The House of Yes Page #7

Synopsis: 'Jackie-O' is anxiously awaiting the visit of her brother home for Thanksgiving, but isn't expecting him to bring a friend. She's even more shocked to learn that this friend is his fiancée. It soon becomes clear that 'Jackie-O's obsession is nothing compared to her obsession with her brother, as it also becomes clear she isn't the only member of the family with problems...
Genre: Comedy, Drama
Director(s): Mark Waters
Production: Miramax
  1 win & 5 nominations.
 
IMDB:
6.7
Metacritic:
54
Rotten Tomatoes:
62%
R
Year:
1997
85 min
Website
2,359 Views


finds out how you spent the night.

Your choice.

Leave now with your

symbology intact...

or stay and lose Marty anyway.

So what if I slept with his brother?

He slept with his sister!

I'm sure I don't know

what you're talking about.

I'm sure you do.

"Sure."

One can never be sure.

Don't forget your toothbrush.

Oh, don't clean, Mother.

Honestly.

- Don't we have a maid?

- Not anymore.

- What happened to her?

- She quit, when you shot your brother.

- Oh, that's right.

- What's for breakfast, then?

- He speaks.

- Croissants.

They're in the kitchen. They're filled

with something. I forget what.

- Mm. I guess we'll find out.

- Oh, how exciting.

Don't you find life

to be exciting?

What's that gun doing there?

- That's not a gun, it's a camera.

- It is too a gun.

- It's a camera that looks like a gun.

- Give it to me.

- Relax, Mama. It's an empty gun.

- How do you know?

- I checked.

- What is it doing there?

Just being gunlike.

"Gunesque." "Gunonic."

- Where did it come from?

- God?

We were taking a trip

down memory lane.

- I want it now.

- I'll put it away.

- Marty?

- I'll put it away.

Mother?

You look so white.

Oh, Jackie.

If it happens again, they'll put you

away, they'll just put you away.

- Only if someone finds out.

- She must have family somewhere.

- What are you talking about?

- Lesly.

- I'm not going to shoot Lesly.

- Just don't.

That's all we need

is Marty mooning over some dead girl.

She's leaving anyway.

- When?

- This morning.

- Why?

- I suggested it.

- And she agreed?

- More or less.

- Is Marty going with her?

- Don't be silly...

If he leaves again, I'll implode!

I'll just implode.

He's staying.

- Well, where is she now?

- Packing, I imagine.

- She's packing?

- As we speak.

What if she forgets something?

We'll burn it.

- Yes. Yes.

- Mm. Mm.

Mm!

What? Wha... Oh...

You can't leave like this.

- Not in the storm.

- I've gotta get Marty out of here.

Can I come?

I wanna go to New York.

Well, uh,

you can't come with us.

Here. Put everything back.

Don't leave.

How can you stay with him

when you know? You know!

I don't know.

I don't know!

We could go to Pennsylvania.

What's the name of your town?

- You've never heard of it.

- But I want to hear of it.

Anthony, I'm not going to go

to Pennsylvania with you.

I'm not going to New York with you.

I'm not going to the 7-11 with you.

Stop smelling my clothes.

I will never love another woman.

I will go to the desert

and love only sand.

Sand?

What does that mean?

You never go hungry

in the desert, Lesly. You know why?

- Why?

- Because of the "sand which is" there.

- Is it away?

- Yes.

- Did you hide it?

- I put it somewhere.

- But did you hide it?

- Mother...

Only in the sense that I put it somewhere,

and no one saw me put it there.

If I walked into the room where

you put the gun, could I see it?

- No.

- Then it's hidden.

Don't worry, Mama,

we won't bloody the carpets.

You actually think

I'm worried about my carpets?

- Aren't you?

- A little.

I had to steam-clean

last time...

and there's still

sort of a shadow.

Stop!

Stop! Get off!

Get off. Stop!

My! You're up early.

Did you sleep all right?

Why are you wearing

that costume?

Everything else was in the wash.

There's croissants in the kitchen.

No pancakes today, I'm afraid.

- I have to talk to Marty.

- Mm, I wonder what about.

You were supposed

to sneak in my room last night.

- Ah! I fell asleep.

- Did you?

No.

He stayed up.

- By yourself?

- With me.

Uh, the hurricane took the Kennedy

stables. The horses got loose.

Secret Service were

all over the place.

I didn't hear any horses.

What jumped over the moon?

A cow or a horse?

- A cow.

- Oh. I thought it was a horse.

- No, a cow.

- Ah... Wh-What's the rest of it?

Uh, I know silverware

was involved...

- "Hey, Diddle Diddle..."

- Lesly, you're up. I see you're all packed.

- Yes.

- I'll call you a cab.

I don't need a cab.

- How are you getting to the train station?

- I'm going with Marty.

- Marty's going to drive you?

- He's coming with me.

Oh! I don't think so.

He can decide for himself.

To make a decision,

a person needs all the facts...

and I don't think Marty

has all the facts.

Ah! Anthony. How did you sleep?

Did you sleep all right?

- What?

- Lesly, how did you sleep? Did you sleep all right?

- Yes, thank you.

- Did Anthony sleep all right?

- Why don't you ask him?

- Marty, why don't you ask your brother how he slept?

- Why?

- Jackie, why don't you ask your brother how he slept?

- How'd ya sleep, Marty?

- Your other brother.

How'd ya sleep, Anthony?

What's going on?

Lesly stayed with me last night.

Ah. A quaint Pennsylvania

prenuptial custom.

I am shocked. Young lady,

what do you have to say for yourself?

Call me old-fashioned,

but I'd say the wedding's off.

- It's just as well. I always cry at weddings.

- I've even cried at mine.

- Must have had a premonition.

- Mm.

- Get out.

- That's right.

Anthony, take this harlot

to the train station.

Get out!

Jackie?

Jackie?

If you really cared for her,

you wouldn't have brought her here.

I wanted to come here.

And you did... come.

- Or didn't you?

- Don't.

You don't deserve her.

How was he?

I can't tell you.

That good, huh?

It was his first time.

Yeah. Right.

You mean it wasn't?

What do you think?

Then why would he say it?

To get laid.

Well, I'm sorry, but when somebody says

something, I tend to think it's the truth.

It's just the way I am,

the way I was brought up...

and if somebody forgets to mention something,

I wouldn't think to ask, for example...

"Did you sleep

with your sister?"

Do you think masturbation counts

as infidelity?

- What do you mean?

- When I sleep with me and not you, am I cheating on you?

Marty, stop it!

I came downstairs before.

- Before when?

- During it. The thing.

What thing?

The thing with the gun.

The costume?

Oh, God.

Warmer. Warmer. Warmer.

- Colder.

- What exactly are you doing, sweetheart?

- He's going to leave again.

- Jackie, don't be insane.

- I'm sorry, I mean...

- Warmer. Warmer. Colder.

Jackie!

Colder.

Warmer. Warmer.

Colder. Colder.

Colder. Colder!

Colder, colder, colder,

colder, colder!

Anthony!

Anthony, get your sister

her medication. You know where it is.

No, Anthony.

Don't bother.

I'm fine. Really. I just

got turned around for a second there.

Everything's going to be okay.

I know that. Silly me.

I just haven't had

my coffee yet.

I haven't even

gone to the bathroom.

- Mama, will you make us some coffee?

- Of course. Of course.

I'm fine.

Do you want me to leave?

- You gotta help me.

- How?

Talk me back.

Tell me about Sundays.

You and I.

Doin' a Sunday.

- We-We get up...

- Right, right. We get up.

What about the alarm?

Did the alarm go off?

No. No alarm, baby.

It's Sunday.

Oh. Yeah, it's Sunday.

And w-we don't wake up

till after 11:
00...

and I pull the comforter

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Wendy MacLeod

Wendy A. MacLeod (born August 6, 1959) is an American playwright. MacLeod received a BA from Kenyon College in Gambier, Ohio, where she now teaches and is a playwright-in-residence. She received a MFA from the Yale School of Drama.Her works include the plays Sin and Schoolgirl Figure, both of which premiered at Chicago's Goodman Theatre and were directed by David Petrarca. Schoolgirl Figure was then optioned for film by HBO and Anvil Entertainment. The House of Yes, which premiered in San Francisco at the Magic Theatre and was the theatre's second-longest running show, became an award-winning film by the same name, starring Parker Posey, and earned a Special Jury Award at the Sundance Film Festival. Other works include The Water Children, Things Being What They Are, Juvenilia, Apocalyptic Butterflies. Apocalyptic Butterflies was filmed by the BBC as Nativity Blues 1988, starring Alfred Molina. Her play Juvenilia, a comic drama about college students "attempting to find love", premiered off-Broadway at Playwrights Horizons, as did her play The Water Children, both directed by longtime collaborator Petrarca, which has also been seen at Los Angeles’ Matrix Theater where it was cited as "the most challenging political play of 1998" by the L.A. Weekly and earned six L.A. Drama Critics Circle nominations. Things Being What They Are premiered at the Seattle Repertory Theatre and was then seen at Steppenwolf in Chicago in 2003 where its sold-out run was extended twice. The House of Yes has been performed at Soho Repertory Theatre, at the Maxim Gorki Theater in Berlin and at The Gate Theater in London, where it was published in Plays International. MacLeod's play, Find and Sign, premiered at Pioneer Theatre Company in Salt Lake City, Utah in 2012. Set in the New York City music industry (with a slight nod to Othello), Find and Sign is about a bumpy romance between an on-the-rise young record executive and an idealistic public school teacher.Her critically acclaimed comedy Women in Jeopardy! premiered at Geva Theater in 2015, directed by Sean Daniels, and her newest play Slow Food was invited to the 2015 National Playwrights Conference. The play will be premiering at Merrimack Repertory Theater in January 2019. She has been a guest professor at Northwestern University’s film and theater departments. MacLeod's essay "Name Brand Nostalgia" was recently featured in The New York Times and her essay/talk "The Daily Struggle" was given as part of the Kenyon Review's Writers-on-Writing series in October 2016. Her prose and humor pieces have appeared in Poetry magazine, The New York Times, Salon, The Rumpus, McSweeney's Internet Tendency, The Washington Post, and All Things Considered. MacLeod worked as the Executive Story Editor for ''Popular'' (TV Series) for the WB and wrote the pilot "Ivory Tower", commissioned by CBS, produced by Brillstein-Grey (The Sopranos) and Diane Keaton, with actress Jeanne Tripplehorn (Big Love). She currently serves as the Artistic Director of the Kenyon Playwrights Conference. The Kenyon Playwrights Conference supports the early-stage development of new work through its commissioning program and offers an intensive playwriting workshop for playwrights at all stages in their careers, led by artistic leaders of partner companies which have included The Atlantic Theater, Playwrights Horizons, Steppenwolf Theater, Roundabout Theatre, Hampstead Theater, The Old Vic, The Royal Court Theater, La Jolla Playhouse, and ACT Theatre in Seattle. She is married to Read Baldwin and has two sons: Foss and Avery Baldwin. more…

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Submitted on August 05, 2018

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