The Flying Machine Page #3

Synopsis: 'The Flying Machine' is a 3D live action/animation family feature film about a stressed out business-woman, Georgie (played by Heather Graham), who takes her two children to see the animation film 'Magic Piano', which is being performed live by world famous pianist Lang Lang. A magical event occurs and Georgie's kids get transported inside the animation world, and Georgie has to pursue them, with a little help from Maestro Lang Lang. The "Magic Piano" which is a stop-motion animation tells a story of Anna, a girl whose dad had to leave Poland to work in London. Anna and her cousin Chip Chip find a broken piano which magically transforms into a flying machine and takes them across the Europe. The girl hopes to meet her longing dad.
Production: Media International Pictures
 
IMDB:
4.9
NOT RATED
Year:
2011
85 min
40 Views


NOW.

OH, FRED, DON'T TOUCH THA THING.

OH, FRED, DON'T TOUCH THA THING.

YOU DON'T KNOW WHAT IT COULD --

THING.

YOU DON'T KNOW WHAT IT COULD --

[ CHUCKLES ]

YOU DON'T KNOW WHAT IT COULD --

[ CHUCKLES ]

[ BIRDS CHIRPING ]

THAT'S THE COAST.

FRED?

[ CHUCKLES ]

FRED?

[ CHUCKLES ]

HMM.

[ CHUCKLES ]

HMM.

ARE YOU SURE THIS IS THE RIGH

HMM.

ARE YOU SURE THIS IS THE RIGH THING TO DO?

ARE YOU SURE THIS IS THE RIGH THING TO DO?

UH-HUH.

[ IMITATING PLANE ENGINE ]

[ SIGHS ]

[ GASPS ]

HELLO.

[ GASPS ]

HELLO.

HELLO, THERE.

HELLO.

HELLO, THERE.

[ GASPS ]

HELLO, THERE.

[ GASPS ]

OKAY.

[ GASPS ]

OKAY.

THIS ISN'T JUST SOME KIND OF

OKAY.

THIS ISN'T JUST SOME KIND OF

RIDE, IS IT?

THIS ISN'T JUST SOME KIND OF

RIDE, IS IT?

UNH-UNH.

RIDE, IS IT?

UNH-UNH.

I DON'T KNOW WHAT'S GOING ON,

UNH-UNH.

I DON'T KNOW WHAT'S GOING ON,

BUT I DON'T THINK IT'S FUNNY.

I DON'T KNOW WHAT'S GOING ON,

BUT I DON'T THINK IT'S FUNNY.

[ CHOPIN'S "OCEAN TUDE" PLAYS ]

BUT I DON'T THINK IT'S FUNNY.

[ CHOPIN'S "OCEAN TUDE" PLAYS ]

I'M LATE.

[ CHOPIN'S "OCEAN TUDE" PLAYS ]

I'M LATE.

I'LL LOSE MY DEAL ON THE HOUSE.

I NEED TO MAKE CALLS.

NO SIGNAL.

THIS IS A DISASTER.

NO SIGNAL.

THIS IS A DISASTER.

WHERE ARE WE?

THIS IS A DISASTER.

WHERE ARE WE?

THIS IS THE OCEAN.

WHERE ARE WE?

THIS IS THE OCEAN.

I CAN SEE THAT.

THIS IS THE OCEAN.

I CAN SEE THAT.

IT'S THE "OCEAN TUDE."

[ SIGHING ]

"CHOPIN'S TRAVELS."

[ SIGHS ]

[ Chuckling ] ARE YOU FEELING

SICK?

"CHOPIN SOMETIMES TRAVELED ON

ACCOUNT OF HIS POOR HEALTH."

JANE, FRED.

ACCOUNT OF HIS POOR HEALTH."

JANE, FRED.

"MAJORCA, SPAIN."

JANE, FRED.

"MAJORCA, SPAIN."

OH, IT'S TAKING ME BACK.

"MAJORCA, SPAIN."

OH, IT'S TAKING ME BACK.

IS THIS IN MY HEAD?

OH, IT'S TAKING ME BACK.

IS THIS IN MY HEAD?

MAJORCA, THREE SHOWS A NIGHT,

IS THIS IN MY HEAD?

MAJORCA, THREE SHOWS A NIGHT,

PERMANENT BLISTERS ON MY FEET.

MAJORCA, THREE SHOWS A NIGHT,

PERMANENT BLISTERS ON MY FEET.

[ MUSIC INTENSIFIES ]

PERMANENT BLISTERS ON MY FEET.

[ MUSIC INTENSIFIES ]

COULDN'T HAVE BEEN ANY WORSE.

[ MUSIC INTENSIFIES ]

COULDN'T HAVE BEEN ANY WORSE.

"HERE, CHOPIN WAS DIAGNOSED

COULDN'T HAVE BEEN ANY WORSE.

"HERE, CHOPIN WAS DIAGNOSED

WITH THE LUNG DISEASE

"HERE, CHOPIN WAS DIAGNOSED

WITH THE LUNG DISEASE

TUBERCULOSIS."

WITH THE LUNG DISEASE

TUBERCULOSIS."

WELL, IT COULD'VE BEEN WORSE.

TUBERCULOSIS."

WELL, IT COULD'VE BEEN WORSE.

"SEVERAL TIMES, CHOPIN WEN

WELL, IT COULD'VE BEEN WORSE.

"SEVERAL TIMES, CHOPIN WEN TO HEALTH SPAS..."

"SEVERAL TIMES, CHOPIN WEN TO HEALTH SPAS..."

OH, MAYBE THIS IS MY

TO HEALTH SPAS..."

OH, MAYBE THIS IS MY

SUBCONSCIOUS TELLING ME THAT I

OH, MAYBE THIS IS MY

SUBCONSCIOUS TELLING ME THAT I

NEED TO TAKE A BREAK.

SUBCONSCIOUS TELLING ME THAT I

NEED TO TAKE A BREAK.

"...WHERE HE DRANK PINTS OF

NEED TO TAKE A BREAK.

"...WHERE HE DRANK PINTS OF

SULFUROUS WATER MIXED WITH

"...WHERE HE DRANK PINTS OF

SULFUROUS WATER MIXED WITH

GOAT'S MILK AND HERBS."

SULFUROUS WATER MIXED WITH

GOAT'S MILK AND HERBS."

NOT THAT KIND OF BREAK.

GOAT'S MILK AND HERBS."

NOT THAT KIND OF BREAK.

"HE ALSO HAD BLOODSUCKING

NOT THAT KIND OF BREAK.

"HE ALSO HAD BLOODSUCKING

LEECHES ATTACHED TO HIS THROAT."

"HE ALSO HAD BLOODSUCKING

LEECHES ATTACHED TO HIS THROAT."

BLEAGH!

LEECHES ATTACHED TO HIS THROAT."

BLEAGH!

THIS ISN'T A DREAM.

BLEAGH!

THIS ISN'T A DREAM.

IT'S A NIGHTMARE.

THIS ISN'T A DREAM.

IT'S A NIGHTMARE.

AM I HAVING A NERVOUS BREAKDOWN?

IT'S A NIGHTMARE.

AM I HAVING A NERVOUS BREAKDOWN?

[ SCREAMS ]

AM I HAVING A NERVOUS BREAKDOWN?

[ SCREAMS ]

JANE, FRED.

[ SCREAMS ]

JANE, FRED.

I NEED A HUG.

JANE, FRED.

I NEED A HUG.

[ WHIMPERS ]

I NEED A HUG.

[ WHIMPERS ]

HUH?

[ WHIMPERS ]

HUH?

[ WHIMPERING ]

HUH?

[ WHIMPERING ]

[ SCREAMS ]

[ WHIMPERING ]

[ SCREAMS ]

[ LAUGHS ]

[ MUSIC STOPS ]

[ Chuckling ] YEAH.

THAT WAS REALLY NICE.

[ Chuckling ] YEAH.

THAT WAS REALLY NICE.

YOU'VE DONE THAT BEFORE.

THAT WAS REALLY NICE.

YOU'VE DONE THAT BEFORE.

DON'T COMPLIMENT ME, OKAY?

YOU'VE DONE THAT BEFORE.

DON'T COMPLIMENT ME, OKAY?

[ SCOFFS ]

DON'T COMPLIMENT ME, OKAY?

[ SCOFFS ]

IF THIS IS REAL, THIS IS A

[ SCOFFS ]

IF THIS IS REAL, THIS IS A

KIDNAPPING, AND I KNOW ALL ABOU

IF THIS IS REAL, THIS IS A

KIDNAPPING, AND I KNOW ALL ABOU STOCKHOLM SYNDROME.

KIDNAPPING, AND I KNOW ALL ABOU STOCKHOLM SYNDROME.

[ SIGHS ]

STOCKHOLM SYNDROME.

[ SIGHS ]

BUT THIS ISN'T REAL.

[ SIGHS ]

BUT THIS ISN'T REAL.

I MEAN, IT REALLY DOES FEEL LIKE

BUT THIS ISN'T REAL.

I MEAN, IT REALLY DOES FEEL LIKE

WE'RE FLYING.

I MEAN, IT REALLY DOES FEEL LIKE

WE'RE FLYING.

[ SIGHS ]

WE'RE FLYING.

[ SIGHS ]

BUT, I MEAN, THAT CAN'T BE

[ SIGHS ]

BUT, I MEAN, THAT CAN'T BE

HAPPENING.

BUT, I MEAN, THAT CAN'T BE

HAPPENING.

CAN IT?

HAPPENING.

CAN IT?

AT LEAST TELL ME WHERE WE'RE

CAN IT?

AT LEAST TELL ME WHERE WE'RE

GOING.

AT LEAST TELL ME WHERE WE'RE

GOING.

ASK YOUR KIDS.

GOING.

ASK YOUR KIDS.

MY KIDS.

ASK YOUR KIDS.

MY KIDS.

WHOA!

MY KIDS.

WHOA!

WELL, IF FRED'S SETTING THE

WHOA!

WELL, IF FRED'S SETTING THE

COURSE, WE'RE TOAST.

WELL, IF FRED'S SETTING THE

COURSE, WE'RE TOAST.

WHOO-HOO!

OH, NO.

PARIS.

[ SLOW-TEMPO MUSIC PLAYS ]

ENOUGH WITH THE STUPID FACES.

THIS IS SERIOUS.

ISN'T IT BEAUTIFUL?

YEAH.

WHY HASN'T MUM EVER BROUGH

YEAH.

WHY HASN'T MUM EVER BROUGH US HERE?

WHY HASN'T MUM EVER BROUGH US HERE?

THAT'S WHERE I USED TO LIVE.

US HERE?

THAT'S WHERE I USED TO LIVE.

DOESN'T LOOK SO BAD FROM HERE.

THAT'S WHERE I USED TO LIVE.

DOESN'T LOOK SO BAD FROM HERE.

OH, THERE'S THAT FLOWER MARKET I

DOESN'T LOOK SO BAD FROM HERE.

OH, THERE'S THAT FLOWER MARKET I

USED TO GO TO.

WOW.

[ CHUCKLES ]

[ TWINKLING ]

"CHOPIN WAS A BIG STAR IN

[ TWINKLING ]

"CHOPIN WAS A BIG STAR IN

PARIS -- REALLY FASHIONABLE."

"HE ALSO HAD HIS HAIR DONE EVERY

DAY BY HIS OWN HAIRDRESSER."

[ Laughing ] THAT'S WORSE THAN

DAY BY HIS OWN HAIRDRESSER."

[ Laughing ] THAT'S WORSE THAN

MUM!

[ CHUCKLES ]

COOL.

FRED.

COOL.

FRED.

FRED, TAKE THAT OFF.

FRED.

FRED, TAKE THAT OFF.

THAT IS WRONG IN SO MANY WAYS.

FRED, TAKE THAT OFF.

THAT IS WRONG IN SO MANY WAYS.

[ SCREAMS ]

THAT IS WRONG IN SO MANY WAYS.

[ SCREAMS ]

[ PANTING ]

[ SCREAMS ]

[ GASPING ]

CHOPIN'S GRAVE.

HE WAS AWFULLY YOUNG WHEN HE

DIED.

"THERE WERE THOUSANDS OF

MOURNERS WHEN CHOPIN WAS BURIED

IN PARIS.

MOURNERS WHEN CHOPIN WAS BURIED

IN PARIS.

HIS GRAVE HAS BEEN COVERED IN

IN PARIS.

HIS GRAVE HAS BEEN COVERED IN

FLOWERS BY ADMIRERS EVER SINCE."

DID THEY COME ALL THIS WAY

JUST TO DO THAT?

"BUT ACCORDING TO HIS WISHES,

JUST TO DO THAT?

"BUT ACCORDING TO HIS WISHES,

HIS HEART WAS RETURNED TO

"BUT ACCORDING TO HIS WISHES,

HIS HEART WAS RETURNED TO

WARSAW."

HIS HEART WAS RETURNED TO

WARSAW."

REALLY?

WARSAW."

REALLY?

"AND SEALED IN A PILLAR OF THE

REALLY?

"AND SEALED IN A PILLAR OF THE

HOLY CROSS CHURCH."

"AND SEALED IN A PILLAR OF THE

HOLY CROSS CHURCH."

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Geoff Lindsey

Geoff Lindsey is a British writer and director who has written episodes for television series including the BBC soap opera EastEnders and The Bill. Lindsey trained in directing at the Bournemouth Film School, where he wrote and directed the short film The Band Parts starring Graham Fellows. In 1999 he was selected for the Carlton Screenwriters course. This led to his writing the anthology tribute Inspector Morse: Rest In Peace, and to his first television episode commissions. As a lead writer on the soap opera Family Affairs, he wrote the UK's first ever interactive soap episodes. Lindsey directed Michael Palin in the short How to Use Your Coconuts for the DVD of Monty Python and the Holy Grail. With BreakThru Films, he wrote and directed the short film The Clap starring Steve Furst which was a finalist in Turner Classic Movies Classic Shorts 2005. For BreakThru Films' Magic Piano, Lindsey wrote the screenplay, and selected and arranged the musical score performed by Lang Lang. He also directed Lang Lang and Heather Graham in the live action segments of the feature-length The Flying Machine. Lindsey is also a pronunciation coach and gives workshops on contemporary English pronunciation, at University College London and internationally. He was interviewed on intonation as the studio guest of Stephen Fry on the BBC radio series Fry's English Delight. He has argued that the phonetic transcriptions for Received Pronunciation used in dictionaries are outdated as the upper-class accent of the 20th century has died out. He has proposed a replacement transcription system for a more modern form of British English.Lindsey previously worked as a lecturer in phonetics at University College London. He has an MA from UCL and an MA and PhD from University of California Los Angeles. more…

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Submitted on August 05, 2018

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