The Go-Between Page #4

Synopsis: Summer 1900: Queen Victoria's last and the summer Leo turns 13. He's the guest of Marcus, a wealthy classmate, at a grand home in rural Norfolk. Leo is befriended by Marian, Marcus's twenty-something sister, a beauty about to be engaged to Hugh, a viscount and good fellow. Marian buys Leo a forest-green suit, takes him on walks, and asks him to carry messages to and from their neighbor, Ted Burgess, a bit of a rake. Leo is soon dissembling, realizes he's betraying Hugh, but continues as the go-between nonetheless, asking adults naive questions about the attractions of men and women. Can an affair between neighbors stay secret for long? And how does innocence end?
Genre: Drama, Romance
Director(s): Joseph Losey
Production: Columbia Pictures
  Nominated for 1 Oscar. Another 9 wins & 10 nominations.
 
IMDB:
7.4
GP
Year:
1971
116 min
278 Views


Nanny Robinson isn't well.

She lives in the village.

Marian says I have to spend

the afternoon with her.

Isn't it boring ?

Marian said she was going

herself after tea.

What will you do ?

Where will you drag your

evil-smelling carcass ?

Oh, I might hang around

the rubbish heap for a bit.

Well don't get carted away

by mistake.

Hello, Leo. Just the man

I was looking for.

Will you do something for me ?

Yes, what ?

Take this letter.

- But who to ?

- Who to ?

Away to the farm, you silly.

What's the matter ?

But I can't.

Can't ? Why not ?

- Because of Hugh.

- Hugh ?

What has Hugh to do with it ?

He might be upset.

What has Hugh got to do with it ?

I told you this is a business matter

between Mr. Burgess and myself.

It has nothing to do with anybody

else. No one else in the world.

Do you understand, or

are you too stupid ?

You and Hugh...

- You and Trimingham...

- What are you talking about ?

You come into this house. Our guest.

A poor little thing out of nowhere.

We take you in. We know

nothing about you.

We feed you. We clothe you.

We make a great fuss of you.

Then you have the damned cheek to say

you won't do a simple thing that any...

some roughneck lad out in the street

would do for nothing.

Nothing !

You want paying, I suppose.

I see. How much do you want ?

Hello.

Mr. Postman.

How are you ?

You've been crying.

What's the matter ?

Here.

Do you want to have a shot

with my gun ?

I was just going to clean it but

I can do that afterwards.

Come and watch me then.

There are some rooks around here

that could do with a peppering.

You got a letter for me ?

Looks as though you've

been sleeping on it.

You'd like some tea, wouldn't you ?

I'm on me own today.

My daily woman doesn't

come on Sundays.

Oh, you do have a woman

every day ?

No.

I told you. She doesn't

come on Sundays.

Have you any message for her ?

Who ?

Marian.

I might have.

You want to take it ?

Not very much.

But she'll be angry if I don't.

So it was her.

It's not fair to ask you

to do it for nothing.

What can I do to make

it worth your while.

Last time I was here...

...you said you'd tell me something.

I did that ?

Yes.

You said you'd tell me about...

spooning.

I don't know any other word.

Is there another word ?

You said you'd tell me.

Yes.

- But now I'm not sure that I shall.

- Why not ?

It's a job for your dad, really.

My father's dead.

And I'm quite sure he never did it.

Oh, yeah.

You can't break your promise.

Well, it means puttin' your arm

around a girl and

kissin' her, that's what it means.

Oh, I know that. But it's

something else.

It makes you feel something.

What do you like doing best ?

The kettle's boiling.

It's like whatever you

like doing best.

- And then some more.

- Yes, but what more ?

What's a lover like ?

What does it mean ?

What is a lover ? What

does a lover do ?

Are you a lover ?

What do you do ?

You know. I know you know.

And I won't take any more messages

for you unless you tell me.

You get out of here, quick !

Wait !

Dear mother,

I am sorry to tell you

I am not enjoying myself here.

I would like to come home.

Hello.

Come in.

- Never been in here before ?

- No.

Sit down.

Cigar ?

No, thank you.

Can I ask you something ?

You can.

I've been reading a book.

And in this book, two men

fought a duel.

Over a quarrel about one

of the men's wife.

And then, in this duel...

the wife's husband...

the husband...

was shot.

What's your question ?

Well, I thought, when I read it,

that it was probably

the lady's fault.

But she didn't have

to fight the duel.

And I just thought that

it was a little unfair.

Nothing is ever a lady's fault.

Does that answer your question ?

Yes.

Any other questions ?

No.

What do you think of Ted Burgess ?

What do I think of Ted Burgess ?

He's a powerful hitter.

But you had the measure of him.

You defeated him, didn't you ?

Ted Burgess is quite

a decent fellow.

- But wild.

- Wild ?

Do you mean he's dangerous ?

Well, he's not dangerous

to you or to me.

He's a bit of a lady killer, that's all.

A lady killer ?

Sit down, please sit down.

A new recruit to the smoking room.

Have you been telling him some

smoking-room stories ?

Or showing him the pictures ?

Have you looked at the pictures ?

He doesn't like them.

We were talking about Ted Burgess

when you came in.

I told Leo...

that he was a lady killer.

He has that reputation,

I believe.

I've been talking to him

about joining the army.

A likely man, single, no ties.

And a pretty good shot too

with a rifle by all accounts.

He has that reputation, I believe.

Do you think he'll go ?

I think he may. Seems

quite interested.

He won't altogether be

a loss to the district.

Why ?

For what you were saying just now.

They say he's got a woman

up this way.

I know.

But she doesn't come on Sundays.

Cigar ?

Hello.

I didn't think you'd come again.

I'm sorry I shouted at you.

I didn't mean to.

I just didn't feel like telling you

what you wanted to know,

that's all.

But I'll tell you now, if you like.

Do you want me to tell you ?

Because I'll tell you now

if you want me to.

No, no. I wouldn't dream

of troubling you.

I know someone who'll tell me.

As a matter of fact, I know

several people who will tell me.

As long as they don't

tell you wrong.

How could they ? It's a common

knowledge, isn't it ?

What are you doing with

your bathing suit ?

I told Marcus you were going to

give me a swimming lesson.

I've come to say goodbye, you see.

Oh, you're off, are you ?

I'm expecting to hear from my

mother by Friday at the latest.

I think I really should go.

She does miss me, you know.

I'm sure she does.

Is it true you're going

to the war ?

Who told you that ?

Lord Trimingham.

Did you know that Marian

was engaged to him ?

Yes, I did.

Is that why you're going ?

I don't know that I am going.

That's for her to say.

It's not what I want.

That's what she wants.

Well, goodbye.

So long, postman.

Goodbye, Ted.

Shall I take one more

message for you ?

Yes.

Tell her tomorrow's no good.

That Friday, after 5,

same as usual.

So you met my grandson.

Yes, I did.

Does he remind you of anyone ?

Of course.

Ted Burgess.

That's it. That's it.

He does.

Why don't you marry Ted ?

I can't.

I can't. Can't you see why ?

Why are you marrying Hugh ?

Because I must. I must.

I've got to.

What about this mysterious

outpost ?

Good idea.

Not that there's anything

worth seeing.

Apart from a lot of dreary

old outhouses.

- There's the deadly nightshade.

- Oui, la belladonna.

You mean... Atropa belladonna.

I don't mean that at all.

I mean deadly nightshade.

Mama's ill in bed.

Why ?

I don't know.

What do you think

of my mother ?

I think...

she has a lot to look after.

with the house and everything, and

organizing the ball and everything.

She has, yes.

She undoubtedly has.

My sister is very beautiful,

isn't she ?

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Harold Pinter

Harold Pinter (; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980. Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as "comedy of menace". Later plays such as No Man's Land (1975) and Betrayal (1978) became known as "memory plays". He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007. Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008. more…

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Submitted on August 05, 2018

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