The Loss of a Teardrop Diamond Page #3

Synopsis: Tells the story of Fisher Willow, the disliked 1920s Memphis débutante daughter of a plantation owner with a distaste for narrow-minded people and a penchant for shocking and insulting those around her. After returning from studies overseas, Fisher falls in love with Jimmy, the down-and-out son of an alcoholic father and an insane mother who works at a store on her family's plantation. She tries to pass him off as an upper-class suitor to appease the spinster aunt who controls her family's fortune, but when she loses a diamond, it places their tenuous relationship in further jeopardy.
Genre: Drama, Romance
Director(s): Jodie Markell
Production: Paladin
  1 nomination.
 
IMDB:
5.9
Metacritic:
51
Rotten Tomatoes:
25%
PG-13
Year:
2008
102 min
$94,513
Website
548 Views


in the car.

I'll stand here

where I stopped.

It may be under the gravel

that you kicked around.

- Who's there?

- It's me.

- Fishy.

- It's us, I mean.

- They seem to be looking

for something?

- It might be a good idea

to turn the car lights on,

don't you think,

Jimmy?

- Did you lose something,

Fisher?

- Nothing less than a $5,000

teardrop diamond, honey.

- My Lord. Where?

- Somewhere between the car

and where I'm standing.

- You see it on the drive,

Fisher?

- No.

Do you see it in the car?

- Looking,

still looking.

- Is that Jim Dobyne

in the car?

- Yes, but that's scarcely

my concern at the moment.

- It's nowhere

in the front of the car.

- I had it on

when I got in the car.

And I didn't get out of the car

anywhere on the way here, did I?

- You're out of the car now,

Fisher.

- Well, look around

where I'm standing.

- Fisher, you walked

halfway to the house

before you discovered

you lost it.

- I guess I know how far

from the car I walked.

Will you please borrow

a flashlight from the house?

Is that too much to ask of you?

- Fisher,

don't get hysterical.

I'll bring you a flashlight.

- Who is that common-looking

tramp talking to my escort?

- Vinnie, my cousin.

Now, excuse me.

I'll go get you

that flashlight.

- I've never been

to Julie's before.

- You look good.

I've never seen you

in a suit before.

- Fisher, I thought you said

you were gonna stay

where you thought

you dropped it.

- I'm retracing my steps

to the car.

- Never expected

to see you again in my life.

- God, I'm glad

you're here, Vin.

- I don't want to interrupt

your reunion.

Old friends, are you, Jimmy?

- I'm Julie's cousin,

Lavinia McCorkle.

- How do you do?

Julie's gone for a flashlight.

Obviously...

- What?

- The earring dropped off

before I got out of the car.

- Well, now,

just where was that?

You were out before we stopped

like a jumping flea.

- A charming simile.

So you are Julie's cousin?

- Didn't I say so?

- Sometimes

there's no resemblance

between relations.

- I'm gonna go back up the car

since you did jump out

before we stopped.

- I did not.

- You did.

- Don't move the car.

I'll go look for it.

- Oh, she's very cross

with you, Jimmy.

I hope she doesn't think

you're responsible for the loss.

- I'm gonna go back up

that goddamn car.

She did jump out

before it stopped.

Mad at me.

Yeah, mad as hops,

and I think I know why.

- Flashlight.

- I doubt somehow

that it's gonna be recovered.

You did back up the car.

- You did jump out

before I stopped.

- Are you calling me a liar?

- I saw her jump

out of the car too.

- How about you, Julie?

- Oh, it's so terribly dark,

I just saw the car lights

as you entered the drive.

- This young lady

who says she's your cousin

must have exceptional vision.

- Jimmy, I think I know

what happened.

It fell in a pocket

of your jacket.

- You think I got it on me?

- Jimmy.

Where do you think you're going,

Jimmy Dobyne?

- Well,

if your accusation is right,

to the county jail.

- What accusation?

I made no accusation.

- Here's my jacket.

Search the pockets.

I will do no such thing.

You misunderstood me.

I only meant

it could have dropped

in your pocket by accident.

You know it.

Don't you remember?

I...

I leaned my head

on your shoulder on the levee.

That's probably when...

oh, this is absurd.

I'm ruining my slippers

on this gravel drive.

- Well, you go back

and enjoy the party.

I couldn't go now.

- I can't go back

without a date.

- Well, wouldn't it be better

than going back

with a suspected thief?

- You've got to go back

with me.

Think of the talk

if you don't.

- Look through the pockets

of the jacket.

- If you insist.

- Of course, I ought to be

searched to the skin.

That's what I'll demand

if I go back there with you.

- You don't understand me yet,

Jimmy.

- Does anybody?

- Nobody I know of,

to tell you the truth.

I'm an only child

and the heiress of two fortunes.

- Do you always talk so much

about your financial prospects

depending on death?

- In Memphis,

it's not necessary.

It's too well known.

- And has it made you

popular there?

- With some kinds of people,

yes.

- The kind of people you like?

- I don't like people,

but sometimes I like one person.

- And do I have the honor

of being the one you liked

till you lost

your teardrop diamond?

- Why else would I be here

with you?

Come on.

Please.

- Haven't I seen you before?

- Not that I recall.

- Oh, I know.

It was just a photo of you

as debutante of the season

in Memphis.

- Julie.

- We came out last season,

still go to the important

parties in Memphis,

such as Susie Bracken's.

- Yes, her debut's tonight.

We were invited,

of course, but we-

- Didn't want

to disappoint Julie.

- You seem to be alone here.

Did you come here alone?

- I don't see

how that concerns you.

- We just thought

if you're here alone,

we'd gladly introduce you

to some of the-

- Guests, yes.

- Since I'm a close friend

of Julie's,

I'm sure she'll introduce me

to anyone present

that I care to know.

Excuse me.

- Now, you turn

these damn pockets out

and put everything you find

in it on this table.

Come down here

from a social debut in Memphis

and accuse me

of stealing a diamond.

I liked that girl,

Fisher Willow.

I really did.

- Drink your drink, son.

- I tell you,

that damn girl

thinks I stole a diamond

off her,

and that's why I got

to be searched.

Now, I'm gonna take off

all my clothes,

and I want you fellows to go

through every single pocket,

any place on me

that I could hide a diamond.

- Now, now, son,

everybody knows

you never stole anything,

nobody that knows the Dobynes,

and I had the honor

of knowing your granddaddy

as well as I knew

my own father.

Why, nobody

with a grain of sense

would possibly imagine

Mr. Dobyne-

- No, Mr. Fenstermaker,

you don't understand.

My father was accused

by the Hobsons of stealing

when he worked for them.

- Keep your clothes on, son.

Just set down

and have a drink with me, huh?

You got yourself

all worked up over nothing,

nothing.

- Mr. Fenstermaker,

I am asking you

to go through the pockets

of this tuxedo.

In insist on being searched.

- Julie?

Julie?

- Miss Willow.

- What?

- Julie's aunt

wants to see you.

- Oh, please make

some excuse for me.

- Fisher,

Fisher Willow.

- Oh, Lord.

- Just for a moment,

Miss Willow.

She's determined to see you.

- Why?

- I don't know why,

Miss Willow,

but she positively refuses

to go to sleep

till she's seen you.

- Fisher.

- Hello.

How are you,

Miss Addie?

- Thank you for coming in.

I know how unpleasant it is

to enter

this chamber of horrors.

- Why do you call it a chamber

of horrors, Miss Addie?

- 'Cause that's

just what it is.

Would you please

close this door?

Would you please lock it?

I want to have a completely

private talk with you.

Now come over here

so I don't have

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Tennessee Williams

Thomas Lanier "Tennessee" Williams III (March 26, 1911 – February 25, 1983) was an American playwright. Along with Eugene O'Neill and Arthur Miller, he is considered among the three foremost playwrights of 20th-century American drama.After years of obscurity, at age 33 he became suddenly famous with the success of The Glass Menagerie (1944) in New York City. This play closely reflected his own unhappy family background. It was the first of a string of successes, including A Streetcar Named Desire (1947), Cat on a Hot Tin Roof (1955), and Sweet Bird of Youth (1959). With his later work, he attempted a new style that did not appeal to audiences. Increasing alcohol and drug dependence inhibited his creative expression. His drama A Streetcar Named Desire is often numbered on short lists of the finest American plays of the 20th century alongside Eugene O'Neill's Long Day's Journey into Night and Arthur Miller's Death of a Salesman.Much of Williams' most acclaimed work has been adapted for the cinema. He also wrote short stories, poetry, essays and a volume of memoirs. In 1979, four years before his death, Williams was inducted into the American Theater Hall of Fame. more…

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Submitted on August 05, 2018

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