The Hotel New Hampshire Page #6
- R
- Year:
- 1984
- 109 min
- 118 Views
- We're all heroes?
Well, you are all heroes
to me.
- Even Susie?
- Of course Susie.
a human being
and after deal with
other human beings.
You're gonna need an agent.
Well...
isn't that what you've always
wanted to be?
A mission leading
to a mistery.
What do you want?
I'm checking the fuses.
Power's out upstairs.
Good morning, John.
Not Schwanger. She's the mother type.
What'd she be doing with a gun?
How would I know?
I'll tell you something else
that's weird.
Miss Miscarriage asked me
to come up to her apartment.
- Yeah?
You should go.
- Now?
- No.
Now is not necessary
that you go. Come in.
I will lock the door.
Please, leave.
Just leave the Hotel New Hampshire.
- The what?
- From Vienna.
And make sure Lilly,
especially Lilly leaves.
- What are you talking about?
- We're going to blow up the Opera.
Get your family out.
Especially Lilly,
little Lilly.
- You'll have to come with us.
- I can't.
Why not?
Because I drive the car. And
in the car is a bomb.
It sets off the main bomb
in the Opera.
You'll be killed.
I'm expendable.
It's the hostages part
I don't like.
What hostages?
You and your family, because
you're Americans.
Because Americans make
great publicity as hostages.
- Please, you've got to get away.
- Come with us.
Will you do something for me?
What?
Please, f*** me.
I just want to feel it one time.
- Do you have any protection?
- It doesn't matter.
Why not?
Because I'll be dead before
the baby is born.
Am I the first?
You're the first...
and the last.
Do everything to me.
Is that it? Is that everything?
You want more?
Not especially.
I just wanted to have it done
it all once.
If we have done it all,
you must get back.
You should go.
You must leave today
or tomorrow.
Take Lilly with you.
Give Lilly my love.
Make sure she hears
from me.
Say goodbye.
John, where have you been?
We've been trying to find you.
Listen, Lilly is gonna get published.
This publisher in New York
is gonna buy her book.
- Listen.
- Frank is gonna negotiate the deal.
- What?
- They're gonna blow the Opera.
Who's they?
- The radicals.
- What are you talking about?
March!
What dream is this?
Line up!
So explain yourselves.
We have two bombs.
The big bomb will explode
in the Opera.
Of course, it won't kill
everyone,
just the people in the front seats,
the orchestra.
But the big bomb has to be set off
by a little bomb...
in the car.
I drive to the Opera, then
I get out.
Then other driver gets in the car,
counts ten, floors it, pop, zing, boom!
So we need a driver.
- I'll drive.
- No, you can't.
If one of us has to drive,
I'm much better driver.
I swear to God if you make
my father to drive, I'll kill you, Ernst.
We don't want to hurt
your father, Franny.
It's me. I'm the driver.
And if you f*** it up,
we shoot them all.
How can a blind man drive a car,
you morons?
Most terrorists fail because
they take hostages,
but they only threaten
with violence.
But we are beginning
with the violence.
It's a necessary phase.
Like you were, Franny.
You slept with Ernst, Franny?
Sorry.
- It was a necessary phase.
- Don't move!
My daughter was a necessary phase?
Get back! Get back!
Stand back, stand back.
Is he dead?
Forget him.
- You don't have to drive the car.
- Of course I have to do it, Win Berry.
Goodbye, little Lilly.
Goodbye, Sussie dear.
You're a prince, Frank.
Goodbye, Franny.
Bye, weight lifter.
I love you, Win Berry.
And I'm sorry that I got you
into the hotel business.
I don't need your assistance.
- Just let me feel the fender.
- No, in here! Where are you going?
- Yes, here it's is the headlight, right?
- You fool!
No!
Hold still, Pop.
Hold still.
Easy. Easy. Easy.
- It's gonna be all right.
- I can't see.
- Pop?
- I can't see.
The American publishers paid
a lot of money for Lilly's book.
Maybe they wouldn't have
if we hadn't been famous
for saving the Opera
and murdering the terrorists in our
good American family kind of way.
- This is just like a fairy tale.
- You mean we're going to be rich?
Yeah, Pop, you can have anything
you want. It's all yours. Here you go.
Back home a football injury
started Junior on a new career.
I sure miss football, though.
- Here you go.
- Thanks.
Hey, why don't you tell your father
I'll trade him my knees for his eyes.
Yeah, whatta you gonna give me
for my knees?
To Lilly.
To Lilly.
Anything you need just call
Room Service.
Lilly's publishers are picking up
the bills.
Room Service?
I've never been in a hotel
with room service before.
Frank. Is Franny gonna get that part
in the movie of Lilly's book?
Most certainly. With a good agent,
you have the world by the balls.
I just set up a three book contract
for Lilly.
That's the problem.
I'm lucky now.
But I've gotta keep growing.
I gotta get better.
My next book has to be
even bigger.
Just coast for a while.
The cash flow is terrifically liquid.
I'd like to live her forever.
Just so long as you have
a chaperone.
You know who I need
a chaperone from?
You and Franny have a bomb
between you.
One day it's gonna blow you away,
unless you do something about it.
One day we're going to have to do
something about the bear in you.
Well...
Look who's here.
I've enjoyed hearing
from Franny.
- Who's Franny?
- She's my sister.
- He and a bunch of guys.
- Oh, no!
Listen, I'll explain it to you later.
All right?
Is Franny here too?
Yes, she's in New York.
She is?
Tell her I'd like to see her.
Why do you wanna see her?
Well, to apologize.
Amongst other things.
Why don't you go and see her
yourself?
- She's at the Ritz Carlton.
- Franny's staying at the Ritz Carlton?
They own the hotel.
I'll definitely call.
Well, must be going.
Can't keep the lady waiting.
Why the f*** did you tell him
where she was?
Because at last she can deal
with him.
How can I go outside? He could be
waiting for me. He could be anywhere.
He's not gonna hurt you again.
Of course you're afraid.
But once you get over the fear,
you can get to the anger,
and then you're home free.
He called me up today. I couldn't say
anything. I couldn't even talk to him.
Lilly had to talk to him.
He's coming tomorrow.
So whatta you wanna do, Franny?
The bastard, I wanna kill him.
What a girl, Franny!
- The super sh*t of a human being.
- Give me a day.
What for?
The script.
I've got a great idea.
Miss Berry is all ready for you.
Right this way.
We are all so grateful
that you could come.
Hi, Franny.
You see, when you touched the her
in her, you broke her heart.
And that's why it was so important
that you came,
because if we could touch
the you in you,
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Hotel New Hampshire" Scripts.com. STANDS4 LLC, 2024. Web. 21 Dec. 2024. <https://www.scripts.com/script/the_hotel_new_hampshire_20461>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In