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The Flying Machine Page #2
- NOT RATED
- Year:
- 2011
- 85 min
- 41 Views
[ WINGS FLAPPING ]
[ WIND WHISTLING ]
[ THUNDER RUMBLING ]
[ DRAMATIC MUSIC PLAYS ]
[ GRUNTS ]
[ COMPASS CHIMES ]
[ GLASS SHATTERS ]
[ BIRDS SQUAWKING ]
[ BELL TOLLS ]
[ MID-TEMPO MUSIC PLAYS ]
[ MUSIC INTENSIFIES ]
[ MUSIC SOFTENS ]
[ MUSIC INTENSIFIES ]
[ MUSIC SOFTENS ]
[ MUSIC STOPS ]
[ COMPASS CHIMES ]
[ SLOW-TEMPO MUSIC PLAYS ]
WE GLISTEN FREE:
WE FLOAT ALONG:
TOO HIGH TO CATCH
WE FLOAT ALONG:
TOO HIGH TO CATCH
LIKE PETALS IN THE WIND
TOO HIGH TO CATCH
LIKE PETALS IN THE WIND
NOT COMING DOWN:
LIKE PETALS IN THE WIND
NOT COMING DOWN:
NOT COMING DOWN:
I PRINT YOU IN MY MIND
WHERE I CAN SEE YOU
I PRINT YOU IN MY MIND
WHERE I CAN SEE YOU
UNTIL YOU'RE HOME AND STAY
WHERE I CAN SEE YOU
UNTIL YOU'RE HOME AND STAY
WITH ME:
UNTIL YOU'RE HOME AND STAY
WITH ME:
LEANING TOWARDS:
WITH ME:
LEANING TOWARDS:
THE FADING DAWN:
LEANING TOWARDS:
THE FADING DAWN:
WHERE WE'RE JUST PARTICLES
THE FADING DAWN:
WHERE WE'RE JUST PARTICLES
OF DUST AND DREAMS
WHERE WE'RE JUST PARTICLES
OF DUST AND DREAMS
VELOCITY:
OF DUST AND DREAMS
VELOCITY:
MOVING SILENTLY:
VELOCITY:
MOVING SILENTLY:
WE'RE CROSSING FASTER THAN THE
MOVING SILENTLY:
WE'RE CROSSING FASTER THAN THE
SPEED OF THINKING
WE'RE CROSSING FASTER THAN THE
SPEED OF THINKING
WE ARE...WHERE WE CAN
SPEED OF THINKING
WE ARE...WHERE WE CAN
BE TOGETHER:
WE ARE...WHERE WE CAN
BE TOGETHER:
AND STAY THE PATH WE'RE ON
BE TOGETHER:
AND STAY THE PATH WE'RE ON
KEEP THE FAITH IN WHA WE ALMOST TOUCHED
KEEP THE FAITH IN WHA WE ALMOST TOUCHED
NO MORE, NO LESS
TREATISE:
[ THUNDER RUMBLING ]
[ SLOW-TEMPO MUSIC PLAYS ]
[ THUNDER CRASHES ]
[ MUSIC INTENSIFIES ]
[ SCREAMS ]
[ MUSIC STOPS ]
[ MID-TEMPO MUSIC PLAYS ]
[ MUSIC INTENSIFIES ]
[ MUSIC SOFTENS ]
[ CHEERS AND APPLAUSE ]
HI, MURRAY.
DID I MISS A CALL FROM YOU?
OH! REALLY?
THAT'S GOOD NEWS.
THAT'S GOOD NEWS.
THAT'S FANTASTIC.
THAT'S GOOD NEWS.
THAT'S FANTASTIC.
THAT'S FANTASTIC.
OKAY, I'LL TALK TO YOU THEN.
WE GOT IT!
WE GOT IT!
WE GOT IT!
WE GOT IT!
WE GOT IT!
WE GOT OUR DREAM HOUSE!
WE GOT IT!
WE GOT OUR DREAM HOUSE!
WHOO-HOO!
WE GOT OUR DREAM HOUSE!
WHOO-HOO!
[ SIGHS ]
WHOO-HOO!
[ SIGHS ]
[ CELLPHONE RINGING ]
[ SIGHS ]
[ CELLPHONE RINGING ]
JAMES.
[ CELLPHONE RINGING ]
JAMES.
OH, WELL, THAT'S GREAT NEWS.
JAMES.
OH, WELL, THAT'S GREAT NEWS.
UM, BUT ACTUALLY, I NEED
OH, WELL, THAT'S GREAT NEWS.
UM, BUT ACTUALLY, I NEED
$800,000 NOW.
UM, BUT ACTUALLY, I NEED
$800,000 NOW.
[ CHUCKLES ]
BUT -- WELL, WHY NOT?
I HAVE EXCELLENT CREDIT HISTORY
AT YOUR BANK.
I HAVE EXCELLENT CREDIT HISTORY
AT YOUR BANK.
MUM, HURRY UP.
AT YOUR BANK.
MUM, HURRY UP.
[ SIGHS ]
MUM, HURRY UP.
[ SIGHS ]
MUM, I HAVE TO MEE
[ SIGHS ]
MUM, YOU PROMISED.
LANG LANG.
MUM, YOU PROMISED.
SHH!
MUM, YOU PROMISED.
SHH!
JUST DON'T GO ANYWHERE, AND LOOK
SHH!
JUST DON'T GO ANYWHERE, AND LOOK
AFTER YOUR BROTHER.
JUST DON'T GO ANYWHERE, AND LOOK
AFTER YOUR BROTHER.
WE--
AFTER YOUR BROTHER.
WE--
SO, THEY WON'T BUDGE ON THE
WE--
$770,000?
THIS IS SO UNFAIR.
[ SIGHS ]
[ SIGHS ]
SHE DIDN'T EVEN WANT US AROUND.
[ NOTES PLAYING ]
WELL, I'M ABOUT TO SIGN A
VERY LUCRATIVE CONTRACT, AND
THERE'S PLENTY OF OTHER BANKS IN
VERY LUCRATIVE CONTRACT, AND
THERE'S PLENTY OF OTHER BANKS IN
THE CITY.
THERE'S PLENTY OF OTHER BANKS IN
THE CITY.
SO, IF YOU WON'T GIVE ME WHAT I
THE CITY.
SO, IF YOU WON'T GIVE ME WHAT I
NEED, THEN I'LL GET IT SOMEWHERE
SO, IF YOU WON'T GIVE ME WHAT I
NEED, THEN I'LL GET IT SOMEWHERE
ELSE.
OH, NO.
KIDS?
[ GROANS ]
JANE? FRED?
WE HAVE TO GO NOW.
WE HAVE TO LEAVE.
WE HAVE TO GO NOW.
WE HAVE TO LEAVE.
WE HAVE TO LEAVE.
11-YEAR-OLD GIRL AND A
OH, UM, HAVE YOU SEEN AN
11-YEAR-OLD GIRL AND A
6-YEAR-OLD BOY?
11-YEAR-OLD GIRL AND A
6-YEAR-OLD BOY?
I THINK THEY WENT LOOKING FOR AN
6-YEAR-OLD BOY?
I THINK THEY WENT LOOKING FOR AN
AUTOGRAPH.
I THINK THEY WENT LOOKING FOR AN
AUTOGRAPH.
UH, I DON'T THINK THAT'S
AUTOGRAPH.
UH, I DON'T THINK THAT'S
WHERE THEY WENT.
UH, I DON'T THINK THAT'S
WHERE THEY WENT.
HMM.
WHERE THEY WENT.
HMM.
OKAY.
HMM.
OKAY.
JANE, FRED, THIS IS THE LAS
OKAY.
JANE, FRED, THIS IS THE LAS PIANO TRIP I'M TAKING YOU ON.
JANE, FRED, THIS IS THE LAS PIANO TRIP I'M TAKING YOU ON.
[ CHUCKLES ]
[ CHUCKLES ]
YOU THINK SO?
[ CHUCKLES ]
YOU THINK SO?
[ SCOFFS ]
YOU THINK SO?
[ SCOFFS ]
EXCUSE ME?
[ SCOFFS ]
EXCUSE ME?
TRY SEEING THINGS THEIR WAY.
EXCUSE ME?
HUH.
TRY SEEING THINGS THEIR WAY.
HUH.
IS THIS SOME KIND OF SILLY STUN
HUH.
IS THIS SOME KIND OF SILLY STUN THAT FRED PUT YOU UP TO?
OH.
OH.
THAT'S REALISTIC.
I THOUGHT THE SHOW WAS OVER.
THAT'S REALISTIC.
WHAT IS THAT?
THAT'S REALISTIC.
WHAT IS THAT?
[ IMITATING PLANE ENGINE ]
THE FLYING MACHINE.
HELLO.
HI.
UM, CAN YOU STOP THIS RIDE, OR
HI.
UM, CAN YOU STOP THIS RIDE, OR
WHATEVER IT IS?
UM, CAN YOU STOP THIS RIDE, OR
WHATEVER IT IS?
'CAUSE I HAVE IMPORTANT CALLS I
WHATEVER IT IS?
'CAUSE I HAVE IMPORTANT CALLS I
NEED TO MAKE AND CONTRACTS I
'CAUSE I HAVE IMPORTANT CALLS I
NEED TO MAKE AND CONTRACTS I
NEED TO BE STUDYING.
NEED TO MAKE AND CONTRACTS I
NEED TO BE STUDYING.
STUDYING?
NEED TO BE STUDYING.
STUDYING?
STUDYING?
THIS IS THE WORLD OF CHOPIN'S
STUDIES.
THIS IS THE WORLD OF CHOPIN'S
STUDIES.
THE TELESCOPE'S GONE.
STUDIES.
THE TELESCOPE'S GONE.
THE TELESCOPE'S GONE.
STORM.
IT MUST HAVE BLOWN OFF IN THE
STORM.
THE KIDS.
STORM.
THE KIDS.
WHERE ARE THE KIDS?
THE KIDS.
WHERE ARE THE KIDS?
[ TWINKLING ]
WHERE ARE THE KIDS?
[ TWINKLING ]
IT'S A MAP.
[ TWINKLING ]
IT'S A MAP.
"CHOPIN CAME TO LONDON NEAR THE
IT'S A MAP.
"CHOPIN CAME TO LONDON NEAR THE
END OF HIS LIFE.
"CHOPIN CAME TO LONDON NEAR THE
END OF HIS LIFE.
END OF HIS LIFE.
HERE, HE GAVE HIS VERY LAS CONCERT, ILL AND HOMESICK."
WARSAW.
[ COMPASS CHIMES ]
[ GASPS ]
[ COMPASS CHIMES ]
[ GASPS ]
THE FLYING MACHINE WANTS TO GO
[ GASPS ]
THE FLYING MACHINE WANTS TO GO
HOME.
THE FLYING MACHINE WANTS TO GO
HOME.
YEAH.
HOME.
YEAH.
YOU'RE RIGHT.
MUM'S PROBABLY SOLD OUR HOME BY
NOW.
MUM'S PROBABLY SOLD OUR HOME BY
NOW.
OH, FRED, DON'T TOUCH THA
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"The Flying Machine" Scripts.com. STANDS4 LLC, 2025. Web. 21 Feb. 2025. <https://www.scripts.com/script/the_flying_machine_8364>.
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