The Graduate Page #10
MRS. ROBINSON
Then give me your word you won't.
BEN:
This is absurd.
MRS. ROBINSON
Promise me, Benjamin.
BEN:
All right, for christ's sake.
out Elaine Robinson.
MRS. ROBINSON
Thank you.
(pause)
Benjamin -
BEN:
Let's not talk about it. Let's
not talk at all.
At opposite sides of the room, without looking at each
other, they begin to take off their clothes.
FADE OUT:
FADE IN:
92INT. BRADDOCK KITCHEN - DAY
Ben sits at the table, eating his breakfast and looking
at the back of a cereal box. Mr. and Mrs. Braddock
are there.
MR. BRADDOCK
Elaine's back from school. I
think it might be a nice gesture
if you asked her out.
Benjamin looks at his father for a moment, then continues
eating and reading.
CUT TO:
93INT. BEN'S ROOM - DAY
Ben is lying on his bed. Mrs. Braddock stands in the
doorway.
MRS. BRADDOCK
Don't you think that she's a
terribly attractive girl?
Because I think she's one of
the prettiest girls I've
ever seen.
CUT TO:
94EXT. BRADDOCK BACKYARD AND POOL AREA - DAY
Ben is lying face down on his raft in the middle of the
Braddock pool. The sun shines down. His diving mask
is on over his eyes. His face is in the water, looking
down at the bottom of the pool. Mr. and Mrs. Braddock,
in their bathing suits, are in the pool, paddling around
Ben. During the entire conversation they continue to
swim around and around the raft, trying to talk and keep
their heads above the surface.
MRS. BRADDOCK
It's pretty embarrassing. I
really don't know what to tell
Mr. Robinson. It's ackward
and strained for me every time
he suggests that you call up
Elaine.
BEN:
Next time he suggests it,
I'll tell him I have no
intention of ever calling
her up in my life.
MR. BRADDOCK
I guess she's not good enough
for you, is that it?
BEN:
Look - Elaine Robinson and I
do not get along.
MR. BRADDOCK
How do you know? You haven't
seen her since high school. I
guess your evenings, whatever
you do with them, are just too
valuable.
BEN:
That has nothing to do with it -
MR. BRADDOCK
I guess I'll just tell Mr. Robinson
that you're just too busy every
evening - doing God knows what -
MRS. BRADDOCK
Don't go on like this. Now if
Benjamin absolutely refuses to
take her out -
BEN:
I do.
MRS. BRADDOCK
- then I'll simply invite all the
Robinsons' over for dinner on
Thursday.
95SHOT - BEN
He slides off the raft and goes underwater.
96SHOT - BEN UNDERWATER
His hair streaming up, his eyes open.
CUT TO:
97INT. SPECIAL SET BRADDOCK DINING ROOM - NIGHT
The dining room is one tenth its normal size. At a
table for two are seated, jammed in against each other,
the three Robinsons and the three Braddocks. Elaine's
back is to us. Ben is at the other end of the table,
facing us. The Robinsons and Braddocks sit along
the sides. Mrs. Robinson is next to Ben, everyone is
eating, looking down at their places. After a few moments
Ben throws his head back ans starts to scream. As he
continues to scream, everyone looks at him except Mrs.
Robinson who continues to eat calmly without looking up.
CUT TO:
98EXT. BRADDOCK BACKYARD AND POOL AREA - DAY
Ben surfaces and pulls himself up on the side of the
pool.
BEN:
I'll go call Elaine now.
Mr. and Mrs. Braddock cling exhausted to the raft and
try to smile at each other.
SOUND:
Ding dong of the Robinson door chimes.CUT TO:
99EXT. & INT. ROBINSON FRONT DOOR, HALL AND SUNROOM - NIGHT
The door opens. Mr. Robinson stands there with a huge
smile.
MR. ROBINSON
Well, Braddock - it's about
time you got around to this.
Come on in. I'm afraid the
young lady isn't quite ready
yet -
Mr. Robinson turns toward the sunroom. Mrs. Robinson is
sitting there.
BEN:
Hello.
MR. ROBINSON
What would you say to a short one?
Bourbon still your drink?
BEN:
Yes.
Mr. Robinson hands him drink.
MR. ROBINSON
I'll see if she's ready.
Mr. Robinson exits.
100SHOT - BEN AND MRS. ROBINSON
NOTE Following dialogue played simultaneously
BENMR. ROBINSON'S VOICE
Now listen -- this was not (from hall)
my idea. It was my father'sHey -- there she is. Miss
idea.America -- that's who it is.
It's definitely Miss America.
MRS. ROBINSON
Benjamin -- I thought I madeELAINE'S VOICE
myself perfectly clear aboutDaddy - can you fix this?
this.The clasp is broken I think.
BENMR. ROBINSON'S VOICE
(whispering urgently)I'll do it - I'll do it.
Look, we'll go out to dinner
and have a drink and I'llELAINE'S VOICE
bring her back. Because itIs Ben here?
was either that or a dinner
party for the two families.MR. ROBINSON'S VOICE
And I'm afriad I couldn'tHe's in the living room having
quite handle that, if youa chat with your mother.
don't mind. I have no
intention of ever taking your
precious daughter out again
in her life. So don't get
upset about it.
MRS. ROBINSON
But I am. I'm extremely upset
about it, Benjamin.
Mr. Robinson and ELAINE enter.
ELAINE:
Hello.
BEN:
Hello.
101CLOSEUP - MRS. ROBINSON
MR. ROBINSON'S VOICE
Well - I want you to keep your
wits about you tonight. You never
know what tricks Ben picked up
back there in the East.
LAP DISSOLVE TO:
102EXT. FREEWAY - NIGHT
SHOT - BEN AND ELAINE in Ben's car. From the back. Ben
leans forward slightly, pushing the car recklessly in
and out of the traffic. Ben is wearing dark glasses.
ELAINE:
You're living at home now. Is
that right?
BEN:
Yes.
ELAINE:
Do you know what you're going
to do?
BEN:
No.
ELAINE:
Are you going to graduate school?
BEN:
No.
He leans on the HORN. The car directly ahead of him
does not move to the right. Ben jerks his car over to the
right, swerves around the car ahead, jamming his horn
down, and swerves back into the outside lane, giving the
driver of the other car an angry look as he passes him.
Elaine holds on to the dashboard to keep her balance.
ELAINE:
Do you always drive like this?
BEN:
Yes.
CUT TO:
103INT. RESTAURANT - NIGHT
A drab, almost deserted room with formally dressed WAITERS.
Ben and Elaine are seated at a table.
BEN:
Do you want some dinner?
ELAINE:
I'd love some.
A waiter moves forward toward them.
BEN:
Bring a menu.
WAITER #2
Dinner for two, sir?
BEN:
No. Just for her.
The waiter moves away.
ELAINE:
Aren't you eating?
BEN:
No.
ELAINE:
Why not?
BEN:
If it's all right with you,
I'm not hungry.
The waiter returns with a menu.
ELAINE:
I've changed my mind. Thank
you.
CUT TO:
104EXT. SUNSET STRIP - NIGHT - SHOTS
Ben and Elaine walking on the strip.
105EXT. STRIP JOINT - NIGHT
Ben pushes through the people crowded in around the
entrance. Without turning around, he waits for Elaine
who has difficulty following him. As she gets to him,
he starts forward again. He starts up the stairs.
Elaine is just behind him.
CUT TO:
106INT. STRIP JOINT - NIGHT
Seedy, ugly, three quarters filled. A tuxedoed HOOD leads
them through the tables to a table directly under the stage
on which a STRIPPER is in the process of removing her
dress. There is one chair facing the stage, the other with
its back to and up against the stage. Ben sits down in
the chair facing the stage. Elaine stands for a moment,
unsure.
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