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The Heart of the Deal Page #5
- Year:
- 2008
- 7 Views
Woo! Fantastic!
- Is this what you wanted
to talk to us about?
script, but that's tomorrow.
The spiritual aspects.
- He said it was important.
- Thank you.
- Good night.
- No, I'm sorry.
You know, I really
shouldn't drink.
So I just believe
we should maintain
a very professional
professionalism.
Good night, Charlie.
- Good night.
[ Door closing ]
[ Dialing ]
- Oh, yes.
- You have room to move?
- Yeah, that's fine.
- Hello?
- Hey! We're
just finishing.
Fiona, this is Deidre
Hearn from the studio.
- Lovely to meet you.
- Thank you for doing
this. I'm such a fan.
- Oh, thank you.
I've got a bit of a concern.
In 127, after the
jeep's rolled over,
and we're scrambling about,
it says I catch my
blouse on the jagged metal.
Now I'm not a prude,
you understand, and
I've been working out,
but it does seem
unlikely, doesn't it,
that the uniform
would tear just so.
See what I mean?
- You have a point.
- It's a little obvious.
- Don't you think?
- Charlie Berns.
Welcome to South Africa.
- We met in London.
- Oh yeah, at the...
- We were just talking.
- Excuse me.
- Scene 127.
I just don't want
it to look set-up.
- The way it rips off.
- Excuse me, Charlie,
can I talk to you?
- Yeah. No, it
shouldn't look obvious.
- Oh good.
- Any way you
get your shirt off
is OK with me.
- Right. OK...
Well, I have an idea.
- Do you?
- I'm looking right
at it. Call you back.
[ Chuckling ]
Well, they're furious.
They want to know
if there are
other executive producers
they need to know about.
[ Laughing ]
the two of you right away.
He's pretty upset.
He's at the hotel.
- What do you think? Monogrammed
tallises for the crew?
- Oy vey Maria!
So what are you saying? It's too
violent, you want to cut it?
- No, you're missing my point.
There isn't any guy who gets his
ass kicked in one of my movies
who's not a major sleazebag.
A terrorist,
Viet Cong, dope dealer,
anybody against freedom.
Who wrote this sh*t?
Plus, you got me running
around with an Uzi.
- F*** a Uzi.
- This guy's slammin'
into this jeep!
- You need that Mauser M80.
- Shut the f*** up!
This is about 2,000 years
of persecution.
There's got to be more Jewish
between these bullits!
Am I right, Rabbi?
- Well, I would--
- I don't disagree.
- And the chick, Fiona Hicks.
Is that a Jewish name, Rabbi?
- I have no idea.
Many names have been altered--
- And what sh*t-ass
decides the temple scene,
the biggest scene
in the f***ing movie,
we shoot it on
the second day, huh?
- I'm that sh*t-ass, Bobby.
But here's what
I'm dealing with.
- Andrei, I think I can
s for all of us.
Bobby, you're obviously nervous
because we start
shooting tomorrow
and you probably feel foolish
that you didn't read the
script until you got here.
You're worried you're
not a very good actor.
and it's just not
important for this movie.
This is nothing but insecurity,
which is completely
understandable
given the grosses
of your last picture.
So here's what
we're going to do.
You'll show up, on time, you'll
use the weapons we give you,
you'll say the lines as written,
or we'll sue your ass!
And all those Bobby
Mason stories
you've managed to keep out of
the press will come to light.
We all have things to do.
You get a good night's sleep.
What time's his call?
- 5:
30.I'll see you on the set.
Oh, and for whatever it's worth,
I think you're absolutely right,
the writing sucks.
I'm going to fire the writer.
[ Whistling ]
Wow, OK...
- What was that tough sh*t,
tough love, tough producer...
- Yup. I'd say all of that.
- Are they following us?
Let's take the elevator.
- He's not going to show up.
- He'll show up.
- He won't.
- He'll show up.
- Andrei?
- I wouldn't bet on it.
- I will.
- How much?
- We pick it up in the shower,
where he walked in.
- 100 bucks.
- Andrei, you want
a piece of this?
- Thank you.
- No, I meant of the bet.
Well, I don't want it now!
- 100 bucks.
- You're on.
What time is it?
- 5:
28.- Morning!
Hate to bother you with this,
but the director
doesn't have time.
- The scene this afternoon.
When... the black chap.
What's his name?
- Bobby Mason.
- When he s
"Ambassador, if I ever
forget that night,
"then my life don't mean sh*t,"
what exactly is he referring to?
- He's referring to the
attack on the temple.
- Then what is his relationship
with the Jews?
- He is one. He's Jewish.
- Oh, it does make
more sense, doesn't it?
Thank you so much. Cheers.
Morning!
- It's 5:
30.Pay up.
- Excuse me, these
are from Bobby.
this morning from Scotland.
- Bobby's here?
- He's been here since 5:00.
He's running lines.
He's running lines.you.
What's that phrase, uh...
Oh yeah. I told you so.
- And here we go, and rolling!
Weapons hot, and camera!
- Move! Come on! Go!
Stay low!
- Ben, you're bleeding!
- On my count, I'm going
to take out the sniper,
I want you to get
the machine gun.
OK. Ready?
Go! Go!
- Cut!
- Was that me?
- Come on!
- Sorry!
- Come on!
Who is she? Is she a model?
This is an action movie.
We must stop and re-cast.
It's not fashion TV, man!
This is impossible!
I'm telling you, she throws
like a girl! What is this?
- Let's give Rolf a few moments
to work with the actress.
- Keep this arm straight.
- [Andrei]:
I thought thelast one was better.
- Now you're directing! Shh!
Coffee!
- And stretch!
- Are you coming back, Levy?
- 127 apple, take 5.
Take 22.
- Cut!
[ Applause ]
-Ladies and gentlemen,
that is a wrap!
Thanks be to God.
- And Steven is the most
generous contributor.
- Really!
- Of course Mel Brooks likes to
come for the High Holy Days.
- Uncle Charlie?
- I hired him.
- Can I talk to
you for a second?
- He's a terrific little writer.
He just has to
clean up a few scenes
and up the Jewish for Bobby.
- Yeah, whatever.
I just wanted to ask you.
Are you going to
sleep with me anymore?
- No.
- Are you sure? That's
what you said before.
- I'm sure.
- You understand the question?
- Yeah.
- Uh, how did it go?
- You're good.
Everything's fine.
- Deidre, I'm so sorry.
I feel like a fool.
- Don't worry. Do you
know Lionel Travitz?
- Oh, the writer!
Well, um, bravo.
- Well, I'm more the architect.
- Oh, Hans!
Excuse me, sorry.
We have to talk
about the pre-call.
- Wow, it's an
honour to meet you.
How did your first day go?
- Not particularly well.
Apparently I throw like a girl.
- Well, you are a girl.
- And I sport a black,
lacy bra to prove it.
Care to join me
in a drink or 5?
- Uh, sure.
- Great.
Nice hat.
Oh, thanks.
I got it in Los Angeles.
- Oh, I love L.A.
- Pull the scrim!
I don't care if it's broken.
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"The Heart of the Deal" Scripts.com. STANDS4 LLC, 2024. Web. 29 Aug. 2024. <https://www.scripts.com/script/the_heart_of_the_deal_6541>.
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