The Italian Job Page #12
VALET:
Are you hear for the Baxter party, sir?
We see the three Minis pull tight U-turns and head back the
way they came.
INT. CHARLIE'S MINI (MOVING) -NIGHT
He slaps his hand against the steering wheel, fuming.
(CONTINUED)
CONTINUED:
CHARLIE:
Sh*t. Stella?
INT. STELLA'S MINI (MOVING) -INTERCUT
She already knows what he's going to say.
STELLA:
I know. I've got a date tonight.
CHARLIE:
You'll have to fake it. Laugh at his
jokes. You need him to ask you out
again.
CUT TO:
INT. AGO RESTAURANT -NIGHT
A posh restaurant. As OUR CAMERA FINDS Stella and Steve, she
is laughing at something he said, faking her way through the
date. They're sitting at an intimate table.
STELLA:
You really make laugh.
He takes the lie like the compliment she wants him to think
it is.
STEVE:
So here's what I have lined up for after
dinner. We'll go to Club Deep. The
Ferrari always gets me to the front of
the line. We'll do a little dancing...
STELLA:
Not tonight. I don't want to be out
late.
STEVE:
Why the curfew?
STELLA:
Let's just say I've made some wrong calls
in the past. I like to take things slow,
cautious. Next time. . .
STEVE:
I understand. You have nothing to worry
about. You can trust me.
(CONTINUED)
CONTINUED:
STELLA:
I trust everyone. It's the devil inside
them that I don't trust.
That saying strikes Steve.
STEVE:
That's an interesting saying.
STELLA:
What?
He looks at her closely, really closely.
STEVE:
There's only person I've ever heard say
that. Used to say it all the time.
This worries her. Because of course, she used to hear it
from her father.
STELLA:
Who was that?
Under the table, he grabs her by the wrist, squeezes it like
a vise.
STEVE:
A man named John Bridger. Where did you
pick up that phrase?
STELLA:
Ow. I don't remember. You're hurting
me.
STEVE:
John Bridger was a thief. And he had a
daughter. About your age. He told me
that she took over a safe and lock
company that he used as a front.
STELLA:
Let go of my wrist. What is wrong with
you? It's just a saying.
Steve's voice is calm, so at ease that watching them you'd
think this was pleasant dinner conversation.
STEVE:
No wonder I liked you right away. Just
like I liked your old man, right up until
the moment I shot him in the head.
(MORE)
(CONTINUED)
CONTINUED:
(2)STEVE (CONT'D)
Now tell me who you're working with and
tell me the plan. Do it now or we'll go
for a ride and I'll break every bone in
your body.
Stella intentionally knocks over a glass of wine. It
shatters on the floor. An emergency signal...
Charlie, Half-Ear, Handsome Rob and Lyle appear around the
table.
Steve is shocked to see the men he left for dead three years
ago standing before him, very much alive.
They pull up chairs from another table, encircling him for a
tense and pointed talk.
CHARLIE:
Something wrong, Steve? You look like
you want to call Ghostbusters.
Half-Ear furtively slides the switchblade out of his boot.
HALF-EAR
She's coming with us. You got a problem
with that?
STEVE:
Fine by me. But it's you that has the
problem.
LYLE:
How do you figure?
STEVE:
You've just blown the one thing you had
going in your favor, the element of
surprise. And I was surprised.
(he laughs unpleasantly)
Jesus Christ when I saw all you guys come
out of the woodwork. For a minute I
thought maybe you were ghosts. But
you're screwed now.
(an arrogant sneer a Half-Ear)
Did you figure out how to take care of my
security guard? I'll hire five more.
(at Lyle)
You know how to bypass my alarm system?
I'll have a new one installed tomorrow.
(at Handsome Rob)
Does it tear you up inside seeing what
car I drive? I'll buy a matching one in
red.
(at Stella)
(MORE)
(CONTINUED)
CONTINUED:
(3)STEVE (CONT'D)
(at Stella)
You think you can crack ray safe? You711
end up the same way as your dad.
(then to Charlie, all smiles)
Looks like Good Time Charlie's got the
blues.
CHARLIE:
You can wear that sh*t-eating grin on
your face, but I know under that Versace
shirt you're in a cold sweat. And you're
not going to sleep a minute tonight.
Cause you thought you'd gotten away with
it free and clear. You thought you'd
gotten rid of us. You're the one who's
screwed. Right to the wall.
STEVE:
Give it your best shot. I'll outsmart
you every step of the way. And this
time, I'll bury you myself.
CHARLIE:
(taking the challenge)
Get more guards. Change the alarm. Buy
a dozen Ferraris. We'll still be here.
. Sleep tight.
Charlie grabs a bread stick off the table and goes. The
others follow. CUT TO:
INT. STRIP CLUB -BACK ROOM — NIGHT
The door bursts open as the burly man we met earlier is
dragged inside at gunpoint. Five Ukrainians armed with MAC11
machine pistols storm the room where Skinny Pete works.
Mashkov walks behind the posse. He carries a duffel bag. He
takes in the sight of the fattest man he's ever seen.
MASHKOV:
(in accented English)
Do you know who I am?
SKINNY PETE:
You work for Danya.
MASHKOV:
Yes. And you are gonna be straight with
me and everything's gonna be okay. You
f*** with me, I will be ruthless.
SKINNY PETE:
I understand.
CONTINUEDONTINUED:
MASHKOV:
I don't want you to understand. I want
you to overstand.
SKINNY PETE:
Overstand... Okay.
MASHKOV:
Because if you don't overstand, I will
use this.
Mashkov nonchalantly opens the duffel bag and pulls out a
short-handled ax. Skinny Pete sees dried blood on the blade.
MASHKOV (CONT'D)
Someone was asking about gold bars with a
Balinese girl's face on them. I want the
name of this man.
CUT TO:
EXT. SHUTTER'S ON THE BEACH -MORNING
The sun shines over the ocean and the hotel.
INT. CHARLIE'S HOTEL ROOM
The crew is gathered. Lyle, monitoring digital surveillance
on his laptop, takes off his headphones.
LYLE:
Well we scared him alright. He's flying .
the coop. His security guard called
Brink's Armored Car Service to confirm a
5 p.m. pick up at his house, then JetClub
to confirm a MD11 Cargo plane departing
from the Imperial Terminal at LAX at 8
p.m.
CHARLIE:
Confirmed? How'd we miss the first
calls?
LYLE:
They must have been cellular. The cargo
plane is being chartered to Mexico City.
HANDSOME ROB:
Only place with worse smog and traffic
than L.A.
(CONTINUED)
CONTINUEDONTINUED:
STELLA:
Once the charter's in the air, he could
change the flight path to anywhere. And
good-bye gold.
CHARLIE:
Not so fast. This is good news for us.
HANDSOME ROB:
Good news?
CHARLIE:
Sometimes when you're up to your ass in
alligators you forget that you started
off trying to drain the swamp.
HANDSOME ROB:
Meaning what the f***?
CHARLIE:
We've been trying to get to the gold in
the safe. Now the safe is corning to us.
We'll boost it in transit.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Italian Job" Scripts.com. STANDS4 LLC, 2024. Web. 24 Dec. 2024. <https://www.scripts.com/script/the_italian_job_368>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In