The Flying Machine Page #6

Synopsis: 'The Flying Machine' is a 3D live action/animation family feature film about a stressed out business-woman, Georgie (played by Heather Graham), who takes her two children to see the animation film 'Magic Piano', which is being performed live by world famous pianist Lang Lang. A magical event occurs and Georgie's kids get transported inside the animation world, and Georgie has to pursue them, with a little help from Maestro Lang Lang. The "Magic Piano" which is a stop-motion animation tells a story of Anna, a girl whose dad had to leave Poland to work in London. Anna and her cousin Chip Chip find a broken piano which magically transforms into a flying machine and takes them across the Europe. The girl hopes to meet her longing dad.
Genre: Adventure, Animation, Family
Director(s): Martin Clapp, Geoff Lindsey, Dorota Kobiela
Actors: Heather Graham, Benedict Wong, Lang Lang, Steve Cookman
Production: Media International Pictures
 
IMDB:
4.9
  The Flying Machine Movie Quotes »
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NOT RATED
Year:
2011
85 min
40 Views

I CAN'T.

YES, YOU CAN.

I KNOW YOU CAN DO IT.

YES, YOU CAN.

I KNOW YOU CAN DO IT.

ALL IT TAKES IS DETERMINATION

I KNOW YOU CAN DO IT.

ALL IT TAKES IS DETERMINATION

AND A GOOD TEACHER.

ALL IT TAKES IS DETERMINATION

AND A GOOD TEACHER.

[ TWINKLING ]

[ CHOPIN'S "BLACK KEYS TUDE"

PLAYS ]

WOW.

[ CHUCKLES ]

[ MUSIC INTENSIFIES ]

[ MUSIC SOFTENS ]

[ SIGHS ]

[ MUSIC INTENSIFIES ]

WHOO!

YEAH!

OOH.

YEAH!

OOH.

WHOO!

OOH.

WHOO!

[ CHUCKLES ]

WHOO!

[ CHUCKLES ]

THAT WAS GREAT.

[ CHUCKLES ]

THAT WAS GREAT.

GOOD JOB.

THAT WAS GREAT.

GOOD JOB.

THANK YOU SO MUCH FOR

GOOD JOB.

THANK YOU SO MUCH FOR

EVERYTHING.

THANK YOU SO MUCH FOR

EVERYTHING.

AND, UM, I DIDN'T MEAN IT ABOU

EVERYTHING.

AND, UM, I DIDN'T MEAN IT ABOU THE HAIR.

AND, UM, I DIDN'T MEAN IT ABOU THE HAIR.

LOOK WHO IT IS.

THE HAIR.

LOOK WHO IT IS.

[ CHUCKLES ]

LOOK WHO IT IS.

[ CHUCKLES ]

[ LAUGHS ]

[ TWINKLING ]

[ WHISTLES ]

[ SLOW-TEMPO MUSIC PLAYS ]

IT WORKED.

COME ON.

WE DID IT.

COME ON.

WE DID IT.

COME ON.

[ TWINKLING ]

[ ALL GASP ]

[ MUSIC INTENSIFIES ]

THAT'S THE BIGGEST CHOPIN

MONUMENT IN THE WORLD, IN

SHANGHAI, CHINA -- MY COUNTRY.

MONUMENT IN THE WORLD, IN

SHANGHAI, CHINA -- MY COUNTRY.

CHINA?

SHANGHAI, CHINA -- MY COUNTRY.

CHINA?

[ GASPS ]

THIS PIANO STUFF IS PRETTY

AMAZING.

IF YOU REALLY LET IT, IT CAN

AMAZING.

IF YOU REALLY LET IT, IT CAN

TAKE YOU ANYWHERE.

IF YOU REALLY LET IT, IT CAN

TAKE YOU ANYWHERE.

ANYWHERE.

TAKE YOU ANYWHERE.

ANYWHERE.

EVEN HOME.

TOO LOW.

TOO LOW.

[ WHISTLES ]

TOO HIGH.

TOO HIGH.

IT'S LES SYLPHIDES.

WOW.

OH, THAT'S CHOPIN, TOO, ISN'

WOW.

OH, THAT'S CHOPIN, TOO, ISN' IT?

[ SNORTS ]

[ LAUGHS ]

WHOA!

[ MUSIC INTENSIFIES ]

[ MUSIC STOPS ]

[ SIGHS ]

HELLO?

[ INDISTINCT CONVERSATIONS ]

HELLO?

[ INDISTINCT CONVERSATIONS ]

HELLO?

[ INDISTINCT CONVERSATIONS ]

HELLO?

FRED, SHE WAS FANTASTIC.

HELLO?

FRED, SHE WAS FANTASTIC.

[ LAUGHTER ]

FRED, SHE WAS FANTASTIC.

[ LAUGHTER ]

UH-OH.

[ LAUGHTER ]

UH-OH.

[ SIGHS ]

UH-OH.

[ SIGHS ]

[ CHUCKLES ]

[ SIGHS ]

[ CHUCKLES ]

OH.

[ CHUCKLES ]

OH.

THAT WAS INCREDIBLE.

OH.

THAT WAS INCREDIBLE.

[ LAUGHS ]

THAT WAS INCREDIBLE.

[ LAUGHS ]

YOU ENJOYED THE SHOW?

[ LAUGHS ]

YOU ENJOYED THE SHOW?

UM, YES.

YOU ENJOYED THE SHOW?

UM, YES.

I PARTICULARLY LIKE YOUR SPREAD

UM, YES.

I PARTICULARLY LIKE YOUR SPREAD

2.5 OCTAVE CHORDS.

I PARTICULARLY LIKE YOUR SPREAD

2.5 OCTAVE CHORDS.

WHAT?

2.5 OCTAVE CHORDS.

WHAT?

LANG LANG JUST SHOWED ME HOW TO

WHAT?

LANG LANG JUST SHOWED ME HOW TO

PRACTICE THEM.

LANG LANG JUST SHOWED ME HOW TO

PRACTICE THEM.

SHE'S PRETTY GOOD.

PRACTICE THEM.

SHE'S PRETTY GOOD.

SHE SHOULD KEEP IT UP.

SHE'S PRETTY GOOD.

SHE SHOULD KEEP IT UP.

SHE'S FANTASTIC, AND SHE

SHE SHOULD KEEP IT UP.

SHE'S FANTASTIC, AND SHE

WILL.

SHE'S FANTASTIC, AND SHE

WILL.

FRED.

WILL.

FRED.

"TO JANE AND FRED."

FRED.

"TO JANE AND FRED."

JUST AS LONG AS HE DOESN'T TURN

"TO JANE AND FRED."

JUST AS LONG AS HE DOESN'T TURN

TUDES INTO PAPER PLANES AGAIN.

THE PIANO.

WHERE -- WHERE'S THE TELESCOPE

GONE?

WHERE -- WHERE'S THE TELESCOPE

GONE?

[ Chuckling ] MUM.

GONE?

[ Chuckling ] MUM.

IT WAS THE FLYING MACHINE THA

[ Chuckling ] MUM.

IT WAS THE FLYING MACHINE THA HAD A TELESCOPE -- IN THE FILM.

IT WAS THE FLYING MACHINE THA HAD A TELESCOPE -- IN THE FILM.

[ CHUCKLES ]

HAD A TELESCOPE -- IN THE FILM.

[ CHUCKLES ]

[ CELLPHONE RINGTONE PLAYS ]

[ CHUCKLES ]

[ CELLPHONE RINGTONE PLAYS ]

IS THAT ME?

[ CELLPHONE RINGTONE PLAYS ]

IS THAT ME?

FRED, DID YOU DOWNLOAD THIS

IS THAT ME?

FRED, DID YOU DOWNLOAD THIS

RINGTONE?

FRED, DID YOU DOWNLOAD THIS

RINGTONE?

I LOVE IT.

RINGTONE?

I LOVE IT.

AREN'T YOU GOING TO ANSWER

I LOVE IT.

AREN'T YOU GOING TO ANSWER

IT?

AREN'T YOU GOING TO ANSWER

IT?

YOU KNOW WHAT?

IT?

YOU KNOW WHAT?

I DON'T THINK I WILL.

YOU KNOW WHAT?

I DON'T THINK I WILL.

WASN'T IT IMPORTANT?

I DON'T THINK I WILL.

WASN'T IT IMPORTANT?

THE NEW HOUSE -- YOUR DREAM

WASN'T IT IMPORTANT?

THE NEW HOUSE -- YOUR DREAM

HOME?

THE NEW HOUSE -- YOUR DREAM

HOME?

YOU TWO ARE MY HOME, SILLY.

HOME?

YOU TWO ARE MY HOME, SILLY.

YOU KNOW WHAT'S IMPORTANT -- IS

YOU TWO ARE MY HOME, SILLY.

YOU KNOW WHAT'S IMPORTANT -- IS

THAT I TAKE YOU GUYS OUT FOR AN

YOU KNOW WHAT'S IMPORTANT -- IS

THAT I TAKE YOU GUYS OUT FOR AN

ICE CREAM.

THAT I TAKE YOU GUYS OUT FOR AN

ICE CREAM.

[ ALL CHUCKLE ]

ICE CREAM.

[ ALL CHUCKLE ]

MANGO.

[ ALL CHUCKLE ]

MANGO.

[ CHUCKLES ]

MANGO.

[ CHUCKLES ]

WHOA!

[ CHUCKLES ]

WHOA!

YOU CAN TELL ME ALL ABOUT THE

WHOA!

YOU CAN TELL ME ALL ABOUT THE

FLYING MACHINE.

YOU CAN TELL ME ALL ABOUT THE

FLYING MACHINE.

LANG LANG SAID I WAS GOOD A

FLYING MACHINE.

LANG LANG SAID I WAS GOOD A PIANO.

LANG LANG SAID I WAS GOOD A PIANO.

HE DID?

PIANO.

HE DID?

YOU ARE.

HE DID?

YOU ARE.

YOU'RE SO GOOD.

YOU ARE.

YOU'RE SO GOOD.

PRACTICE ALL YOU WANT.

YOU'RE SO GOOD.

PRACTICE ALL YOU WANT.

I CAN'T WAIT TO HEAR YOU.

AND THAT WAS THE DAY MUM

CHANGED.

I THOUGHT WE WERE GOING TO THE

CHANGED.

I THOUGHT WE WERE GOING TO THE

SHOW JUST FOR ME.

I THOUGHT WE WERE GOING TO THE

SHOW JUST FOR ME.

BUT IT TURNED OUT CHOPIN WAS

SHOW JUST FOR ME.

BUT IT TURNED OUT CHOPIN WAS

FOR ALL OF US.

WHEN WE WENT ON OUR WAY

ACROSS THE OCEAN

ACROSS THE OCEAN

WHEN WE LOST OUR GROUND AND

WHEN WE LOST OUR GROUND AND

HIT THE SKY:

HIT THE SKY:

WHEN WE LOST OUR VISION TO OUR

WHEN WE LOST OUR VISION TO OUR

EMOTIONS:

EMOTIONS:

WE HURT OURSELVES TO FEEL

WE HURT OURSELVES TO FEEL

ALIVE:

ALIVE:

IF WE OPEN UP THE WINDOWS

IF WE OPEN UP THE WINDOWS

AND SEE WHAT'S IN FRONT OF OUR

AND SEE WHAT'S IN FRONT OF OUR

EYES:

EYES:

'CAUSE WITHOUT TOUCHING YOU,

'CAUSE WITHOUT TOUCHING YOU,

WE'RE LIKE SHADOWS

WE'RE LIKE SHADOWS

RUNNING FREE LIKE GHOSTS

RUNNING FREE LIKE GHOSTS

DANCING AWAY:

DANCING AWAY:

DANCING AWAY:

DANCING AWAY:

CAN'T YOU SEE THEM COMING

CAN'T YOU SEE THEM COMING

OUT?

OUT?

DANCING AWAY:

DANCING AWAY:

DANCING AWAY:

DANCING AWAY:

IF WE DON'T GET BACK

IF WE DON'T GET BACK

TOGETHER:

TOGETHER:

THE LOVE:

THE LOVE:

WE ALMOST TOUCHED

WHY DON'T WE GET LOST WITHOU DIRECTIONS?

DIRECTIONS?

CAN WE PUT OUR FAITH IN THIS

CAN WE PUT OUR FAITH IN THIS

MACHINE?

MACHINE?

I CAN'T PROMISE YOU

I CAN'T PROMISE YOU

PROTECTION:

PROTECTION:

BUT I CAN GIVE YOU ALL MY

BUT I CAN GIVE YOU ALL MY

DREAMS:

DREAMS:

IF WE OPEN UP THE WINDOWS

IF WE OPEN UP THE WINDOWS

AND SEE WHAT'S IN FRONT OF OUR

AND SEE WHAT'S IN FRONT OF OUR

EYES:

EYES:

'CAUSE WITHOUT TOUCHING YOU,

'CAUSE WITHOUT TOUCHING YOU,

WE'RE LIKE SHADOWS

WE'RE LIKE SHADOWS

RUNNING FREE LIKE GHOSTS

RUNNING FREE LIKE GHOSTS

FLYING AWAY:

FLYING AWAY:

FLYING AWAY:

FLYING AWAY:

CAN'T YOU SEE THEM COMING

CAN'T YOU SEE THEM COMING

OUT?

OUT?

FLYING AWAY:

FLYING AWAY:

FLYING AWAY:

FLYING AWAY:

IF WE DON'T GET BACK

IF WE DON'T GET BACK

TOGETHER:

TOGETHER:

THE LOVE:

THE LOVE:

WE ALMOST TOUCHED

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Geoff Lindsey

Geoff Lindsey is a British writer and director who has written episodes for television series including the BBC soap opera EastEnders and The Bill. Lindsey trained in directing at the Bournemouth Film School, where he wrote and directed the short film The Band Parts starring Graham Fellows. In 1999 he was selected for the Carlton Screenwriters course. This led to his writing the anthology tribute Inspector Morse: Rest In Peace, and to his first television episode commissions. As a lead writer on the soap opera Family Affairs, he wrote the UK's first ever interactive soap episodes. Lindsey directed Michael Palin in the short How to Use Your Coconuts for the DVD of Monty Python and the Holy Grail. With BreakThru Films, he wrote and directed the short film The Clap starring Steve Furst which was a finalist in Turner Classic Movies Classic Shorts 2005. For BreakThru Films' Magic Piano, Lindsey wrote the screenplay, and selected and arranged the musical score performed by Lang Lang. He also directed Lang Lang and Heather Graham in the live action segments of the feature-length The Flying Machine. Lindsey is also a pronunciation coach and gives workshops on contemporary English pronunciation, at University College London and internationally. He was interviewed on intonation as the studio guest of Stephen Fry on the BBC radio series Fry's English Delight. He has argued that the phonetic transcriptions for Received Pronunciation used in dictionaries are outdated as the upper-class accent of the 20th century has died out. He has proposed a replacement transcription system for a more modern form of British English.Lindsey previously worked as a lecturer in phonetics at University College London. He has an MA from UCL and an MA and PhD from University of California Los Angeles. more…

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Submitted on August 05, 2018

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