THUNDER CRASHES ]

[ MUSIC INTENSIFIES ]

[ SCREAMS ]

[ MUSIC STOPS ]

[ MID-TEMPO MUSIC PLAYS ]

[ MUSIC INTENSIFIES ]

[ MUSIC SOFTENS ]

[ MUSIC ENDS ]

[ CHEERS AND APPLAUSE ]

HI, MURRAY.

DID I MISS A CALL FROM YOU?

OH! REALLY?

THEY ACCEPTED OUR $800,000?

THAT'S GOOD NEWS.

THEY ACCEPTED OUR $800,000?

THAT'S GOOD NEWS.

THAT'S FANTASTIC.

THAT'S GOOD NEWS.

THAT'S FANTASTIC.

OKAY, I'LL TALK TO YOU THEN.

THAT'S FANTASTIC.

OKAY, I'LL TALK TO YOU THEN.

WE GOT IT!

OKAY, I'LL TALK TO YOU THEN.

WE GOT IT!

WE GOT IT!

WE GOT IT!

WE GOT IT!

WE GOT OUR DREAM HOUSE!

WE GOT IT!

WE GOT OUR DREAM HOUSE!

WHOO-HOO!

WE GOT OUR DREAM HOUSE!

WHOO-HOO!

[ SIGHS ]

WHOO-HOO!

[ SIGHS ]

[ CELLPHONE RINGING ]

[ SIGHS ]

[ CELLPHONE RINGING ]

JAMES.

[ CELLPHONE RINGING ]

JAMES.

OH, WELL, THAT'S GREAT NEWS.

JAMES.

OH, WELL, THAT'S GREAT NEWS.

UM, BUT ACTUALLY, I NEED

OH, WELL, THAT'S GREAT NEWS.

UM, BUT ACTUALLY, I NEED

$800,000 NOW.

UM, BUT ACTUALLY, I NEED

$800,000 NOW.

[ CHUCKLES ]

BUT -- WELL, WHY NOT?

I HAVE EXCELLENT CREDIT HISTORY

AT YOUR BANK.

I HAVE EXCELLENT CREDIT HISTORY

AT YOUR BANK.

MUM, HURRY UP.

AT YOUR BANK.

MUM, HURRY UP.

[ SIGHS ]

MUM, HURRY UP.

[ SIGHS ]

MUM, I HAVE TO MEE

[ SIGHS ]

MUM, I HAVE TO MEE LANG LANG.

MUM, I HAVE TO MEE LANG LANG.

MUM, YOU PROMISED.

LANG LANG.

MUM, YOU PROMISED.

SHH!

MUM, YOU PROMISED.

SHH!

JUST DON'T GO ANYWHERE, AND LOOK

SHH!

JUST DON'T GO ANYWHERE, AND LOOK

AFTER YOUR BROTHER.

JUST DON'T GO ANYWHERE, AND LOOK

AFTER YOUR BROTHER.

WE--

AFTER YOUR BROTHER.

WE--

SO, THEY WON'T BUDGE ON THE

WE--

SO, THEY WON'T BUDGE ON THE

$770,000?

THIS IS SO UNFAIR.

[ NOTES PLAY ]

[ SIGHS ]

[ NOTES PLAY ]

[ SIGHS ]

SHE DIDN'T EVEN WANT US AROUND.

[ NOTES PLAYING ]

WELL, I'M ABOUT TO SIGN A

VERY LUCRATIVE CONTRACT, AND

THERE'S PLENTY OF OTHER BANKS IN

VERY LUCRATIVE CONTRACT, AND

THERE'S PLENTY OF OTHER BANKS IN

THE CITY.

THERE'S PLENTY OF OTHER BANKS IN

THE CITY.

SO, IF YOU WON'T GIVE ME WHAT I

THE CITY.

SO, IF YOU WON'T GIVE ME WHAT I

NEED, THEN I'LL GET IT SOMEWHERE

SO, IF YOU WON'T GIVE ME WHAT I

NEED, THEN I'LL GET IT SOMEWHERE

ELSE.

OH, NO.

KIDS?

[ GROANS ]

JANE? FRED?

WE HAVE TO GO NOW.

WE HAVE TO LEAVE.

WE HAVE TO GO NOW.

WE HAVE TO LEAVE.

I DON'T HAVE TIME FOR THIS.

WE HAVE TO LEAVE.

I DON'T HAVE TIME FOR THIS.

OH, UM, HAVE YOU SEEN AN

I DON'T HAVE TIME FOR THIS.

OH, UM, HAVE YOU SEEN AN

11-YEAR-OLD GIRL AND A

OH, UM, HAVE YOU SEEN AN

11-YEAR-OLD GIRL AND A

6-YEAR-OLD BOY?

11-YEAR-OLD GIRL AND A

6-YEAR-OLD BOY?

I THINK THEY WENT LOOKING FOR AN

6-YEAR-OLD BOY?

I THINK THEY WENT LOOKING FOR AN

AUTOGRAPH.

I THINK THEY WENT LOOKING FOR AN

AUTOGRAPH.

UH, I DON'T THINK THAT'S

AUTOGRAPH.

UH, I DON'T THINK THAT'S

WHERE THEY WENT.

UH, I DON'T THINK THAT'S

WHERE THEY WENT.

HMM.

WHERE THEY WENT.

HMM.

OKAY.

HMM.

OKAY.

JANE, FRED, THIS IS THE LAS

OKAY.

JANE, FRED, THIS IS THE LAS PIANO TRIP I'M TAKING YOU ON.

JANE, FRED, THIS IS THE LAS PIANO TRIP I'M TAKING YOU ON.

[ CHUCKLES ]

PIANO TRIP I'M TAKING YOU ON.

[ CHUCKLES ]

YOU THINK SO?

[ CHUCKLES ]

YOU THINK SO?

[ SCOFFS ]

YOU THINK SO?

[ SCOFFS ]

EXCUSE ME?

[ SCOFFS ]

EXCUSE ME?

TRY SEEING THINGS THEIR WAY.

EXCUSE ME?

TRY SEEING THINGS THEIR WAY.

HUH.

TRY SEEING THINGS THEIR WAY.

HUH.

IS THIS SOME KIND OF SILLY STUN

HUH.

IS THIS SOME KIND OF SILLY STUN THAT FRED PUT YOU UP TO?

OH.

OH.

[ UPBEAT MUSIC PLAYS ]

I THOUGHT THE SHOW WAS OVER.

[ UPBEAT MUSIC PLAYS ]

I THOUGHT THE SHOW WAS OVER.

THAT'S REALISTIC.

I THOUGHT THE SHOW WAS OVER.

THAT'S REALISTIC.

WHAT IS THAT?

THAT'S REALISTIC.

WHAT IS THAT?

[ IMITATING PLANE ENGINE ]

THE FLYING MACHINE.

HELLO.

HI.

UM, CAN YOU STOP THIS RIDE, OR

HI.

UM, CAN YOU STOP THIS RIDE, OR

WHATEVER IT IS?

UM, CAN YOU STOP THIS RIDE, OR

WHATEVER IT IS?

'CAUSE I HAVE IMPORTANT CALLS I

WHATEVER IT IS?

'CAUSE I HAVE IMPORTANT CALLS I

NEED TO MAKE AND CONTRACTS I

'CAUSE I HAVE IMPORTANT CALLS I

NEED TO MAKE AND CONTRACTS I

NEED TO BE STUDYING.

NEED TO MAKE AND CONTRACTS I

NEED TO BE STUDYING.

STUDYING?

NEED TO BE STUDYING.

STUDYING?

THIS IS THE WORLD OF CHOPIN'S

STUDYING?

THIS IS THE WORLD OF CHOPIN'S

STUDIES.

THIS IS THE WORLD OF CHOPIN'S

STUDIES.

THE TELESCOPE'S GONE.

STUDIES.

THE TELESCOPE'S GONE.

IT MUST HAVE BLOWN OFF IN THE

THE TELESCOPE'S GONE.

IT MUST HAVE BLOWN OFF IN THE

STORM.

IT MUST HAVE BLOWN OFF IN THE

STORM.

THE KIDS.

STORM.

THE KIDS.

WHERE ARE THE KIDS?

THE KIDS.

WHERE ARE THE KIDS?

[ TWINKLING ]

WHERE ARE THE KIDS?

[ TWINKLING ]

IT'S A MAP.

[ TWINKLING ]

IT'S A MAP.

"CHOPIN CAME TO LONDON NEAR THE

IT'S A MAP.

"CHOPIN CAME TO LONDON NEAR THE

END OF HIS LIFE.

"CHOPIN CAME TO LONDON NEAR THE

END OF HIS LIFE.

HERE, HE GAVE HIS VERY LAS

END OF HIS LIFE.

HERE, HE GAVE HIS VERY LAS CONCERT, ILL AND HOMESICK."

WARSAW.

[ COMPASS CHIMES ]

[ GASPS ]

[ COMPASS CHIMES ]

[ GASPS ]

THE FLYING MACHINE WANTS TO GO

[ GASPS ]

THE FLYING MACHINE WANTS TO GO

HOME.

THE FLYING MACHINE WANTS TO GO

HOME.

YEAH.

HOME.

YEAH.

WE HAVE TO GET HOME, TOO.

YOU'RE RIGHT.

MUM'S PROBABLY SOLD OUR HOME BY

NOW.

MUM'S PROBABLY SOLD OUR HOME BY

NOW.

OH, FRED, DON'T TOUCH THA

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Geoff Lindsey

Geoff Lindsey is a British writer and director who has written episodes for television series including the BBC soap opera EastEnders and The Bill. Lindsey trained in directing at the Bournemouth Film School, where he wrote and directed the short film The Band Parts starring Graham Fellows. In 1999 he was selected for the Carlton Screenwriters course. This led to his writing the anthology tribute Inspector Morse: Rest In Peace, and to his first television episode commissions. As a lead writer on the soap opera Family Affairs, he wrote the UK's first ever interactive soap episodes. Lindsey directed Michael Palin in the short How to Use Your Coconuts for the DVD of Monty Python and the Holy Grail. With BreakThru Films, he wrote and directed the short film The Clap starring Steve Furst which was a finalist in Turner Classic Movies Classic Shorts 2005. For BreakThru Films' Magic Piano, Lindsey wrote the screenplay, and selected and arranged the musical score performed by Lang Lang. He also directed Lang Lang and Heather Graham in the live action segments of the feature-length The Flying Machine. Lindsey is also a pronunciation coach and gives workshops on contemporary English pronunciation, at University College London and internationally. He was interviewed on intonation as the studio guest of Stephen Fry on the BBC radio series Fry's English Delight. He has argued that the phonetic transcriptions for Received Pronunciation used in dictionaries are outdated as the upper-class accent of the 20th century has died out. He has proposed a replacement transcription system for a more modern form of British English.Lindsey previously worked as a lecturer in phonetics at University College London. He has an MA from UCL and an MA and PhD from University of California Los Angeles. more…

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Submitted on August 05, 2018

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