The Graduate Page #9

Synopsis: The Graduate is a 1967 American comedy-drama film directed by Mike Nichols. It is based on the 1963 novel The Graduate by Charles Webb, who wrote it shortly after graduating from Williams College. The screenplay is by Calder Willingham and Buck Henry, who appears in the film as a hotel clerk.
Genre: Comedy, Drama, Romance
Production: Embassy Pictures/Rialto Pictures
  Won 1 Oscar. Another 20 wins & 16 nominations.
 
IMDB:
8.0
Metacritic:
77
Rotten Tomatoes:
89%
PG
Year:
1967
106 min
Website
2,878 Views


BEN:

Well how long has this been going

on.

MRS. ROBINSON

(looking at the

ceiling for a moment)

About five years.

BEN:

Oh no. Are you kidding me?

MRS. ROBINSON

No.

BEN:

You have not slept with your

husband for five years?

MRS. ROBINSON

Now and then. He geats drunk a

few times a year.

BEN:

How many times a year.

MRS. ROBINSON

On New Year's Eve. Sometimes on

his birthday.

BEN:

Man, is this interesting.

MRS. ROBINSON

Is it?

BEN:

So you don't love him. You

wouldn't say you -

MRS. ROBINSON

We've talked enough, Benjamin.

BEN:

Wait a minute. So you wouldn't

say you loved him.

MRS. ROBINSON

Not exactly.

BEN:

But you don't hate him.

MRS. ROBINSON

No, Benjamin. I don't hate him.

Unhook my blouse.

BEN:

(unhooking her blouse)

Well how do you feel about him,

then?

MRS. ROBINSON

I don't.

BEN:

Well that's kind of a bad

situation then, isn't it?

MRS. ROBINSON

Is it?

BEN:

I mean it doesn't sound like it

could be much worse. If you

hated him at least you'd hate

him.

She nods and takes off her blouse.

BEN:

Well you loved him once, I

assume. When you first knew

him.

MRS. ROBINSON

No.

BEN:

What?

MRS. ROBINSON

I never did, Benjamin. Now

let's -

BEN:

Well, wait a minute. You married

him.

She nods.

BEN:

Why did you do that?

MRS. ROBINSON

(taking off her

stockings)

See if you can guess.

BEN:

Well I can't.

MRS. ROBINSON

Think real hard, Benjamin.

BEN:

I can't see why you did, unless

...you didn't have to marry him

or anything, did you?

MRS. ROBINSON

Don't tell Elaine.

BEN:

Oh no. You had to marry him

because you got pregnant?

MRS. ROBINSON

Are you shocked?

BEN:

Well I never thought of you and

Mr. Robinson as the kind of

people who...

MRS. ROBINSON

All right. Now let's get to bed.

BEN:

Wait a minute. Wait a minute.

So how did it happen?

MRS. ROBINSON

What?

BEN:

I mean do you feel like telling

me what were the circumstances?

MRS. ROBINSON

Not particularly.

BEN:

Was he a law student at the time?

She nods.

BEN:

And you were a student also.

MRS. ROBINSON

Yes.

BEN:

At college.

MRS. ROBINSON

Yes.

BEN:

What was your major?

MRS. ROBINSON

Why are you asking me all this?

BEN:

Because I'm interested, Mrs. Robinson.

Now what was your major subject

at college?

MRS. ROBINSON

Art.

BEN:

Art?

She nods.

BEN:

But I thought you - I guess you

kind of lost interest in it over

the years then.

MRS. ROBINSON

Kind of.

BEN:

Well how did it happen?

MRS. ROBINSON

How do you think.

BEN:

I mean did he take you up to

his room with him? Did you go

to a hotel?

MRS. ROBINSON

Benjamin, what does it possibly

matter?

BEN:

I'm curious.

MRS. ROBINSON

We'd go to his car.

BEN:

Oh no. In the car you did it?

MRS. ROBINSON

I don't think we were the first.

Ben thinks for a moment.

BEN:

What kind of car was it?

MRS. ROBINSON

What?

BEN:

Do you remember the make of the

car?

MRS. ROBINSON

Oh my God.

BEN:

Really. I want to know.

MRS. ROBINSON

It was a Ford, Benjamin.

BEN:

(jumping up)

A Ford! A Ford! Goddamnit, a

Ford! That's great!

MRS. ROBINSON

That's enough.

BEN:

So old Elaine Robinson got started

in a Ford.

There is a pause.

MRS. ROBINSON

Don't talk about Elaine.

BEN:

Don't talk about Elaine?

MRS. ROBINSON

No.

BEN:

Why not?

MRS. ROBINSON

Because I don't want you to.

She walks to the bed.

BEN:

Well why don't you?

She pulls the bedspread down. Ben begins to remove his

jacket.

BEN:

I wish you'd tell me.

MRS. ROBINSON

There's nothing to tell.

BEN:

Well why is she a big taboo

subject all of a sudden?

Mrs. Robinson uncovers one of the pillows.

BEN:

Well - I guess I'll have to ask

her out on a date and find out

what's --

MRS. ROBINSON

Benjamin, don't you ever take

that girl out.

Ben looks at her.

MRS. ROBINSON

Do you understand that?

BEN:

Well look. I have no intention

of taking her out.

MRS. ROBINSON

Good.

BEN:

I was just kidding around.

MRS. ROBINSON

Good.

BEN:

But why shouldn't I?

MRS. ROBINSON

I have my reasons.

BEN:

Then let's hear them.

MRS. ROBINSON

No.

BEN:

Let's hear your reasons, Mrs.

Robinson. Because I think I

know what they are.

She pulls the covers down.

BEN:

I'm not good enough for her to

associate with, am I? I'm not

good enough to even talk about

her, am I?

MRS. ROBINSON

Let's drop it.

BEN:

We're not dropping it. Now

that's the reason, isn't it?

I'm a dirty degenerate, aren't

I? I'm not fit to -

MRS. ROBINSON

Benjamin?

BEN:

I'm good enough for you but I'm

too slimy to associate with

your daughter. That's it, isn't

it? ISN'T IT?

MRS. ROBINSON

Yes.

BEN:

You go to hell. You go straight

to hell, Mrs. Robinson. Do you

think I'm proud of myself? Do

you think I'm proud of this?

MRS. ROBINSON

I wouldn't know.

BEN:

Well, I'm not.

MRS. ROBINSON

You're not.

BEN:

No sir. I am not proud that I

spend my time with a broken-

down alcoholic!

MRS. ROBINSON

I see.

BEN:

And if you think I come here

for any reason besides pure

boredom, then you're all wrong.

She nods.

BEN:

Because - Mrs. Robinson this

is the sickest, most perverted

thing that ever happened to

me. And you do what you want

but I'm getting the hell out.

MRS. ROBINSON

Are you?

BEN:

You're goddamn right I am.

He starts putting on his shirt. She sits on the edge of

the bed and watches him.

MRS. ROBINSON

That's how you feel about me.

He nods.

MRS. ROBINSON

That I'm a sick and disgusting

person.

BEN:

Now don't start this.

MRS. ROBINSON

What?

BEN:

Don't start acting hurt.

MRS. ROBINSON

Don't you expect me to be a

little hurt?

BEN:

Mrs. Robinson, you stand there

and tell me I'm not good enough

for your daughter.

MRS. ROBINSON

Did I say that?

BEN:

Of course you did.

She shakes her head.

MRS. ROBINSON

Benjamin, I want to apologize

to you if that's the impression

you got.

BEN:

Well two minutes ago you told

me I wasn't good enough for

your daughter. Now you say

you're sorry I got that

impression.

MRS. ROBINSON

I didn't mean it. I don't think

you'd be right for each other.

But I would never say you

weren't as good a person as

she is.

BEN:

You wouldn't.

MRS. ROBINSON

Of course I wouldn't.

Mrs. Robinson walks to the closet.

BEN:

What are you doing?

MRS. ROBINSON

Well it's pretty obvious you

don't want me around any more.

BEN:

Well look - I was kind of upset

there. I'm sorry I said those

things.

MRS. ROBINSON

If that's how you feel -

BEN:

But it's not.

MRS. ROBINSON

(smiling at him)

That's all right. I think I

can understand why I'm disgusting

to you.

BEN:

Oh no. Look - I like you. I

wouldn't keep coming here if

I didn't like you.

MRS. ROBINSON

But if it's sickening for you -

BEN:

It's not! I enjoy it! I look

forward to it. It's the one

thing I have to look forward

to.

MRS. ROBINSON

You don't have to say that.

BEN:

Well I wouldn't. I would never

say it if it wasn't true.

MRS. ROBINSON

May I stay then?

BEN:

Yes. Please. I want you to.

MRS. ROBINSON

Thank you.

BEN:

Well don't thank me, because I

want you to.

There is a long pause.

MRS. ROBINSON

But you won't ever take out

Elaine, will you? I want you

to promise me that.

There is another long pause.

BEN:

Look. Why the hell did you

bring this up. It never

occured to me to take her out.

Rate this script:4.5 / 2 votes

Calder Willingham

Calder Baynard Willingham, Jr. (December 23, 1922 – February 19, 1995) was an American novelist and screenwriter. Before the age of thirty, after just three novels and a collection of short stories, The New Yorker was already describing Willingham as having “fathered modern black comedy,” his signature a dry, straight-faced humor, made funnier by its concealed comic intent. His work matured over six more novels, including Eternal Fire (1963), which Newsweek said “deserves a place among the dozen or so novels that must be mentioned if one is to speak of greatness in American fiction.” He had a significant career in cinema, too, with screenplay credits that include Paths of Glory (1957), The Graduate (1967) and Little Big Man (1970). more…

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    "The Graduate" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/the_graduate_864>.

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