The Late Shift Page #5
- R
- Year:
- 1996
- 95 min
- 510 Views
IN MY CONTRAC IF THEY DON'T GIVE ME
THE TONIGHT SHOW.
HOW MUCH?
A MILLION DOLLARS.
DAVID, THAT'S TIP MONEY
TO THOSE GUYS.
ALL RIGHT, I'M A PINHEAD,
I DIDN'T KNOW
WHAT I WAS DOING.
COME ON.
I MEAN,
THAT ONE HOUR A DAY
YOU'RE A TELEVISION STAR.
YEAH, WHO? C.B.S.?
PAT SAJAK. THEIR GUMS
ARE STILL BLEEDING.
THEY DON'T WANNA HEAR
THE WORDS LATE NIGHT EVER AGAIN.
A.B.C.?
AT 11:
30.HE'S THE GOLD STANDARD.
I'M NICKEL-PLATING.
SYNDICATION?
HO! HO! WHAT A FEELING,
CAN YOU IMAGINE:
"WE GOT, LETTERMAN, OR STUDS.
STUDS OR LETTERMAN."
I'M F***ED, PETE.
LISTEN, DAVID.
DON'T ACCEP WHAT N.B.C. IS DOING TO YOU.
YOU SIMPLY CAN'T.
BECAUSE YOU'LL HATE YOURSELF
BUT I'VE ALREADY
HOW ABOUT GETTING
AN AGENT?
NOW DON'T REJEC THE IDEA OUT OF HAND,
ABOUT AGENTS.
WITH SOME POWER IN THE BUSINESS.
YEAH, I KNOW,
BUT, JESUS, AN AGENT?
AN AGENT'S WHAT YOU
OF YOUR SHOE:
AFTER A BASEBALL GAME.
THEY'RE JUST GONNA
LISTEN, DAVID,
I HAVE AN IDEA.
DAVID. PETER. MIKE OVITZ.
PLEASE COME IN, IT'S WONDERFUL
TO HAVE YOU HERE.
PLEASE.
THANK YOU.
DAVID, I DON'T KNOW
WITH WILLIAM MORRIS,
AND I WAS STILL:
AN AGENT THERE,
UH, JEEZ, I CAN'T BELIEVE
YOU REMEMBER THAT.
WHAT I REMEMBER IS,
IN THE ROOM.
IN FACT, I... I DON'T THINK
WE GOT MUCH ACCOMPLISHED
THAT DAY.
TELL YOU A LITTLE BI ABOUT DAVID'S CIRCUMSTANCES.
PETER,
I KNOW DAVE'S CIRCUMSTANCES.
AND SO I KNOW:
WHY YOU'RE HERE.
SUCH COMPELLING STATURE
THAT FRANKLY,
IT MAKES ME PERSONALLY ANGRY
HE FINDS HIMSELF
THIS ABUSED.
WE PRIDE:
IN DEVELOPING:
THAT PROTECTS THEM
DAVID HAS SE SUCH AN INCREDIBLY HIGH PROFESSIONAL STANDARD,
DISTURBINGLY UNREWARDED.
IT'S SIMPLY BAD
BUSINESS PRACTICE.
OBVIOUSLY,
WE HAVE AN INTENSE INTERES IN ESTABLISHING A BUSINESS
RELATIONSHIP WITH YOU, DAVE,
AND WITH YOU, PETER.
FRANKLY, WE HAVE
WORKED OU A CAREER PLAN FOR DAVID
AND IT INCLUDES:
SECURING EVERYTHING
EVERYTHING.
OF COURSE, THAT MEANS
AN 11:
30 TELEVISION SHOW.DAVE WILL BE OFFERED
AN 11:
30 SHOWAND HE WILL BE OFFERED I BY EVERY NETWORK.
THE GEOMETRY OF:
THE SYNDICATORS,
THE ENTERTAINMENT INDUSTRY.
ONE OF THE GIANTS.
THE PRIVILEGE OF
WORKING WITH YOU,
C.A.A. WILL TAKE CARE
OF EVERYTHING:
YOUR TALENTS DESERVE
( bell tolling )
WATER?
HUH?
( laughing )
OH, MY GOD!
( laughing )
WITH THE GODFATHER.
THE... THE GODFATHER.
( both laughing )
HELLO?
( Helen )
Hi, Warren, good morning.
THERESA TOLD ME:
GOOD MORNING, HELEN,
HOW ARE THINGS?
THE CARSON PEOPLE,
TRYING TO GE ANYTHING OUT OF THEM.
THEY WOULDN'T PU JAY ON THE SHOW, THEY WOULDN'T PASS THE BATON.
PASS THE WHAT, HELEN?
PASS THE BATON.
GOODBYE FRIDAY,
LEAVE HIS DESK,
TAKE HIS HAND-HELD MIKE,
walk over to our studio,
PASS THE BATON.
AND YOU SUGGESTED
THIS TO WHOM?
PETER LASSALLY.
ON HIS SHOE.
WELL, YOU KNOW, I THINK
THEY MIGHT WANNA FINISH ON THEIR OWN TERMS, HELEN.
YOU... YOU'LL HAVE PLENTY
( Helen )
We sure will starting Monday.
NOW, I WANNA TALK ABOU THE AD AGAIN.
YOU KNOW,
WE'VE BEEN OVER THIS, HELEN,
BECAUSE WE'VE ALREADY BOUGH A FULL PAGE AD THERE
WHY CAN'T N.B.C.
BUY A FULL PAGE AD
TO WELCOME JAY:
TO FACE JOHNNY'S AD?
BECAUSE, AS I TOLD YOU BEFORE,
THE PAPER'S DOING
IT'S OWN FULL PAGE OF STORIES,
OPPOSITE THE AD,
CROWD THA WITH A "WELCOME JAY" AD.
THAT'S IT,
END OF STORY, HELEN.
NO, IT'S NOT THE END OF STORY.
I'M TELLING YOU,
IF N.B.C. WON'T BUY
THE F***ING THING,
NO, IT ISN'T, AND IT'S NO GOING TO BE YOUR MONEY
AND YOU'RE NOT DOING I BECAUSE I WILL NOT ALLOW IT.
WE'VE LISTENED,
AND WE'VE MADE A DECISION,
I KNEW I COULD:
EXPECT SH*T LIKE THIS
FROM A DICKLESS WONDER
LIKE YOU.
WELL, F*** YOU, HELEN.
YOU RODE IN ON.
YOU'RE WRONG,
WE'RE NOT GOING TO DO THIS, I WILL NOT ALLOW IT.
YOU CLOSED JAY'S CONTRACT,
DIDN'T YOU?
YOU'RE OUT OF
YOUR F***ING MIND.
BUT I GO THE F***ING SHOW, ANYWAY.
IS EMBRACED BY THIS NETWORK...
IT'S YOUR ONLY
NATURAL TALENT, WARREN,
F***ING UP.
ENOUGH, IT'S OVER, DONE.
( phone buzzing )
( laughing )
( crickets chirping )
( Johnny )
So, this is it.
I am one of the lucky people
in the world
because I got to do something
and I've enjoyed
every minute of it.
And I can only tell you,
it's been an honor
to come into your homes
and let me entertain you.
And I hope when I do find
something that I want to do,
you will still
invite me into your home
as you always have.
I bid you a very
heartfelt goodbye.
( audience applauding )
( cheering )
( whistling )
( Jay )
IS THIS WHERE YOU WANT ME TO STAND?
I MEAN, I ALWAYS STAND
RIGHT HERE.
WHERE THE F***
IS BILLY CRYSTAL?
STAND UP STRAIGHT,
FOR CHRIST'S SAKE.
YOU'RE THE HOST OF
THE TONIGHT SHOW.
SO, JAY, UH,
HOW'S IT GOING?
YEAH, MR. STRESS.
YOU LOOK LIKE YOU'RE READY
TO TAKE A NAP.
MAYBE I WILL.
I WANNA... WANNA
YOU KNOW,
I THINK WE SHOULD LOSE THE SECOND PEROT JOKE.
LISTEN, JAY, DON'T YOU THINK
IT'D BE APPROPRIATE
TO, UH, SAY SOMETHING
NICE ABOUT JOHNNY
THAT WASN'T MY DECISION.
YEAH, BUT STILL, I MEAN...
BOB WRIGHT? HIM I GUESS
( woman )
Go ahead.
THANKS, HELEN.
JAY WELL TONIGHT.
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"The Late Shift" Scripts.com. STANDS4 LLC, 2024. Web. 18 Dec. 2024. <https://www.scripts.com/script/the_late_shift_12308>.
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