The Invisible Woman Page #6
18 INT. PARLOUR/LIBRARY. SCHOOLHOUSE. MARGATE. NIGHT. 1885. 18
The aftermath of a pleasant if small dinner party, a
GOVERNOR and his WIFE, LAMBOURNE and his YOUNG WIFE,
REVEREND BENHAM and GEORGE hosting and happy at the helm. A
tray of sweet wine and tea close by. A fire burning in the
grate and the oil lamps lit.
GEORGE:
I was just showing Malcolm-
GEORGE lost in conversation with the GOVERNOR a copy of A
Tale of Two Cities in his hand, leaning against a bookshelf-
GEORGE (CONT’D)
See it is signed.
NELLY passes around tea, topping up a glass here or there.
GEORGE (CONT’D)
Apparently he modelled the
Nelly.The families were very
close when Nelly was a child.
NELLY:
George, please. I am sure he drew
inspiration from many people. Our
guests do not wish to be bored
with
Blue Revisions dated 11th June 2012 27A.
GEORGE:
My wife adores his novels. Of
course he’s often very funny
but...I find a little bleak.
(MORE)
Blue Revisions dated 11th June 2012 28.
GEORGE (CONT'D)
One wonders what demons raged in
his mind.
BENHAM:
Indeed.
GEORGE:
Thackeray, now there’s a writer.
NELLY:
You can’t compare them.
BENHAM:
Oh I agree. I am for Mr Dickens.
There are times that I have
envied Mrs Wharton Robinson to
have known him- even as a child.
NELLY thoughtful, BENHAM animated sipping on his after
dinner wine.
BENHAM (CONT’D)
A true humanitarian, wittily
observant yet burning with a
political bonfire that elevates
and brings urgency to his work. A
writer- yes, at times bleak, but
one who makes us laugh at our own
absurdity. We see ourselves
clearly in all our folly. Yes, he
is still with us!
NELLY suddenly stands, the scrape of her chair, sudden and
surprising, blowing out a candle on a table.
NELLY:
Thank you Mr Benham.
NELLY fiddles, intent on getting the nub of the waxed
candle out.
BENHAM:
sometimes run away with myself.
BENHAM’s eyes dart to NELLY.
BENHAM (CONT’D)
only too well.
BENHAM looks to NELLY, offering conciliatory smile.
GOVERNOR:
Run away....Run away..I for one
am determined to revisit him
suggest I begin?
Blue Revisions dated 11th June 2012 28A.
LAMBOURNE:
Martin Chuzzlewit.
Blue Revisions dated 11th June 2012 29.
BENHAM:
Yes..Of course..So many to choose
from. Where to start? Any novel but
for brief pleasure I would suggest
browsing through a copy of Dickens
weekly literary magazine-
NELLY turns back to see BENHAM peering at a copy of
Household Words, A printed journal composed by Charles
Dickens, one of several on a shelf.
BENHAM (CONT’D)
Household words. A collection of
many of his writings and indeed
chapters of his novels. I am sure
Mrs Wharton Robinson would not
mind if you cared to borrow-
NELLY:
Of course. Of course.
GEORGE:
My wife has nearly every edition.
We have run out of shelves.
MARY enters with more refreshment-
GEORGE (CONT’D)
Ah good. Thank you Mary.
They nod their thanks in passing, GEORGE once more drawing
the GOVERNOR and his WIFE into conversation. BENHAM reaches
for a copy of the Frozen Deep playtext-
BENHAM:
The Frozen Deep. You have the text
of Mr Collins’ play?
NELLY turns, suddenly on edge. BENHAM’s eyes already grazing
over several notes made in some folded pages slipped between
the pages of the playtext. On these papers, the lines are
scored through, the sense of this as a once worked text. And
just visible, pressed in the folds of the these pages-
A tiny lock of hair.
NELLY:
Yes. It is not a good play.
NELLY with gentle precision, takes the playtext out of
BENHAM’s hands, snapping it shut and sliding it once more
into the shelf.
NELLY (CONT’D)
But I will find you one.
BENHAM oddly thrown, yet trying to gather himself,
curiosity stirred as NELLY’s eyes search the titles.
Blue Revisions dated 11th June 2012 29A.
NELLY (CONT’D)
(beat)
David Copperfield. For our reading?
Blue Revisions dated 11th June 2012 30.
BENHAM:
Will you walk again tomorrow?
NELLY:
(beat)
Perhaps.
BENHAM:
May I join you?
NELLY hesitates, pulling a text down from a shelf,
seemingly distracted.
NELLY:
I walk at quite a pace.
19 INT. BEDROOM. SCHOOLHOUSE. MARGATE. 1885. NIGHT. 19
NELLY brushes her hair, GEORGE undressing close by. Both
silent, neither able to make the first move. Suddenly,
NELLY turns on him.
NELLY:
Why must you do that? Flaunt my
connection? It is dull.
GEORGE:
Dull to have known Charles
Dickens?
GEORGE looks at NELLY, with a quizzical smile.
NELLY:
I was a child.
NELLY climbs into bed next to him.
NELLY (CONT’D)
Yet to refer to him as bleak.
It is a misconception-
GEORGE:
What? I do not understand what you
are talking of, Nelly. This
constant agitation.
SILENCE:
GEORGE (CONT’D)
Nelly-
NELLY deflects turning to wind the clock on the bedside
table.
NELLY:
I am just tired.
Blue Revisions dated 11th June 2012 31.
20 INT.BEDROOM. SCHOOLHALL. MARGATE. NIGHT. 1885. 20
Darkness-
NELLY, eyes flickering closed, on top of GEORGE, the steady
rise and fall of her naked back as she grips him, lost in
lovemaking, intense and connected with GEORGE until reaching
shuddering climax, GEORGE looks at her, a sense of her flying
ahead without him-
NELLY, sated, leans forward, the moment dissolving across her
face.
GEORGE tenderly cups the back of her head and neck with the
palm of his hand, his lips close to her cheek, the warmth
of her breath on his neck, the rhythm sobering. They lie,
GEORGE turns, looks for her, NELLY’s eyes closed.
DICKENS VO:
It was a murky confusion - here and
there blotted with a colour like
the colour of the smoke from damp
fuel
21 INT. ORCHESTRA GALLERY. ST MARTIN’S HALL. 1857. DAY. 21
Through ornate railings, NELLY, MARIA, MRS TERNAN and
FANNY TERNAN [ early 20’s] NELLY’s older pretty sister,
silently peering down-
DICKENS mid reading, addresses a packed AUDIENCE, lost in
performance. His eyes briefly graze NELLY’s, a flicker of
surprise, quickly dismissed as he resumes intense, hunched
over the podium.
DICKENS:
As we struggled on, nearer and
nearer to the sea, from which
this mighty wind was blowing
dead on shore, its force became
more and more terrific..
The AUDIENCE enwrapped, NELLY tightly gripping the
programme for DICKENS reading of David Copperfield.
DICKENS (CONT’D)
Long before we saw the sea, its
spray was on our lips, and
showered salt rain upon us.
CUT TO:
NELLY grips the handrail, leaning towards DICKENS, eyes
fixed.
Blue Revisions dated 11th June 2012 32.
DICKENS (CONT’D)
As the receding wave swept back
with a hoarse roar, it seemed to
scoop out deep caves in the beach,
as if its purpose were to undermine
the earth.
CUT TO:
DICKENS stalking the stage, papers in hand, captivating the
AUDIENCE:
DICKENS (CONT’D)
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"The Invisible Woman" Scripts.com. STANDS4 LLC, 2024. Web. 8 Nov. 2024. <https://www.scripts.com/script/the_invisible_woman_596>.
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