The Invisible Woman Page #5
CATHERINE (CONT’D)
You are an admirer of my
husband’s work, Miss Ternan?
NELLY:
(nods)
Yes of course. At the moment I am
lost in Little Dorrit. It has a
darker heart perhaps. Though I am
heartbreak.
(MORE)
Blue Revisions dated 11th June 2012 22.
NELLY (CONT'D)
Until now I thought Bleak House was
the novel that would stay with me
the most. It has this alarming
spirit of unease. Lady Deadlock
haunted by her past..I am drawn
again. And yet there is so much
that also makes me smile.
CATHERINE:
entertain.
NELLY:
No..no..surely it’s more than that.
It makes us think. It changes us.
CATHERINE considers NELLY, with thoughtful gaze then looks
back at DICKENS, a sudden heavy sadness overwhelming her
which she deflects witha smile-
CATHERINE:
He will be up all night and
cross all day.
CATHERINE moves off, clearly heading to bed.
CATHERINE (CONT’D)
Good night, Miss Ternan.
NELLY:
Good night.
SILENCE:
NELLY looks back at DICKENS, MISS SABINE now hypnotised
and dancing a jig or the like, the party in uproar,
DICKENS at the helm.
16 INT. DRAWING ROOM.HOTEL. MANCHESTER. 1857. DAWN. 16
It is nearly dawn, the fire is low and the gas lamps now
out.
DICKENS sunk amongst the company of ACTORS; some dozing,
some listening enwrapped, some searching the wine bottles
for the last dregs of wine. MRS TERNAN wide eyed is now
being mesmerised by DICKENS.
MRS TERNAN:
There are too many cats..too many
cats and not enough birds.. I need
wings.
(MORE)
Blue Revisions dated 11th June 2012 23.
MRS TERNAN (CONT'D)
Hold the baby..hold the
baby..No..No..She has gone...With
no wings..Where is she?..Where is
she?..Is she safe?...Please tell me
she is safe.
MRS TERNAN transfixed, her face etched with shock and terror,
the whole room held, watching her. DICKENS smiles, a little
uneasy.
DICKENS:
Ah-
DICKENS smiles, unsure, then he squeezes MRS TERNAN’s
hands, releasing her back to reality.
DICKENS (CONT’D)
And now you are back with us, Mrs
Ternan.
MRS TERNAN coming to, exhales.
MRS TERNAN:
I am back where?
MARIA grips her hands, close to her.
MARIA:
Mother..Mother..I think you
remembered Fanny. On the boat.
MRS TERNAN:
What did I say?
NELLY:
(close to)
You were trying to save her,
mother.
MRS TERNAN:
I am sorry Mr Dickens. I think I
have strayed into some family
history.
DICKENS:
Indeed?
The whole COMPANY leaning forward, listening, unsure where
this is leading-
MRS TERNAN:
My eldest daughter Fanny was thrown
from her cot when my husband and I
were touring in America some years
ago.
(MORE)
Blue Revisions dated 11th June 2012 24.
MRS TERNAN (CONT'D)
We were on a paddle steamer which
was rammed by another boat. She was
saved, miraculously between two
mattresses.
DICKENS:
The angels were watching.
NELLY:
They were.
DICKENS moved by the closeness of these women, together,
smiling at MRS TERNAN. She relaxes.
MRS TERNAN:
I am done Mr Dickens.
MRS TERNAN slightly thrown, gathering herself to stand.
COLLINS:
As am I. An extraordinary story.
COLLINS finishes up the last of the wine, steering himself
wearily to bed, picking up his shoes and jacket on route-
COLLINS (CONT’D)
Tomorrow and tomorrow and
tomorrow.
COLLINS pats DICKENS back affectionately in passing-
COLLINS (CONT’D)
Good night.
The ACTORS stagger off to bed, a sense of good nights all
round.
MR EGG:
Five o’clock. Bed.
NELLY lingers at the window. She pulls back the shutter,
a thin shaft of dawn light searing through-
ALL:
Good night-
NELLY, MARIA and MRS TERNAN the last to leave.
DICKENS:
You were quite wonderful
tonight, Maria.
(to all/ ie MARIA)
I did try to console her in
hushed aside but all she could
whisper is ‘O! So sad. O! It is
so sad!’Such a good pale little
face.
Blue Revisions dated 11th June 2012 25.
DICKENS cups MARIA’s face, kissing her gently on the
forehead, a little drunk and heady from too much wine.
MARIA:
I am afraid I couldn’t stop the
tears. You were too good.
MRS TERNAN:
You will not find a better
Clara.
MARIA smiles, following MRS TERNAN out-
MARIA:
Thank you Mama.
MRS TERNAN:
Now I must take these angels to
bed.
(almost to self/ looking
at girls)
So precious.
MRS TERNAN and MARIA go to exit.
NELLY:
(as goes)
I could stay up all night. I am too
awake to sleep.
NELLY walks towards the window.
NELLY (CONT’D)
There is daylight.
From beyond-
MRS TERNAN:
(calling back)
Nelly dearest, we all need sleep.
NELLY makes to go, DICKENS, one finger pulling back the
curtain peering out.
DICKENS:
This is my favourite time. When
the day is creeping up on us-
NELLY hesitates, caught between staying and going. She
crosses the room, stands by the window opposite him,
following his gaze.
DICKENS (CONT’D)
..and we must put in order the
chaos of the night. Stand guard
once more, ready for life.
Blue Revisions dated 11th June 2012 26.
Outside STREET URCHINS jostle for meat scraps, as the
MEAT PACKERS unload carcasses from a cart, ready for
market. A PROSTITUTE heads home, clearly a little worse
the wear from the night before. A COUPLE embrace in the
shadows.
DICKENS (CONT’D)
A wonderful fact to reflect
upon, that every human creature
mystery to every other.
NELLY:
another to look after. Then
perhaps two human creatures may
know each other.
(beat)
Do you not think so?
NELLY’s directness suddenly piercing DICKENS but he deflects.
DICKENS:
Has Mrs Dickens gone to bed?
NELLY:
Some time ago.
He finishes up his drink, lost deep within himself.
DICKENS:
She has such terrible headaches.
(beat)
Sleep.
17 INT.BEDROOM. SCHOOLHOUSE. MARGATE. NIGHT. 1885. 17
The glow of an oil lamp
NELLY’s reflection refracted in a dressing table mirror as
she dresses for dinner. The fall of an earring, a wrist
dabbed with perfume, lightly pressed against her neck.
GEORGE hovers close by grappling with his shirt cuff and
cufflink-
NELLY:
Pull it taut-
NELLY goes to help him, pulling the cuff taut, and
threading it neatly through-
NELLY (CONT’D)
Upright like a brigadier and
then..
GEORGE watches her, clearly a familiar act, his breath warm
on hers.
Blue Revisions dated 11th June 2012 27.
GEORGE:
Thank you.
NELLY nods, resumes dressing, GEORGE watching her-
GEORGE (CONT’D)
Were you on the beach again
today? Miss Brooke thought she
saw you.
GEORGE sinks on the bed, leaning forward to lace his shoe.
NELLY:
Yes.
GEORGE waits for more. NELLY already slipping away from
him, remote once more.
He hesitates, looks down at NELLY’s shoes close by. He
picks one up, tips it a little, a pool of sand just
visible, grazing the insole. GEORGE considers, with quiet
concern.
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"The Invisible Woman" Scripts.com. STANDS4 LLC, 2024. Web. 8 Nov. 2024. <https://www.scripts.com/script/the_invisible_woman_596>.
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