The Iron Lady Page #14
DICKENS:
Nelly-
NELLY, tear stained and bereft, holds out the bracelet
box to DICKENS
SILENCE-
DICKENS (CONT’D)
It was a mistake-
DICKENS reluctantly takes the box. NELLY searches in her
bag for her key.
NELLY:
Did you send Catherine to
me?
DICKENS:
Yes.
NELLY:
her?
DICKENS wavers, yet remains silent.
NELLY (CONT’D)
She is the mother of your
children.
DICKENS:
And for that I will always
be grateful but I do not
love her.
NELLY:
But why-?
NELLY’s eyes search with genuine despair.
DICKENS:
She understands nothing. She
sees nothing. I thought if she
saw you she would understand
that I have nothing with her. I
wanted her to see it.
DICKENS, consumed by a fury, NELLY shocked, by the
volcanic passion.
Blue Revisions dated 11th June 2012 74.
NELLY:
It? What is it, Charles?
What is it that we are?
Would you call us friends?
Perhaps we are friends.We
listen to one another as if
we were. You have been
kind..so kind to my
family..A friend...And yet
you do not feel like a
friend.
DICKENS stills her hands, cupping her fingers clasping
the key.
NELLY (CONT’D)
And when your wife asked
me...when she asked me if I was
fond of you... I could not
honestly reply. I wanted to say
‘No’
A POLICE OFFICER passing, drawn by the noise.
POLICE OFFICER:
Can I be of assistance Sir?
DICKENS offers a half smile of reassurance to the POLICE
OFFICER.
POLICE OFFICER (CONT’D)
Is this young lady troubling
you, Sir?
DICKENS:
No..No..Thank you..She is not
troubling me at all. All is
well.
The POLICE OFFICER nods, moving on-
They stand in silence by the door, DICKENS’ hand still
resting on NELLY, the key in the lock.
DICKENS (CONT’D)
May I come in?
(silence)
Nelly-?
62 INT. DRAWING ROOM. AMPTHILL SQUARE. 1858. NIGHT. 62
DICKENS and NELLY sit in silence, across the room from
one another, NELLY’s quiet fury sobered now. Yet
neither able to make a move. A lamp lit low the only
light.
Blue Revisions dated 11th June 2012 75.
A vein in DICKENS’ temple pulsing, lost in some deep
internal conflict which he cannot speak of, a deep inner
consultation of the self until-
The PRESS of a floorboard overhead. They both look up,
hearts catching in their chests. A cough. MRS TERNAN
rolling over in bed.
The house once more falls silent.
DICKENS:
It is late.
NELLY nods, makes to stand. DICKENS stands. They look at
one another, NELLY makes to show him out. At once he
catches her hand, leaning into her, his forehead pressed
to hers. NELLY hesitant, sees the despair flickering, in
DICKENS face.
NELLY’s eyes meet his. They stand, close, lips not yet
meeting, breath warm, held in one another’s gaze, lost
DICKENS leans into NELLY, head bowed, his forehead close
to her cheek, his body almost buckling. NELLY eases her
arms around him, holding him in almost rocking embrace.
His fingers intertwine with hers-
CLOSE UP ON their hands, intertwined, tentatively
exploring, finding one another in these tiny flickering
moments of silent physical connection.
On NELLY, CLOSE UP, in her face all the conflicting
emotions, their lips almost meeting, the barest whisper
of a kiss.
They stand, entwined and silent
63 INT. BEDROOM. GADS HILL. KENT. 1858. DAY. 63
DICKENS standing with a CARPENTER who is putting shelving
and a partition between the dressing room and CATHERINE and
DICKENS bedroom. He turns, CATHERINE staring at him, he
looks at her with quiet, remorseless gaze.
63A EXT. HEATH. LONDON. 1858. DAY. 63A
The crown of a hill, DICKENS just visible head,, NELLY
hurrying to keep up, they are lost in conversation. We are
behind them.
DICKENS:
...I would walk from the Aldwych to
Camden to Highgate then back to
Westminster and then on to
Millbank.
Blue Revisions dated 11th June 2012 76.
NELLY:
You have London in your blood.
DICKENS:
Alright?
NELLY nods, breathless yet exhilarated.
NELLY:
Yes. Yes-
DICKENS:
I walk at quite a pace.
Their feet walking on.
64
INT. BEACH. MARGATE. KENT. 1885. DAY. 64
NELLY walking, boots sinking in the sand-
A tiny figure etched across the sand, a dot amidst the
vastness of the landscape.
65
INT. CARRIAGE. TRAIN. NEAR STAPLEHURST. KENT. DAY. 1865. 65
The TEARING STEADY RHYTHM OF TRAIN WHEELS AGAINST STEEL AND
TRACK-
The STREAK of countryside, FLEETING and ABSTRACTED, a BLUR of
light and colour beyond.
Then just visible in the glass, NELLY’s reflection indistinct
yet rippling in the glass-
A SHADOWY FIGURE OF A MAN CAUGHT IN THE GLASS OPPOSITE HER.
66
EXT. PATH. HAMPSTEAD HEATH. LONDON. 1858. DAY. 66
Dawn-
NELLY and DICKENS just visible walking through the early
morning fog, lost in conversation. NELLY strides ahead,
turning, holding out a hand pulling him up the hill-
SUDDENLYCHARLEY:
Father-
CHARLEY DICKENS, books in hand, stops in surprise, eyes
falling briefly on NELLY, with quiet recognition.
DICKENS:
Charley, what are you doing here?
Blue Revisions dated 11th June 2012 77.
CHARLEY:
I walk this way, if I have taken
the earlier train-
DICKENS:
You remember Miss Ternan-?
CHARLEY nods to NELLY in greeting, stiffening a little.
CHARLEY:
Of course.
NELLY:
Charley, how are you? You look
well.
CHARLEY:
I am.
DICKENS:
Charley is working in the city.
NELLY:
How very clever.
CHARLEY:
Not really. A friend of
father’s.
NELLY:
You are well?
CHARLEY:
Quite well. Thank you Miss
Ternan.
NELLY:
I still have the glove.
NELLY holds up her gloved hands with a smile.
NELLY (CONT’D)
...which you rescued for me. I
would have been most unhappy to
have lost it. They are my
favourite pair.
CHARLEY:
I am sure you would have found
another. Perhaps not of equal
colour or quality but easy enough
to pick up-
NELLY stung, DICKENS fury evident in his face. NELLY
deflects, saving face
Blue Revisions dated 11th June 2012 78.
NELLY:
We were about to take breakfast.
Will you join us?
CHARLEY:
Thank you. I am already late.
CHARLEY raises his hat to NELLY, moving swiftly on.
Suddenly he stops-
CHARLEY (CONT’D)
Father.
(beat)
Will we see you at home?
DICKENS silent. CHARLEY continues his journey along the
path. DICKENS and NELLY together, yet oddly separate.
67 EXT. GARDEN. GADS HILL. 1858. DAY. 67
A beautiful summers day-
DICKENS family enjoy a garden party, playing mad three
legged races on the lawn, orchestrated by DICKENS, who
stands caught between reading a newspaper and watching the
race.
DICKENS:
Faster Plorn. Faster. You keep
letting everyone else win. The
extra leg is there to add to your
speed.
CATHERINE sits close by drinking tea. GEORGINA seated close
by.
DICKENS clutches a newspaper in his hand which he slams down
infuriated.
CATHERINE:
You could not keep it quiet
forever, Charles.
CATHERINE pours herself some tea, looking at DICKENS with
distracted concern.
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