The Go-Between Page #3

Synopsis: Summer 1900: Queen Victoria's last and the summer Leo turns 13. He's the guest of Marcus, a wealthy classmate, at a grand home in rural Norfolk. Leo is befriended by Marian, Marcus's twenty-something sister, a beauty about to be engaged to Hugh, a viscount and good fellow. Marian buys Leo a forest-green suit, takes him on walks, and asks him to carry messages to and from their neighbor, Ted Burgess, a bit of a rake. Leo is soon dissembling, realizes he's betraying Hugh, but continues as the go-between nonetheless, asking adults naive questions about the attractions of men and women. Can an affair between neighbors stay secret for long? And how does innocence end?
Genre: Drama, Romance
Director(s): Joseph Losey
Production: Columbia Pictures
  Nominated for 1 Oscar. Another 9 wins & 10 nominations.
 
IMDB:
7.4
GP
Year:
1971
116 min
278 Views


Tell her that's no go.

You may now enter boldly.

My disease has fled.

But you don't look better.

Of course I'm better. I shall

be down this afternoon.

You can bore me with your life story.

Marian, Marcus is better. He...

Ah, a conspiracy. A love scene.

May I seize you from

this fortunate fellow ?

Is "seize" an appropriate word ?

"Gather", then.

May I gather you from

this fortunate fellow ?

Do you mind if I'm gathered, Leo ?

Oh, no.

Not at all.

Hello.

How's the postman ?

Very well, thank you.

Brought anything for me ?

I'm afraid I shan't be able to

bring you any more letters.

Why not ?

Marcus has got over his measles.

You said he wasn't to know.

If he came here with me.

Then he would know.

Have you told Miss Marian this ?

No.

She won't know what to do.

Nor shall I.

What did you do before I came ?

Well, it wasn't so easy then.

She likes you, doesn't she ?

You want her to like you, don't you ?

You wouldn't want her

to stop liking you.

No, you wouldn't.

She won't be the same to you

if you don't take her letters.

That's the truth.

They're not just ordinary letters.

She'll miss them.

So shall I.

She'll cry perhaps.

Do you want her to cry ?

It's not hard to make her cry.

She used to cry before

you came along.

Did you make her cry ?

She cried when she couldn't see me.

How do you know ?

Because she cried when she did see me.

I've been busy. Smiler's

going to have a foal.

She's ill.

Why does she have it then,

if it makes her ill ?

She hadn't much choice.

What made her have one ?

- What ?

- What made her have one ?

Between you and me...

She did a bit of spooning.

Spooning ? I didn't know

horses could spoon.

That'a a silly word, really.

What's it mean ?

You seem to know

something about it.

I don't know anything about it.

That's the point.

It's all this kissing, isn't it ?

That's what it is.

I've seen it on postcards

on the seaside.

You can't tell me horses do that.

No. Horses don't do that.

Well, what do they do ?

What does anyone do ?

There's more to it than

just kissing. I know that.

But what ?

You'll find out.

Could you marry someone ?

Without ever spooning with them ?

Spooning is a silly word.

Well, whatever the word is.

Could you marry someone ?

And never do whatever it is ?

You could.

But it wouldn't be a very

lover-like thing to do.

Lover-like ?

- That's enough questions anyway.

- But you haven't told me anything.

All right. Let's make a bargain.

I tell you all about it...

on the condition that you

go on being our postman.

Why did you say I couldn't

wear my cap ?

Because it's a school cap.

If it was an England cap, or

a county cap, or club cap...

then, of course, you could wear it.

But to wear a school cap in a private

match simply isn't done.

Stump pump.

- This is Charles Weston. Mr. Crick.

- How do you do ?

- Mr. Page, Mr. Bush. Mr. Burgess.

- How do you do ?

And this is our twelfth man,

Mr. Colston.

Mr. Page, Mr. Bush, Mr. Burgess.

Oh, we know each other, milord,

Mr. Colston and me.

He comes to slide down

my straw stack.

Of course. He's told us all about it.

Are you a good batman ?

Oh, no, not me. I'm not much

of a cricketer, really.

He can be very dangerous in the open.

- We've got to get him out quickly.

- I'm not a cricketer.

- I just hit.

- Well, we're going to get you out...

before you get the chance.

The burrough's all here.

I haven't seen him for years.

He's on the top. He's batting.

- Good luck.

- Thanks, Leo.

Wasn't he fine ? Such

command and elegance.

Good ol' boy. Good ol' boy.

We're in trouble. There's

only me to come.

I mean, that's only good,

quite frankly.

Come on.

That's me. It's absolutely up to me.

But he's not young. I mustn't tire him.

- Yes !

- No !

- Run !

- No !

Why does he keep saying no ?

He wants to save my father's

strength.

Which is a little unnecessary,

I think.

- No !

- Go on !

- Beautifully played, sir.

- Thank you very much.

Now, what are we going

to do about you ?

Oh, I shan't give you much trouble.

We'd better get Burgess

out whatever we do.

Trimingham is far too cunning for him.

Burgess has no sense of culture

or discipline.

- Mrs. Maudsley, are you all right ?

- Oh, yes. Perfectly all right.

- That was a close shave.

- What a shock !

He's terribly savage.

Where's our twelfth man ?

Are you all right, Marian ?

Yes, mama, thank you.

- The ball didn't hurt you ?

- It didn't touch me, mama.

Magnificent catch !

I didn't mean to catch you out.

With a damned good catch.

I never thought I'd be caught

out by our postman.

- Well played, Ted.

- Yes.

Good ol' Ted !

And last but not least,

except in stature...

...our young David, who slew the Goliath

of Blackfarm, if I may so describe it.

Not with a sling but with a catch.

And now I believe it is time

for the music.

Who, I wonder, will be prepared

to give us the first song ?

Ted's the one. He's the beginner

and he's the best shot with a gun.

Come on, Ted.

I can't see the piano player.

There is no piano player.

He's got a player-finger disease.

Come on, Ted. Don't be shy.

You don't need no music.

- Give us a song.

- Come on Ted.

Take your collar off first,

it's gonna strangle you.

Come on Ted.

Come on, be a gentleman.

You just act like one.

Take a Pair of Sparkling Eyes.

What'd you say ? Speak up !

Take a Pair of Sparkling Eyes.

Take a pair of sparkling eyes

Hidden ever and anon

in a merciful eclipse.

Do not heed their mild surprise

Having passed the Rubicon

Take a pair of rosy lips

Take a figure trimly planned

Such as admiration whets

Be particular in this

Take a tender little hand

Fringed with dainty fingerettes

Press it, press it in parenthesis

Ah, take all these you lucky man

Take and keep them if

you can, if you can

Take all these, you lucky man

Take and keep them if you can.

If you can.

Take my counsel, happy man

Act upon it if you can,

if you can, if you can.

Act upon it if you can

Happy man, if you can.

Well, Leo, what's it to be ?

I can sing Angels Ever Bright and Fair.

But it's a sacred song.

All right.

Angels ever bright and fair

Take, oh, take me to your care.

Speed to your own courts my flight

Clad in robes of virgin white

Clad in robes of virgin white.

Well, thank goodness we said

goodbye to the village for a year.

Did you notice the stink in that hall ?

No.

What a whiff.

I suppose you were too busy wooing,

and rolling your eyes and

sucking up the applause.

Still, it takes two. I must admit

you didn't do too badly.

- Oh, thank you.

- Except that it was rather horrific...

...to see your slimy serpent's tongue

stuck to the roof of your mouth.

And your face like a sick cow.

You poofey !

Nanny's bed wetter !

Hey, I'll tell you a secret.

What ?

Marian's engaged to marry Trimingham.

It could be announced after the ball.

Are you glad ?

Yes, I am.

I'm sure I am.

Are you going out ?

Yes. Shall we ?

I'm afraid I can't.

Why not ? Sorer ?

Rate this script:0.0 / 0 votes

Harold Pinter

Harold Pinter (; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980. Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as "comedy of menace". Later plays such as No Man's Land (1975) and Betrayal (1978) became known as "memory plays". He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007. Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008. more…

All Harold Pinter scripts | Harold Pinter Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Go-Between" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/the_go-between_20325>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Go-Between

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who directed "The Dark Knight"?
    A Zack Snyder
    B J.J. Abrams
    C Christopher Nolan
    D Tim Burton