The House of Yes Page #8

Synopsis: 'Jackie-O' is anxiously awaiting the visit of her brother home for Thanksgiving, but isn't expecting him to bring a friend. She's even more shocked to learn that this friend is his fiancée. It soon becomes clear that 'Jackie-O's obsession is nothing compared to her obsession with her brother, as it also becomes clear she isn't the only member of the family with problems...
Genre: Comedy, Drama
Director(s): Mark Waters
Production: Miramax
  1 win & 5 nominations.
 
IMDB:
6.7
Metacritic:
54
Rotten Tomatoes:
62%
R
Year:
1997
85 min
Website
2,327 Views


over your shoulder.

I grab your hand,

and I pull you down onto me.

You have little rings, mascara rings

like a football player.

And you have bad breath,

but I kiss you anyway.

I watch you dress.

I feel sad when you buckle your bra.

"There they go," I think.

"There they go."

- Lose my other shoe.

- I find your other shoe.

We read menus

in the windows on Avenue A.

And then we go to Noel's Cafe, and

I figure out what Eggs Florentine is.

Like Benedict is Spanish.

- And the waitress says, "Toast, or pita?"

- "Toasterpita!"

Oh, what about the newspaper?

We forgot to buy the newspaper.

Later, newspaper comes later. We go to

Central Park, and you buy me some tulips.

- Pink.

- Mm, and I buy you a scarf.

- Blue.

- And a Sunday paper. We go home.

It's late afternoon,

and the sign comes on.

- "Jesus Saves."

- Across the street.

"Jesus Salva."

We run a bath.

You wash my back.

Shoulders like wings.

Bird shoulders.

We make love. Then we make coffee

and sit and read the paper.

Marty?

No.

- Ye...

- Mm.

Marty, I want you to leave with me.

I want you to leave with me right now.

Yes. All right.

Yes.

Who was that?

I just flushed your car keys

down the toilet.

- Marty, give me your keys.

- Uh, I don't have them.

- Where's your extra set? Get them.

- In my room.

- At home in New York.

- I'll call a cab.

- The phone's dead.

- Don't look at me.

Marty's not gonna stay here with you. We

are leaving for New York this morning.

I don't care how.

Anthony told me about you.

He told me what you did to that lizard.

Oh, Anthony! Not that old lizard story.

I know what else you did.

I know where the scar came from.

I know why they sent you

to that hospital.

You're a regular Nancy Drew.

You're making him crazy.

You wanna make him crazy like you?

Look at yourself.

Look at your clothes.

You're making fun of a woman

who lost her husband.

A man died. A man was murdered. A man

who did something for other people.

What have you ever done

for somebody else?

You really love Marty? Think about what

his life would be like here in this house.

Your mom will die.

You'll be left alone.

You'll have babies with webbed feet

you'll have to bury out back in the yard.

My!

- Where in the yard?

- Where?

Where exactly in the yard?

Marty?

Where do you think we should

bury these babies with webbed feet?

The back yard's getting rather crowded with

corpses. First, Daddy's, and now duck babies.

- You killed your father?

- Not me. Mama.

My father left my mother.

Years ago, the day Kennedy was shot.

He tried to leave, but Mama shot him.

We buried him by the central air.

They were installing

central air.

There was a hole in the ground, but

not for him... for the air conditioner.

She's confused. You're confused, Jackie.

He left Mama. He called a cab.

Well, she covered him with her body.

She tried to keep him there.

Jackie Kennedy, not Mama.

Jackie Kennedy!

She tried to keep his head on,

but it was falling off.

- Lesly, go get my suitcase.

- Lesly!

Sorry about all this.

- Anthony, go get her pills.

- Wh-Which pills?

- I don't know which pills.

- One more time, Marty.

- For old times' sake.

- She's got a gun. Get the gun.

- Mama!

- One more time, and I'll give you the car keys.

- I think it's the brown ones. I-I'll get the brown ones.

- Go!

One more time.

That's all I ask.

Then you can go back

to the land of the Donut Kings.

You be him?

Yes.

And I'll be her.

I'm him.

And I'm her.

Don't worry about Marty.

A close family like ours

has to stick together.

We cleared out a nice place for him

out back, next to Daddy...

so he can stay right here,

where he belongs... with me.

That Lesly girl

never really loved Marty.

She hightailed it back to

Pennsylvania the first chance she got.

But I think she'll always

remember that day.

Like I remember

the Ides of March.

Where are we now, Mrs. Kennedy?

I'm tired of this, Marty.

Do you want me to stop?

Yeah.

Stop it.

Stop it, Marty.

Stop it.

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Wendy MacLeod

Wendy A. MacLeod (born August 6, 1959) is an American playwright. MacLeod received a BA from Kenyon College in Gambier, Ohio, where she now teaches and is a playwright-in-residence. She received a MFA from the Yale School of Drama.Her works include the plays Sin and Schoolgirl Figure, both of which premiered at Chicago's Goodman Theatre and were directed by David Petrarca. Schoolgirl Figure was then optioned for film by HBO and Anvil Entertainment. The House of Yes, which premiered in San Francisco at the Magic Theatre and was the theatre's second-longest running show, became an award-winning film by the same name, starring Parker Posey, and earned a Special Jury Award at the Sundance Film Festival. Other works include The Water Children, Things Being What They Are, Juvenilia, Apocalyptic Butterflies. Apocalyptic Butterflies was filmed by the BBC as Nativity Blues 1988, starring Alfred Molina. Her play Juvenilia, a comic drama about college students "attempting to find love", premiered off-Broadway at Playwrights Horizons, as did her play The Water Children, both directed by longtime collaborator Petrarca, which has also been seen at Los Angeles’ Matrix Theater where it was cited as "the most challenging political play of 1998" by the L.A. Weekly and earned six L.A. Drama Critics Circle nominations. Things Being What They Are premiered at the Seattle Repertory Theatre and was then seen at Steppenwolf in Chicago in 2003 where its sold-out run was extended twice. The House of Yes has been performed at Soho Repertory Theatre, at the Maxim Gorki Theater in Berlin and at The Gate Theater in London, where it was published in Plays International. MacLeod's play, Find and Sign, premiered at Pioneer Theatre Company in Salt Lake City, Utah in 2012. Set in the New York City music industry (with a slight nod to Othello), Find and Sign is about a bumpy romance between an on-the-rise young record executive and an idealistic public school teacher.Her critically acclaimed comedy Women in Jeopardy! premiered at Geva Theater in 2015, directed by Sean Daniels, and her newest play Slow Food was invited to the 2015 National Playwrights Conference. The play will be premiering at Merrimack Repertory Theater in January 2019. She has been a guest professor at Northwestern University’s film and theater departments. MacLeod's essay "Name Brand Nostalgia" was recently featured in The New York Times and her essay/talk "The Daily Struggle" was given as part of the Kenyon Review's Writers-on-Writing series in October 2016. Her prose and humor pieces have appeared in Poetry magazine, The New York Times, Salon, The Rumpus, McSweeney's Internet Tendency, The Washington Post, and All Things Considered. MacLeod worked as the Executive Story Editor for ''Popular'' (TV Series) for the WB and wrote the pilot "Ivory Tower", commissioned by CBS, produced by Brillstein-Grey (The Sopranos) and Diane Keaton, with actress Jeanne Tripplehorn (Big Love). She currently serves as the Artistic Director of the Kenyon Playwrights Conference. The Kenyon Playwrights Conference supports the early-stage development of new work through its commissioning program and offers an intensive playwriting workshop for playwrights at all stages in their careers, led by artistic leaders of partner companies which have included The Atlantic Theater, Playwrights Horizons, Steppenwolf Theater, Roundabout Theatre, Hampstead Theater, The Old Vic, The Royal Court Theater, La Jolla Playhouse, and ACT Theatre in Seattle. She is married to Read Baldwin and has two sons: Foss and Avery Baldwin. more…

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Submitted on August 05, 2018

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