The Lost Boys Page #4
- R
- Year:
- 1987
- 97 min
- 2,067 Views
Michael is purchasing a BLACK JACKET from the PUNK STORE
on the boardwalk. He likes his reflection. It's the
kind of jacket the Lost Boys would wear. CAMERA TRAVELS
with him as he gets into his new attitude. He stops near
an EAR PIERCING CONCESSION and actually considers it.
STAR (O.S.)
It's a rip-off.
Michael is floored to see Star standing behind him.
MICHAEL:
Hi...
STAR:
If you want your ear pierced,
I'll do it.
He follows her as they move along the busy Boardwalk.
MICHAEL:
What's your name?
STAR:
Star.
MICHAEL:
Oh. Your folks, too, huh?
STAR:
What do you mean?
MICHAEL:
Ex-hippies. My mom was one. I
came this close to being called
Moon Child, or Moon Beam or
something.
(beat)
But Star's great. I like Star.
STAR:
Me, too.
MICHAEL:
I'm Michael.
STAR:
Michael's great. I like Michael.
Michael smiles awkwardly at Star's playfulness. For a
moment they walk in silence.
STAR:
I guess you're new around here.
MICHAEL:
Sort of. We used to come here
summers when I was kid. Now
we're here on a permanent basis.
She seems pleased by that news. Michael gives her a look.
He can't believe his good fortune.
MICHAEL:
Are you hungry? Wanna get
something to eat?
STAR:
Okay.
36 EXT. BOARDWALK PARKING AREA - NIGHT 36
As Michael and Star approach Michael's Honda, the Lost
Boys arrive on their motorcycles. Laddie sits behind
Paul. David is astride a THROBBING TRIUMPH. Michael
looks uneasy; out-classed and out-numbered.
DAVID:
(to Star)
Where you going?
STAR:
For a ride.
DAVID:
(glancing at Michael)
With him?
STAR:
Yeah.
David GUNS his engine, then lets it REV BACK DOWN.
DAVID:
(to Michael)
I'm David.
(indicates the others)
Paul... Dwayne... Marko.
Laddie speaks up, having been passed over.
LADDIE:
Hi... I'm Laddie.
STAR:
This is Michael.
Silence. Nobody moves, but glances are exchanged all
around.
MICHAEL:
(to Star)
We still going?
DAVID:
Honda 250, huh?
MICHAEL:
That's right.
DAVID:
C'mon, Star. Climb on.
MICHAEL:
Star?...
She gives Michael an apologetic look, then climbs onto
the motorcycle behind David.
DAVID:
Overlooking the point?
David again GUNS his ENGINE and Michael gets his meaning.
MICHAEL:
I can't beat a Triumph.
DAVID:
You don't have to beat me,
Michael.
(pause)
Just try to keep up.
The motorcycles BOUNCE down the steps and hit the beach.
Now they pick up speed as they spin out from the board-
walk, spraying sand into the air and REVVING their
ENGINES.
People on the beach turn to look as the motorcycles ROAR
by, heading for a more deserted section of sand.
Of ALL FIVE MOTORBIKES weaving between the ROARING
BONFIRES.
40 CLOSE SHOTS - THE LOST BOYS 40
Their faces are alive with the excitement and the thrill
of the ride.
Cautious. Worried. Doing his best to keep up.
The motorcycles speed through the surf.
43 ANOTHER ANGLE43
They head for the pier at full speed. The thick wooden
pilings present a hazardous obstacle course. Michael
SKIDS and slows down.
The Lost Boys do just the opposite. They increase their
speed as they approach the pilings.
David and the others thread their way between the pilings
at breakneck speed -- executing turns and avoiding col-
lisions in a way that doesn't seem possible.
45 MICHAEL 45
travels through the pilings, trying to keep up.
46 EXT. DUNE-FILLED BEACH 46
An area of gently rolling sand dunes. A bonfire burns
beside one of these dunes. We HEAR the THUNDEROUS RUMBLE
of approaching motorcycles and one-by-one the Lost Boys
sail off the edge of the dune -- fly through the flames
of the bonfire -- and land upright on the beach below.
MICHAEL:
is the last one to try this. He's determined not to
chicken out. He speeds up the dune -- flies through the
flames -- and hits the beach. He almost falls -- but
immediately rights himself.
Star looks back from her position behind David and gives
him a smile. The Lost Boys also favor him with approving
looks.
Michael and the Lost Boys -- silhouetted against the
night sky -- speed across the trestle.
now travel side-by-side. Star's hair blows in the wind.
She reaches out her hand toward Michael. Michael reaches
out his. Their hands touch for a moment -- then David
turns to Michael.
DAVID:
(shouting above the
noise of the WIND
and the MOTORS
Now we race!!
David smiles -- and speeds ahead. Michael takes off
after him.
49 EXT. HUDSON'S BLUFF - NIGHT 49
David's Triumph streaks across the flat surface of the
bluff. Michael is not far behind.
MICHAEL'S POV
The bluff terminates in a shear five hundred-foot drop
into the CRASHING SURF below. And it's coming up fast.
DAVID:
ROARS toward the abyss, seemingly heedless of the peril
that lies before him.
MICHAEL:
begins to show fear. It's as is he's going to shoot off
the edge of the world. He brakes and spins out, nearly
losing control of his bike, sliding toward the edge.
DAVID:
BRAKES! The tires lock and the TRIUMPH SKIDS to a stop.
Hanging slightly over the edge of the bluff. The PACIFIC
OCEAN CRASHES POWERFULLY against the moon-lit rocks below.
MICHAEL:
slides next to him, slightly over the edge.
The other boys now arrive on their motorbikes. David
calmly climbs off his bike. Michael explodes and punches
him. The other boys fall silent.
Star looks to Laddie. Michael prepares for David's
retaliation, but David surprises everyone by smiling his
irresistible smile at Michael.
DAVID:
How far you willing to go, Michael?
51 EXT. BLUFF FROM THE OCEAN'S POV 51
A beautiful magic spot. David, Michael, Star and the
others climb down old condemned wooden stairs, passing
huge signs on old rusted pilings reading: "CONDEMNED,"
"UNSAFE," "UNLAWFUL TO GO PAST THIS POINT." The group
presses on toward a LARGE OPENING IN THE ROCKS.
52 INT. CAVE52
The group enters and Michael can't believe his eyes.
has seemingly dropped through a crack in the earth. It
is tilted and broken, but nearly intact: Front desk,
lobby mural; wrought-iron elevator, and more.
Shafts of moonlight shoot down from cracks in the ceiling.
DAVID:
This was the hottest resort in Santa
Carla back about eighty years ago.
Too bad they built it right on top
of the San Adreas fault.
(beat)
In 1906, when the big one hit San
Francisco, the ground opened up and
this place took a header into the
crack.
PAUL:
Man, you wouldn't believe the cool
stuff we've found in here.
Michael glances at Star.
STAR:
C'mon, Michael. I want to go.
DAVID:
No. Stick around.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Lost Boys" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/the_lost_boys_901>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In