The Heartbreak Kid Page #7

Synopsis: Three days into his Miami honeymoon, New York Jewish Lenny meets tall, blonde Kelly. This confirms him in his opinion that he has made a serious mistake and he decides he wants Kelly instead. Her rich father is less than keen and lets everyone - including Lenny - know that he hates everything about him and the way he is going on.
Genre: Comedy, Drama, Romance
Director(s): Elaine May
Production: Twentieth Century Fox Home Entertainment
  Nominated for 2 Oscars. Another 3 wins & 6 nominations.
 
IMDB:
6.9
Rotten Tomatoes:
91%
PG
Year:
1972
106 min
2,356 Views


I just asked you your name.

- No.

- What is your name?

What is your name?

Apparently that fellow has

something to be frightened of.

- Do you fellows have anything to be frightened of?

- I don't.

- How long have you known Miss Corcoran, please?

- About two years.

To the best of your knowledge,

does she use drugs of any kind?

No.

- Do you boys have any reason to run?

- No.

Then why don't you just walk, then?

Just walk on.

You tell your friend I'm coming back tomorrow.

Thank you, fellas.

Just keep your nose clean.

Kelly.

Keep moving, please.

- Where? At my place?

- No, not a motel.

Where? You want to suggest a place?

Wherever you wanna suggest.

We have a summer cabin in the mountains.

It's not heated,

but we could have a big fire.

- All right?

- A cabin.

A cabin.

That's great.

All my life...

I've dreamt of a cabin and a fire,

an incredible girl.

Have you got the nerve to try something

very dangerous?

What do you think?

I mean, what do you think?

We'll have to take off all our clothes.

Okay?

What a terrific idea.

Whatever it is, I love it!

- Remember, I'm not gonna sleep with you.

- That's all right.

Even if we just did this,

it would be terrific.

I've never done this before.

A girlfriend told me about it.

I love her. Whoever she is, I love her.

- I'm way ahead of you. Let me help.

- No, no.

That's the whole point-- no touching.

We take off everything and get as close

as we can without touching.

- It's a lot harder than it sounds.

- I love it!

I love it!

All my life I've wanted to be

in a place like this...

with a girl like you

playing a game like this.

- Hurry up. Let's play.

- I don't know if I can go through with it.

Oh, yes, you can. Sure.

I mean, it's just a game.

The worst thing that

could happen is you'd lose.

All right.

Step back a few feet.

One more foot.

Why don't we begin?

Should we just start?

All right.

I'll go first.

Thank you, God.

I'm just seeing your masterpiece,

and I thank you for it.

Okay, now you.

Now what do we do?

We just walk towards each other

and see how close we can get,

but we mustn't touch.

I think we're close enough.

No. Uh...

I think we could get a little closer.

You do?

I do. I honestly do.

I think my father misjudged you, Lenny.

I really do.

You're the most decent,

honorable man I have ever met.

Well, thank you.

Thank you, Kelly.

- I'll sleep with you tomorrow night.

- Oh?

Oh, I'll be back about 11:00.

I have to borrow some books for class.

Don't wait up.

I knew it could be like this.

Never was like this.

I knew it was possible.

Don't let me fall asleep.

I have to be back by 11:00.

I knew I wasn't crazy.

A lot of people might've

thought I was crazy.

I knew-- I knew it.

I think I'm gonna surprise a lot of people.

I know one who's gonna be surprised.

Don't worry about your father.

Your father and I are gonna

understand each other.

It's just a question of us

sitting down together.

I love listening to you.

You're so positive about everything.

Daddy's the same way.

- You like that, huh?

- I love that.

I don't want him in this house.

I don't want him in this town.

This is my house.

I pay taxes in this town. I don't want him

in my town. I don't want him in my house.

- Well, why not, Duane?

- Because I hate him, that's why not.

But, despite that,

Kelly says he's an admirable young man.

Well, can't you at least see him?

For me, daddy?

Please do it... for me.

I understand you're quite taken with this part

of the country, Mr. Cantrow.

Leonard. Yes, ma'am.

I like what I see out here, and...

I like what I breathe out here.

I've just about made up my mind

that I'm gonna make this my home.

Oh!

Well, from what I've seen,

I'd say you're

a very determined young man.

I take that as a compliment, Mrs. Corcoran.

Thank you.

I don't mind saying this is one of the finest

meals that I've ever had.

Oh, thank you, Leonard.

It's simple, you know.

Mr. Corcoran doesn't

really care for fancy food,

though I imagine you've tried just about

every kind of exotic dish in New York.

Exactly. See, that's the trouble.

It's exotic, but it's not honest.

I mean, it's fancy, but it's not real.

I mean, this is honest food.

There's no lying in that beef.

There's no, uh...

Insincerity in those potatoes.

There's no deceit in the cauliflower.

This is a totally honest meal.

You don't know what a pleasure it is

to sit down...

in this day and age and eat food

that you can believe in.

Oh! Well...

what an original way of putting it.

Leonard's so positive, isn't he, mother?

Who does he remind you of

when he's so positive like that?

- Who, dear?

- You know.

Oh, yes.

Oh, my goodness.

Why didn't I notice that?

Oh, of course.

Tell me, Leonard,

have you given any thought...

to what your future plans might be?

I've given it a lot of thought,

Mrs. Corcoran, careful thought.

I thought actually I would like to do

something that concerns the land.

The land?

Oh, you mean farming?

Farming? No, I don't really think so.

And yet, it's hard to say.

You see, I want to get back

to origins, to basics.

Back to the soil, so to speak.

So many young people today

are going in that direction.

Concerned young people.

I think we've taken enough

out of this country.

I believe it's time that

we started to think about...

Putting something back into this country.

Oh, you know,

that's very well put, Leonard.

You know, I read an editorial

in the Minneapolis Star this morning...

that said the very same thing.

Really?

I didn't see that.

Can I get you something, Duane?

No, thank you.

I wonder if you ladies...

would allow Mr. Cantrow and I

a few moments alone.

Oh, yes, of course. Certainly.

- Mr. Cantrow.

- Excuse me.

No, sir, thank you. I don't smoke.

- Leonard.

- Sir.

I was very quiet at dinner tonight...

because I was listening.

I'm in the banking business.

I'm called upon to have

many business dinners.

I find I can tell more about a man by listening

to his dinner table conversation...

than by reading all the books and the records

and the balance sheets in the world.

I heard everything you said--

your feeling about the big cities,

the clear air out here,

the honest food,

getting back to the soil.

And I will tell you...

quite honestly...

I was very impressed.

- Oh, I'm very glad to hear that, sir.

- I was very impressed.

And I think

I can... also say...

quite honestly...

I have never heard such a crock

of horseshit in my life.

Sir?

"There's no deceit in the cauliflower."

Where do you get ideas like that?

They just--

they just come out of

that New York head of yours?

I was merely trying to impress

the fact that it was a pleasure--

I see through you.

You don't think I see through you?

You could wear two sweaters and a raccoon coat,

I'd still see through you.

I never once tried to misrepresent myself

or deceive anybody--

Leonard, you think you're

quite determined, don't you?

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Neil Simon

Marvin Neil Simon (born July 4, 1927) credited as Neil Simon, is an American playwright, screenwriter and author. He wrote more than 30 plays and nearly the same number of movie screenplays, mostly adaptations of his plays. He has received more combined Oscar and Tony nominations than any other writer.Simon grew up in New York City during the Great Depression, with his parents' financial hardships affecting their marriage, giving him a mostly unhappy and unstable childhood. He often took refuge in movie theaters where he enjoyed watching the early comedians like Charlie Chaplin. After a few years in the Army Air Force Reserve, and after graduating from high school, he began writing comedy scripts for radio and some popular early television shows. Among them were Sid Caesar's Your Show of Shows from 1950 (where he worked alongside other young writers including Carl Reiner, Mel Brooks and Selma Diamond), and The Phil Silvers Show, which ran from 1955 to 1959. He began writing his own plays beginning with Come Blow Your Horn (1961), which took him three years to complete and ran for 678 performances on Broadway. It was followed by two more successful plays, Barefoot in the Park (1963) and The Odd Couple (1965), for which he won a Tony Award. It made him a national celebrity and "the hottest new playwright on Broadway." During the 1960s to 1980s, he wrote both original screenplays and stage plays, with some films actually based on his plays. His style ranged from romantic comedy to farce to more serious dramatic comedy. Overall, he has garnered 17 Tony nominations and won three. During one season, he had four successful plays running on Broadway at the same time, and in 1983 became the only living playwright to have a New York theatre, the Neil Simon Theatre, named in his honor. more…

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Submitted on August 05, 2018

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    "The Heartbreak Kid" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/the_heartbreak_kid_9754>.

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