The Kingdom of Heaven Page #18
- Year:
- 1991
- 30 min
- 570 Views
GUY:
Precisely.
INT. THE KING’S CHAMBERS. LATER
BALIAN looks down at the dying king.
THE KING:
It is time to conclude my affairs.
(a beat)
You are the Marshal of Jerusalem.
(BALIAN looks up)
And you are a peer of this kingdom.
Do you know what that means?
BALIAN shakes his head “no”. TIBERIAS watches gravely.
THE KING (CONT’D)
No one can rule a kingdom who
cannot lead troops in battle.
Tiberias will not live forever.
(CONTINUED)
89.
CONTINUED:
The KING sits up, stands, and under his own power goes to his
chair.
THE KING (CONT’D)
I cannot die with there being a
chance of Guy taking power through
my sister. He will make war against
the Muslims, who are only too ready
to take this Kingdom. Will you
protect my nephew when he is king?
BALIAN:
Yes.
THE KING:
Would you marry Sibylla were she
free?
BALIAN stares at the floor for a long time. He has been
offered his desires. He finally looks up.
BALIAN:
And Guy?
TIBERIAS:
He will be executed on the instant
you say yes. With all of his
knights who do not swear to you.
BALIAN must now give away the woman he loves.
BALIAN:
I cannot be the cause of that.
TIBERIAS:
You are not in your forge anymore,
boy. Do it.
The KING raises his hand for silence. TIBERIAS, exasperated,
leaves the room. THE KING watches BALIAN.
BALIAN:
A king may move a man, you said.
But the soul, you said, is the
man’s.
The KING (we can see it through the mouth-hole) smiles.
THE KING:
...Yes.
BALIAN:
You have my love. And my answer.
(CONTINUED)
90.
CONTINUED:
(2)BALIAN takes the wrapped hands and bows.
INT. THE HALL OUTSIDE THE KING’S ROOMS. MOMENTS LATER
TIBERIAS leans against the wall. BALIAN comes out OS. All on
Tiberias as he realizes: Balian possibly isn’t going to do
it.
TIBERIAS:
(coming closer)
BALIAN:
He has made me Marshal of
Jerusalem. I will protect the
kingdom, and the new king. To the
rest, I have said no.
TIBERIAS:
I understand. I do. But if you do
not marry Sibylla-
BALIAN:
I will not kill a man in cold blood
or for profit.
TIBERIAS:
(interrupts, pleading)
Who is he that you save his life?
He’s a man who hates you, who has
insulted you...I play Devil...but
for the salvation of this kingdom.
Compromise yourself.
(Balian is backing away
from him)
Jerusalem does not need “a perfect
knight”. This is the world.
BALIAN:
No...it is his kingdom, and it is
my life. And both are kingdoms of
conscience, or nothing.
BALIAN moves on. He sees: GUY. GUY (who has not heard the
previous) stares at him hollowly.
GUY:
A hundred against ten thousand.
Slow clapping from Guy. BALIAN gives the man whose life he
has saved a long, long, look, and then continues on his way.
91.
INT. THE COURTYARD AT BALIAN’S HOUSE. CONTINUOUS
Moonlight in the pool. BALIAN sits down and looks at the
water. PALMS blow overhead, reminiscent of Ibelin. Horse’s
hooves, OS, and someone comes in behind Balian. BALIAN looks
around. It is SIBYLLA, cloaked.
SIBYLLA:
I see a man who could be great,
unless he chooses to be “good”. If
you do not join with me, I am left
with Guy.
BALIAN:
You would see your husband dead.
SIBYLLA:
For Jerusalem. For my son. For
love.
BALIAN:
What kind of “love” is that?
SIBYLLA:
Who are you to refuse a king? You
refuse my son.
BALIAN:
I refuse to do murder. Especially
of a man who stands between me and
what I want.
(Sibylla is shaken)
And Jerusalem. Look into your
heart. Do you have any idea of
Jerusalem except that it is yours?
SIBYLLA:
(a long pause, and an
honest answer)
It is mine. My grandfather took
Jerusalem in blood. I will keep it
in the same way, or any way I can,
for my family, for my son. I am
what I am. I offer you that, and
the world...you say no.
BALIAN:
Do you think I am Guy? That I would
sell my sould for “the world”, or
even you? Do you think that I am
a...thing...that can be used?
SIBYLLA looks up at him.
(CONTINUED)
92.
CONTINUED:
SIBYLLA:
I think you are a man. And I think
there will be a day when you wish
you had done a little evil, to do a
greater good.
SIBYLLA exits. BALIAN stares after her.
INT. SIBYLLA’S ROOMS. LATER
PUSH through the rooms to find SIBYLLA. She crushes a rose,
stem and all, and the blood rills down her wrist.
EXT. IBELIN. DAY
THE WATERWHEEL TURNS, spilling water into a ditch which runs
off into the fields. BALIAN, covered with dust, looks at the
wheel turning. Then at the crops. IBELIN KIDS are staring at
him. He wander out of shot.
INT. SIBYLLA’S ROOMS. NIGHT
SIBYLLA is showing her son a GLOBE of the world.
SIBYLLA:
That is England, where Richard is
King. And here is France. We have
lands there. Very green.
BOY:
Will I ever see France?
SIBYLLA:
But you must be king. Here.
BOY:
Why?
She looks sad and guilty. A sound. SIBYLLA looks at:
TIBERIAS. She stands.
TIBERIAS:
The king wants you. He needs you.
SIBYLLA:
I cannot bear to look at him. He
knows this. It does not mean I do
not love him.
TIBERIAS:
(imploring her)
Go.
(CONTINUED)
93.
CONTINUED:
Sibylla nods. It is something she knew she must do anyway.
TIBERIAS stays looking at the boy for a moment.
TIBERIAS (CONT’D)
May God defend you.
TIBERIAS goes out. The BOY plays with the candle flame. He
touches it with one hand-- and draws the hand back, in pain.
He touches the flame with his other and (the fingers touching
the flame OS) does not draw the hand back.
INT. THE KING’S DEATHCHAMBER. MOMENTS LATER
The KING, wearing his mask, is breathing raggedly. SIBYLLA
approaches, down the long room. The King’s PHYSICIANS back
away. She kneels beside her brother’s bed, as if at a coffin
at a wake.
THE KING:
Do you remember when I was a boy...
SIBYLLA:
And when you defeated Saladin. You
were sixteen...
She cries.
SIBYLLA (CONT’D)
You have never not been beautiful.
In every act. In every word.
THE KING:
Remember me as I was.
SIBYLLA:
(in tears)
I will. I do.
The mask moves:
a nod. SIBYLLA kisses the mask.EXT. THE HALLWAY. NIGHT
GUY is standing outside as Sibylla comes out. He looks
strangely more needy and in love than villainous. SIBYLLA
looks at him evenly.
SIBYLLA:
If my son has your knights, you
have a wife.
GUY:
Unless I am made head of the Army
we have no bargain.
(CONTINUED)
94.
CONTINUED:
SIBYLLA nods and moves on.
INT. THE KING’S DEATHCHAMBER. TWILIGHT
Move through the columned room. THE KING IS DEAD AND LIES IN
STATE.
SIBYLLA kneels at the end of the room. She crosses herself,
and stands to leave, but then as if in a dream moves towards
the biered, masked, body. She reaches out trembling fingers
and removes the mask. Here for the first time we see what
leprosy has done to the king, her brother. She stumbles back,
and drops the MASK on the stones. Then, as she looks up, it
is the Sibylla who will do what must be done. Whatever it may
be.
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