The Glenn Miller Story Page #6

Synopsis: The unemployed trombone player Glenn Miller is always broken, chasing his sound to form his band and hocking his instrument in the pawn house to survive. When his friend Chummy MacGregor is hired to play in the band of Ben Pollack, the band-leader listens to one Glenn's composition and invites him to join his band. While traveling to New York, Glenn visits his former girlfriend Helen Berger, in Boulder, Colorado, and asks her to wait for him. Two years later he quits the band and proposes Helen that moves to New York to marry him. After the success of "Moonlight Serenade", Glenn Miller's band becomes worldwide known and Glenn and Helen and their two children have a very comfortable life. Duting the World War II, Glenn enlists in the army and travels to Europe to increase the moral of the allied troops. In the Christmas of 1944, he travels from London to Paris for a concert to be broadcast; however his plane is never found in the tragic flight.
Director(s): Anthony Mann
Production: Universal Pictures
  Won 1 Oscar. Another 6 nominations.
 
IMDB:
7.3
Rotten Tomatoes:
88%
APPROVED
Year:
1954
115 min
343 Views


My birthday? That isn't till next November.

This is for your last birthday.

- Oh, Glenn!

- They're just real.

Here, let me try 'em on for size.

There.

Hm. Not bad.

I forgot to tell you the name of that tune.

We call it String Of Pearls.

- Hi, Mother, Dad!

- Hi, Glenn.

You rested up ready for the big night?

We've had a wonderful time

with little Stevie.

- Quite a boy. Big for his age.

- Isn't he?

I can't tell you how much

it's meant to us to have him.

- Is everything all set?

- Yes, dear.

- Did you get Helen out of the house?

- Oh, yes.

- Where'd she go?

- I suppose she's shopping.

A girl doesn't have

a tenth wedding anniversary every day!

- You sure she doesn't suspect anything?

- Oh, no.

- Is everything all set back here?

- Oh, yes.

I think Helen'll get a big kick out of this.

She certainly will, Glenn.

I've been lookin' about.

Quite a place you got here.

It's beautiful, Glenn.

- Paid for, is it?

- Yes, it's paid for.

- Must be doin' pretty well.

- We hear him every night on that radio!

That's only 15 minutes.

Don't suppose it pays much.

Then there's the records.

And he's playing at the Hotel Pennsylvania.

How much do they pay

for playing on one of those records?

- We get three cents a record.

- Three cents?

Have to sell a heap of records

to make it worthwhile.

But they do, dear!

- Let's go see Stevie.

- No, Helen wants us to wait.

Why? Come on.

Sure, we can go on up there.

- Hi. Stevie and I have a surprise for you.

- You do?

- Let's go up to the nursery.

- Come on.

How many copies

of a record do they sell, son?

Moonlight Serenade,

we sold about 800,000 copies.

- Did you say 800,000?

- That's right.

What's...

Look what just arrived.

This is Stevie's new baby sister.

- Can I pick her up?

- I think so. She's your daughter.

Well, well, well.

So you're Jonnie Dee!

Look, she's beautiful! Isn't she?

Look at those red cheeks.

Stevie, look at your baby sister.

Isn't she beautiful?

- You sure surprised him!

- I've been planning it for months.

- I told 'em I just had to have her today.

- How old is she?

- Six weeks today.

- Old lady.

- She's a hungry old woman.

- This is gonna take some expert action.

Her young father's gonna feed her.

Let's have the bottle.

Here, now. Here we go.

All right, Jonnie Dee. There we are.

How's your appetite?

There! Is this hot enough?

That's a good girl. The kid's starved.

- Helen, we'll be late for the theatre.

- Coming.

- I'll get the car.

- All right, dear.

Glenn, I've been figuring. 800,000 records

at three cents apiece, that's $24,000.

- That's right.

- Just for one record?

Well, you certainly are doing well at that!

All right, boys, right over here.

You all set? All right.

Helen, come on!

I'm coming!

(# Band plays Here Comes The Bride)

(All) Congratulations!

What a surprise!

- Oh, Mother!

- Darling!

Oh, I'm glad to see you!

- Polly, Don. How are you?

- It's a wonderful surprise!

- We sort of surprised each other.

- Yes, we did!

I've got another surprise.

The band has a number,

and that's exactly what it is, a number.

This is based on a telephone number

that was kind of important to you and me,

Helen, about ten years ago.

Here we go. One. Two.

(# Upbeat intro)

Now, listen to this. Now, watch.

(Ringing)

Pennsylvania 6-5000!

- Remember?

- Yes!

(Ringing)

Pennsylvania 6-5000!

Would you like to make this

a really memorable evening?

- Dance with me.

- In front of all these people?

In all the years we've been married

you've never danced with me.

- And I may never get another chance.

- Here we go.

- Now.

- (Ringing)

- Pennsylvania 6-5000!

- Good.

- Hi, Joe.

- Hi, Glenn.

Glad to see ya.

That's good.

Come on, don't stand around.

Come on! Dance it up!

Come on, let's try something.

- That's pretty good. Let's try that again.

- All right.

I think I better go back to the trombone.

You sit down there.

All right, you.

- (Ringing)

- Pennsylvania 6-5-0-0-0!

I'm kinda glad you called me that night.

So am I.

All right, let's have something to eat.

Come on. Come on, dear.

- We're cutting a record of that.

- A record?

- Three cents?

- Right.

That's my boy!

You oughta use that number in your picture.

Picture?

Glenn and the boys

are gonna do a movie in the fall.

- Are you gonna be a movie star?

- Yes, Mother.

I'm gonna play Tarzan and

swing from the trees playing my trombone.

I'd like to propose a toast.

To Glenn and Helen,

who serve the best food in town.

Besides, the price is right.

We can remember when it wasn't like this.

May you be as happy together always

as you are tonight.

Thank you, Chummy.

That was a very nice speech.

It oughta be, I worked on it all day!

- You did?

- (Laughter)

I thought your special number was gonna be

Helen's favourite, Little Brown Jug.

He'd never do that. He hates it.

I knew this would come up sooner or later.

So I have an anniversary present

for my good wife

and on the card it says,

"Ha-ha-ha, you and me

"We hardly ever disagree

"So here you are, this will be

"The one brown jug you'll get from me."

- Roll 'em for a take.

- M3-45, take one.

Here we go.

One, two, three, four.

(# Tuxedo Junction)

All right. Save it.

- Hello, everybody.

- Hi, Helen.

Well, hi, dear.

- I thought you'd like lunch.

- I sure would.

I brought the mail.

Chummy, we still have a little time.

Why don't you go over At Last?

Let's go up to the control booth.

- Anything wrong?

- No, no.

Come on, sit down, honey.

Helen, I wanted to talk to you about...

With this picture deal

and the record sales and everything,

- we're pretty well fixed.

- Yes.

And, no matter what happens,

you and the kids,

- you're in good shape.

- Yes, I know.

Can you come to Men's Wardrobe at two?

- Yeah.

- Thank you.

So, I thought that...

What I'm trying to get at...

I've been thinking... Yeah?

On Tuxedo Junction,

we'll have a wax right after lunch.

Fine. Thanks very much.

- So...

- Open the letter from the War Department.

- I'm sure it's your commission.

- How do you know?

I've known it for months.

I knew it was only a question of time.

I just put in for it two weeks ago.

I guess you found out about it before I did.

Go on, open it.

I want to know what to call you.

Let's see.

This is it all right.

Captain. Captain Alton G Miller.

Serial number 0-4-5-0-5-2-7-3.

How soon will you be leaving,

Captain Miller?

I don't know. It usually takes about a month.

Don wants to go with me,

so do some of the boys.

- Are you gonna have your own band?

- I hope so.

You know, all the kids

that liked our music are in the service.

- That's the reason I...

- I understand.

I think you'll look very handsome in uniform.

What do you think about it?

Are you upset?

Of course I'm upset.

I don't want you to go

but I guess I'd be

even more upset if you didn't.

(# Marching music)

- They sound good.

- Do we have to play this kind of music?

We've marched to this music

Rate this script:0.0 / 0 votes

Valentine Davies

Valentine Loewi Davies (August 25, 1905 – July 23, 1961) was an American film and television writer, producer, and director. His film credits included Miracle on 34th Street (1947), Chicken Every Sunday (1949), It Happens Every Spring (1949), The Bridges at Toko-Ri (1954), and The Benny Goodman Story (1955). He was nominated for the 1954 Academy Award for Best Original Screenplay for The Glenn Miller Story. Davies was born in New York City, served in the Coast Guard, and graduated from the University of Michigan where he developed his writing skill with a column in the Michigan Daily and honed his skills further as a graduate student at Yale Drama School. He walked away from his family's successful real estate business in New York and moved to Hollywood to become a screenwriter. He wrote a number of Broadway plays and was president of the Screen Writers Guild and general chairman of the Academy Awards program. He wrote the story for the 1947 film Miracle on 34th Street, which was given screen treatment by the director, George Seaton. Davies also did a novelization of the story, which was published as a novella by Harcourt Brace & Company in conjunction with the film release. Miracle on 34th Street earned him an Academy Award for Best Story. From 1949-50, he served as President of the Screen Writers Guild. He died in 1961 at his home in Malibu, California when he was fifty-five years old. His secretary at the time of his death, Marian Saphro, recalled many years later that her boss died in the midst of a heavy laugh. The Valentine Davies Award was established in 1962, the year following his death, by the Writers Guild of America, West, in his honor. It has been awarded annually, excepting the years 2006, 2010, and 2015. more…

All Valentine Davies scripts | Valentine Davies Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Glenn Miller Story" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/the_glenn_miller_story_9037>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Glenn Miller Story

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In which year was "The Dark Knight" released?
    A 2008
    B 2007
    C 2010
    D 2009