The Glenn Miller Story Page #7

Synopsis: The unemployed trombone player Glenn Miller is always broken, chasing his sound to form his band and hocking his instrument in the pawn house to survive. When his friend Chummy MacGregor is hired to play in the band of Ben Pollack, the band-leader listens to one Glenn's composition and invites him to join his band. While traveling to New York, Glenn visits his former girlfriend Helen Berger, in Boulder, Colorado, and asks her to wait for him. Two years later he quits the band and proposes Helen that moves to New York to marry him. After the success of "Moonlight Serenade", Glenn Miller's band becomes worldwide known and Glenn and Helen and their two children have a very comfortable life. Duting the World War II, Glenn enlists in the army and travels to Europe to increase the moral of the allied troops. In the Christmas of 1944, he travels from London to Paris for a concert to be broadcast; however his plane is never found in the tragic flight.
Director(s): Anthony Mann
Production: Universal Pictures
  Won 1 Oscar. Another 6 nominations.
 
IMDB:
7.3
Rotten Tomatoes:
88%
APPROVED
Year:
1954
115 min
343 Views


for a hundred years.

- That's what I mean.

- We're not gonna change now, Captain.

We gotta do better

than this for General Arnold.

(# Military drumming)

(# Upbeat swing)

In all my 27 years in the Army

I have never witnessed a more

flagrant breach of military decorum.

- Sorry, Colonel.

- And walking through a reviewing column!

- I had to get to the band, sir.

- Then playing blues!

You made a laughing stock of this entire

unit, and in front of General Arnold!

- I had no such intentions.

- What was your intention?

Blasting out right in the General's face!

The men seemed tired, sir.

- The men's condition is my responsibility.

- Yes, sir.

I must warn you that your conduct calls

for disciplinary action.

- Yes, sir.

- (Knock on door)

Come in.

Just wanted to say goodbye,

we're due in Washington tonight.

General Arnold, it's been a pleasure.

- I'm sorry that...

- Aren't you Captain Glenn Miller?

- Yes, sir.

- I want to congratulate you on your band.

- Thank you, sir.

- Great morale builder.

The effect was astonishing!

Keep up the good work.

- Yes, sir.

- I like your music myself.

Makes me think of home.

My children play your records day and night.

- May I make a suggestion, sir?

- Certainly.

I'd like to suggest that I be given

the authority to form my own band.

Play my kind of music.

Most of my men are in the service.

If we can be sent overseas,

I know we can be of value.

As you say, I think we can give the boys

a piece of home.

I must say I agree with you, Miller.

- I'll see what I can do.

- Thank you, sir.

Glenn!

Well, gee, I didn't expect this!

General Arnold brought us.

General, thank you.

I appreciate everything you've done.

A pleasure. I'll probably get court-martialled

but I brought 'em anyway.

- Good luck.

- Thank you.

- Goodbye and thank you.

- I enjoyed it.

- Goodbye, General.

- Goodbye.

Well, Jonnie Dee.

You got a hug for your daddy?

Got a hug for your daddy?

That's a girl!

How about you, young man?

How about you?

- Can I fly in your airplane?

- I'm afraid not.

You have to stay

and take care of your mother.

You be good

and don't cause him any trouble.

- I'll try not to. You take care of yourself.

- Don't worry.

You show 'em a picture of me

every once in a while.

I promise. And I'll read them your letters,

if you write.

I'm gonna write.

Gee, I'm gettin' homesick already.

It's funny how you can miss a person

even before he's gone.

Hurry it up, Glenn.

Goodbye, dear.

Goodbye, Stevie. Bye.

(Air-raid siren)

This is Glenn Miller

and the American Band of the AEF.

coming to you from Buzz Bomb Alley

through the courtesy of the BBC.

And to all you GI boys and girls

a long, long way from home,

and to all our British friends as well,

we hope to give you a little lift.

That's why we're here.

We'll start right out by seeing

if we can put you In The Mood.

(# Moonlight Serenade ends)

(# In The Mood)

(Air-raid siren)

(Air-raid siren continues)

(Explosion)

(Applause and whistling)

Thank you. A little while ago

an airplane landed out here

and out stepped a singing group

that you all know.

They sang with me back in the States.

Let's give 'em a good, warm welcome.

The Modernaires!

The Modernaires!

And somebody else stepped out of

that same airplane. A big surprise, boys.

Here's a girl you all know.

She's flown across the ocean

just to sing for you.

Let's give her a good, big ETO welcome.

Frances Langford!

Hi, Frances.

- Thank you, Glenn.

- Thank you.

- That's from Helen.

- Bless your heart.

I'll start out by taking you on a trip

south of the Mason-Dixon line.

Let's all get aboard

that old Chattanooga Choo Choo.

# Hi there, Fran, what you say?

# Step aside, partner, it's my day

# Lend an ear and listen to my version

# Of a really solid Tennessee excursion

# Pardon me, boy,

is this the Chattanooga Choo Choo?

# Yes, yes

# Track 29

# Boy, you can give me a shine

# I can afford

to board the Chattanooga Choo Choo

# Yes, yes

# I've got my fare

# And just a trifle to spare

# You leave the Pennsylvania Station

'bout a quarter to four

# Read a magazine

and then you're in Baltimore

# Dinner in the diner

# Nothing could be finer

# Than to have your ham and eggs

in Carolina

# When you hear the whistle blowin'

eight to the bar

# Then you know

that Tennessee is not very far

# Shovel all the coal in

# Gotta keep it rollin'

# Woo-woo, Chattanooga there you are

# There's gonna be

# A certain party at the station

# Waitin' for me

# How very happy we'll be

# He's gonna sigh

# Until I tell him that I'll never roam

# So, Chattanooga Choo Choo,

won't you choo-choo me home?

# Chattanooga, Chattanooga

# All aboard

# Chattanooga, Chattanooga

# All aboard

# Chattanooga, Chattanooga

# Chattanooga Choo Choo,

won't you choo-choo me home? #

(# Upbeat music)

- (# Music playing on radio)

- Remember that?

Seems a million years since we made that.

I wrote Glenn what you asked.

I want to read you his answer. He says...

"Tell Chummy not to take the job.

"As long as there's a Glenn Miller Band,

he'll be a part of it.

"Don and I have been making plans

for after the war.

"I have a lot of ideas for new arrangements,

"so tell Chummy to start looking

for a friendly pawn shop."

Friendly pawn shop.

He hasn't changed, has he?

Yes, he has! He's been promoted.

He's Major Glenn Miller now.

Major? That's wonderful.

I wish I could've gone with him.

You'd have made a fine soldier

with your heart and ulcers!

I've got two eyes and ten fingers.

That's all you need to play the piano.

They're going to Paris. I told you that.

And he says, "We're doing

a special programme on Christmas Day."

It's gonna be broadcast over here.

"Be sure and listen cos I'm sending you

an extra special Christmas present."

And I'll know what it is

if I listen to the programme.

- I wonder what he's gonna do.

- I don't know. But I'm sure gonna listen.

- Morning, Glenn.

- Morning, Colonel.

- I sure appreciate the lift.

- Not at all.

- You coming too?

- No. Tomorrow.

I got some work to do in Paris.

They're gonna let us do some shows

at the advance bases.

It's kinda soupy, isn't it?

It's always this way in December.

Shall we hop in?

Don, I don't know where I'll be,

so as soon as you land at Orly,

get in touch with the dispatcher.

Be sure the band goes over

that new arrangement.

- I want to use it.

- Right. See you tomorrow.

Pick up my mail.

I'm expecting a letter from Helen. Bye.

All right, hurry it up, you guys.

This is Paris. You wanted to see it.

Now's your chance.

I'm Lieutenant Haynes. Did Major

Glenn Miller leave a message here for me?

Nothing here, sir.

Did you try Flight Control?

No, he said he'd leave it here. He came

with Colonel Baessell on the Norseman.

The flight wasn't logged in.

No Norseman has landed here

in two or three days.

Thanks.

- General! I thought you were in Europe.

- Just arrived.

- May I congratulate you on your promotion?

Rate this script:0.0 / 0 votes

Valentine Davies

Valentine Loewi Davies (August 25, 1905 – July 23, 1961) was an American film and television writer, producer, and director. His film credits included Miracle on 34th Street (1947), Chicken Every Sunday (1949), It Happens Every Spring (1949), The Bridges at Toko-Ri (1954), and The Benny Goodman Story (1955). He was nominated for the 1954 Academy Award for Best Original Screenplay for The Glenn Miller Story. Davies was born in New York City, served in the Coast Guard, and graduated from the University of Michigan where he developed his writing skill with a column in the Michigan Daily and honed his skills further as a graduate student at Yale Drama School. He walked away from his family's successful real estate business in New York and moved to Hollywood to become a screenwriter. He wrote a number of Broadway plays and was president of the Screen Writers Guild and general chairman of the Academy Awards program. He wrote the story for the 1947 film Miracle on 34th Street, which was given screen treatment by the director, George Seaton. Davies also did a novelization of the story, which was published as a novella by Harcourt Brace & Company in conjunction with the film release. Miracle on 34th Street earned him an Academy Award for Best Story. From 1949-50, he served as President of the Screen Writers Guild. He died in 1961 at his home in Malibu, California when he was fifty-five years old. His secretary at the time of his death, Marian Saphro, recalled many years later that her boss died in the midst of a heavy laugh. The Valentine Davies Award was established in 1962, the year following his death, by the Writers Guild of America, West, in his honor. It has been awarded annually, excepting the years 2006, 2010, and 2015. more…

All Valentine Davies scripts | Valentine Davies Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Glenn Miller Story" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/the_glenn_miller_story_9037>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Glenn Miller Story

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who directed the movie "The Matrix"?
    A The Wachowskis
    B James Cameron
    C Michael Bay
    D Peter Jackson