![Find The Late Shift on Amazon](https://images-na.ssl-images-amazon.com/images/M/MV5BMTkzOTI4OTY4OF5BMl5BanBnXkFtZTcwOTQ5NDgyMQ@@._V1_SX300.jpg)
The Late Shift Page #6
- R
- Year:
- 1996
- 95 min
- 479 Views
I'M SURE HE'S GONNA
HAVE A GREAT SHOW.
OH, THANKS.
I'M DOING EVERYTHING I CAN
HELEN, I DID HAVE
ONE OTHER THOUGHT.
TO THANK JOHNNY?
IS GONNA BE:
ENTIRELY DIFFEREN FROM THE OLD SHOW.
TO JOHNNY'S OLD AUDIENCE.
EVERY COMIC KNOWS
TO GET MORE:
APPLAUSE FOR YOURSELF.
I THINK IT'S
A TERRIBLE MISTAKE, HELEN.
SIMPLE POLITENESS.
SOMETHING LIKE,
"I WOULDN'T BE HERE
BUT FOR JOHNNY."
ONE HOUR BEFORE:
A LIVE BROADCAS AND TELL HIM TO
INSERT SOME TRIBUTE
TO JOHNNY CARSON.
ABSOLUTELY NOT.
BUT I APPRECIATE
YOUR GOOD WISHES,
AND I'LL TELL JAY
YOU CALLED.
( male announcer )
From the N.B.C. Studios in Burbank,
The Tonight Show,
with Jay Leno.
Featuring Branford Marsalis,
and The Tonight Show band.
Tonight, Jay welcomes
comedian, Billy Crystal.
And musical guest,
Garth Brooks.
And now,
Jay Leno.
( all applauding )
FROM C.A.A.
FOR DAVID LETTERMAN
MICHAEL OVITZ'S OFFICE."
HE HIRED OVITZ?
TO GET SPRUNG?
HE'D HAVE TO
TO GET A 5-YEAR DEAL OUT OF US
THAT'S NOT A BIG ENOUGH MOVE FOR HIM.
YOU'RE NOT LISTENING, WARREN.
DAVE CAN BRING:
MACHIAVELLI BACK FROM THE DEAD,
IT STILL DOES NO DO HIM ANY GOOD.
OVITZ, HUH?
PUT HIM ON:
TELEVISION IN VENEZUELA?
COME ON.
THAT'S FUNNY.
( Lee )
THIS LETTERMAN CONTRACT HAS CLAUSES IN I A PRISONER WOULDN'T HAVE.
FOR A SPORTS ANNOUNCER
GETS WORSE.
N.B.C. HAS FIRST NEGOTIATING POSITION.
WITH ANYONE BUT THEM FOR 18 MONTHS.
NO OFFERS, NOTHING.
TO PEOPLE, RIGHT?
WHAT THEN?
WE CAN'T PITCH
LETTERMAN AROUND, MIKE, N.B.C. WOULD CHALLENGE IT.
NO, NO, NO, WE DON'T PITCH
LETTERMAN TO ANYBODY.
THEY PITCH THEMSELVES TO US.
( Lee )
AND IT'S LEGAL, TOO?
YES.
WE CAN'T STOP SOMEBODY
PARDON ME.
( people chattering )
ROD.
HOWARD.
IN 14 SECONDS.
WE NEED YOU.
ALL THE HEAVYWEIGHTS
ARE COMING.
I HEARD EISNER'S GOING
REALLY? I WISH THEY'D MADE I CLEARER EARLIER
AND TOLD ME THEY'D SEE ME HERE.
AND REALIZE I HAD NO BLOODY CUFF LINKS.
PAPER CLIPS.
I'M JUST AFRAID
IS A BIGGER TIGHTWAD THAN G.E.,
WHICH ISN'T FAR WRONG.
( men chattering )
HI, RON.
UH, GENTLEMEN, I'M SORRY,
WE ARE UNDER A BIT OF A TIME CONSTRAINT,
THAT WE'RE HERE BECAUSE
THAT THIS IS NOT A NEGOTIATION.
A BETTER WORD, A PROCESS.
UH, AN APPRECIATION FOR THE HISTORY AND TRADITION
OF BROADCASTING.
EVEN IN ENGLAND:
AND LUCY, AND GLEASON.
FIT THAT TRADITION?
( clapping )
LIKE A GLOVE.
THE POINT IS,
THE C.B.S. OF PRESEN CAN GIVE YOU
WHAT YOU WANT, DAVID.
AFFILIATE STRENGTH,
STRONG MANAGEMENT,
EXCELLENT PROMOTION,
AND, YES, WE HAVE
EVERY WEEKNIGHT.
AND WE'RE A NETWORK.
WE'RE A HOME.
MICHAEL.
WE'RE ALSO
OF OFFERING YOU:
HI, ROBERT,
FOR COMING.
A.B.C. HAS ALWAYS
BEEN THE NETWORK FOR THE YOUNG VIEWERS.
THAT AUDIENCE AND DELIVER IT TO YOU.
SAY HERE TODAY:
ABOUT NIGHTLINE, BUT...
HI, ALAN,
THANK YOU FOR COMING, I APPRECIATE IT.
WE'LL BUILD
THE ENTIRE SYNDICATION OPERATION AT COLUMBIA
AROUND DAVID LETTERMAN
AND LATE NIGHT.
LAUNCH NATIONALLY
( David )
UH, WELL, THAT SOUNDS GREAT, BOB.
UH, ALAN...
WHATEVER.
( laughing )
HI, BRANDON.
HOW ARE YOU?
I APPRECIATE IT.
THANK YOU. MORTY.
AT PARAMOUNT,
LATE-NIGHT WORK IN SYNDICATION.
ARSENIO:
FOLLOWED BY LETTERMAN.
I'd follow the example
of their nominee:
don't inhale.
( sighing )
( people applauding )
THE LOCAL NEWS:
WILL START LATE.
WE RESCHEDULE:
OUR F***ING LIVES TO DO A LIVE SHOW
THEIR GHASTLY CONVENTION COVERAGE
THEN THEY WON'T LE US ON THE GODDAMN AIR.
MOTHERFUCKERS IN NEWS
F***ING US AGAIN.
WARREN,
FINISH BY 11:
00.IF YOU DON'T GE THIS OVER ON TIME.
NO, I'M NOT LOSIN' IT.
THIS UNDER CONTROL.
LOOK, A PAUSE, RIGHT THERE.
GOD DAMN IT!
IT'S 11:
00 P.M.( man )
YEAH, GARTNER HERE.
YOU PROMISED ME:
YOU'D BE OFF BY 11:00, YOU SHITHEAD.
I'M GOING LIVE TONIGH SO WE CAN GET SOME PAY-OFF
FROM YOUR HORSE SHI CONVENTION COVERAGE.
I'M ACCOMMODATING YOU
BY GIVING BROKAW AIRTIME WITH JAY.
OR I'M NOT USING
BROKAW TONIGHT.
I DON'T GIVE
A SH*T IF YOU USE BROKAW TONIGH OR ANY OTHER
NIGHT, LADY.
AND LET'S GE SOMETHING STRAIGHT.
I AM THE PRESIDEN OF N.B.C. NEWS.
WITH WHAT I DO.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Late Shift" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/the_late_shift_12308>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In