The Iron Lady Page #15
CATHERINE (CONT’D)
No matter. You must deny it.
GEORGINA:
Rumour can always be denied.
We will host Christmas here.
Invite everyone we know. Do not
worry.
Blue Revisions dated 11th June 2012 79.
CATHERINE:
And then you must stop this.
DICKENS stiffens.
DICKENS:
But what if I do not want to?
CATHERINE:
Don’t be foolish. You cannot keep
her a secret.
Hiding her hurt, CATHERINE withdraws her hand, caught
between affection and furious despair. He turns holding her
look with direct intent.
DICKENS:
Yes I can.
68 INT.DRAWING ROOM GADS HILL. KENT. 1858. DAY. 68
The squeak of tin wheels-
CATHERINE VO:
I can’t read it. Will you read
it.
Through a door, PLORN pushing a toy train along the floor,
looks up, watching-
CHARLEY takes a copy of a newspaper from CATHERINE who sits
silent and stiff on a chair. He silently braces himself,
reading aloud.
CHARLEY:
There is some domestic trouble of
mine, long standing, on which I
will make no further remark it
being of a sacredly private
nature. However-
CATHERINE turns, a look of shocked despair flickering
across her face as she sees PLORN peering through the
doorway.
CHARLEY (CONT’D)
..it has lately been brought to
an arrangement, which involves no
anger or ill-will of any kind. My
wife Catherine and I have decided
to separate.
The headline on the newspaper now clear -
CHARLES DICKENS SEPARATES FROM WIFE.
Blue Revisions dated 11th June 2012 80.
CHARLEY (CONT'D)
The whole origin, progress and
surrounding circumstances have
been throughout, within the
knowledge of my children.
The SQUEAK SQUEAK of the tin train just audible as he
wheels it away, disappearing along a distant corridor.
CHARLEY (CONT’D)
It is amicably composed, and its
details have but to be forgotten
by those concerned in it.
69 EXT. GARDEN. AMPTHILL SQUARE. 1858. DAY. 69
NELLY knelt, repotting plants. Looking up to see MARIA, on
the approach, pulling off her bonnet and hat en route,
holding up a newspaper
CHARLEY VO:
I most solemnly declare that all
the lately whispered rumors
touching upon my association with
abominably false. Upon my soul
earth more virtuous and spotless
than this young creature.
NELLY wipes down earthy hands, taking the offered paper,
reading with shock.
70 INT. SMOKING ROOM. GARRICK CLUB. 1858. DAY. 70
Through a haze of cigar smoke-
CHARLEY VO:
And whosoever says otherwise
after this denial, will lie as
willfully and as foully as it is
possible for any false witness to
lie, before Heaven and Earth.
A FAT GENTLEMAN sits reading the newspaper, the details of
DICKENS separation spilling out-
Several other GENTLEMAN sunk in Chesterfields, looking up
from the same newspaper, falling into comment-
DICKENS passes, cigar in hand, nodding in stiff greeting-
The GENTLEMEN resume their reading-
Blue Revisions dated 11th June 2012 81.
71 INT. DRAWING ROOM. GADS HILL. 1858. DAY. 71
CATHERINE hands sunk in her lap weeping.
CHARLEY stands, bitterly hurt and wretched, hoveringbetween consoling CATHERINE and screaming in rage.
GEORGINA stands in a doorway, looking on.
71A INT. DRAWING ROOM. AMPTHILL SQUARE. LONDON. 1958. DAY. 71A
CLOSE on NELLY with MRS TERNANMRS
TERNAN:
NELLY:
But yet I am humiliated.
MRS TERNAN:
There is nothing to deny.
No.
NELLY:
The SILENCE hangs-
MRS TERNAN:
What else could he do?
Yes.
NELLY:
MRS TERNAN:
He is an honourable man.
He is.
NELLY:
MRS TERNAN:
And you are-
Mama-
NELLY:
MRS TERNAN:
The most beautiful, wonderful,
clever young woman.
NELLY:
But what am I do do with these
things. He cannot marry me.
MRS TERNAN:
(beat)
No. But what is marriage?
(MORE)
Blue Revisions dated 11th June 2012 81A.
MRS TERNAN (CONT'D)
I have been married and it was at
times, the loneliest place, Nelly.
(MORE)
Blue Revisions dated 11th June 2012 82.
MRS TERNAN (CONT'D)
Do not think that it will offer you
anymore than you already have.
They hover on the edge-
MRS TERNAN (CONT’D)
I have witnessed some of the
strongest friendships, some of the
most lasting unions between men and
women who were never married. I
have envied them.
NELLY:
(close to MRS TERNAN)
What do I do?
MRS TERNAN’s hand gently smoothing back a stray lock of
NELLY’s hair.
MRS TERNAN:
Fanny and I leave for Italy at the
end of the month. Come with us if
you wish. I will book you a
passage. It is easily done.
NELLY softens, leaning her cheek into MRS TERNAN’s hand,
letting her be comforted.
MRS TERNAN (CONT’D)
This life is precarious. We must
take our chances when we can.
MRS TERNAN moving on, leaving NELLY alone.
72 INT. HALLWAY. TAVISTOCK HOUSE 1858. DAY. 72
COLLINS, clutching a copy of The Times, hurrying upstairs.
73 INT. DRAWING ROOM. TAVISTOCK HOUSE. 1858. DAY. 73
DICKENS bent over a desk, writing-
COLLINS:
Have you gone completely mad?
COLLINS, clutching a newspaper, steady on the approach.
COLLINS (CONT’D)
The Times for God sake.
Tell me you have spoken to
Catherine first?
SILENCE:
Blue Revisions dated 11th June 2012 83.
COLLINS (CONT’D)
Christ, Charles. What were you
thinking of?
COLLINS lost in fury, pacing the room. DICKENS at his desk.
DICKENS:
Catherine is the only person I have
ever known with whom I can find no
common interest. I am impulsive. I
claim no immunity from blame. But
how, Wilkie? How does one stay
married to someone one no longer
loves?
COLLINS:
With difficulty. I can see there is
no love, but there is a cruelty
here.
DICKENS:
What cruelty? Surely to continue is
cruel, Wilkie. To Catherine? An end
is an end.
COLLINS:
You’ve stirred a hive of bees,
Charles. You know how this
works.You make comment. They
print. Then twist. Silence is
surely preferable.
DICKENS:
Is that what they would prefer?
Silence..Yes..Then they will have
silence.
74 EXT. HEATH. LONDON. 1858. DAY. 74
DICKENS walking across the heath, closed within himself. A
MAN strides past, looks to acknowledge him. DICKENS, keeps
walking, head down, silent.
75 INT/EXT. GADS HILL. 1858. NIGHT. 75
CHARLEY standing at a window, watching with concern, DICKENS
through the window in the backyard, face glowing illuminated
by a huge bonfire, stoked with letters and bundles of papers
which DICKENS hurls with some speed and fury into the
towering pyre.
He stands, exhausted, yet focused on the task in hand, as he
reaches for a pile of papers, flicking through them,
rejecting them one by one as these too go into the fire, the
flames illuminating the dark night.
Blue Revisions dated 11th June 2012 84.
75A INT. DRAWING ROOM. AMPTHILL SQUARE. LONDON. 1958. DAY. 75A
NELLY alone, standing by the window the bracelet in her hand,
lost in troubled thought. She absently weaves it through her
fingers, the rubies glinting
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Iron Lady" Scripts.com. STANDS4 LLC, 2025. Web. 20 Jan. 2025. <https://www.scripts.com/script/the_iron_lady_597>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In