The Man Who Would Be King Page #7

Synopsis: This adaptation of the famous short story by Rudyard Kipling tells the story of Daniel Dravot and Peachy Carnahan, two ex-soldiers in India when it was under British rule. They decide that the country is too small for them, so they head off to Kafiristan in order to become Kings in their own right. Kipling is seen as a character that was there at the beginning, and at the end of this glorious tale.
Genre: Adventure
Director(s): John Huston
Production: Warner Bros. Pictures
  Nominated for 4 Oscars. Another 4 nominations.
 
IMDB:
7.9
Rotten Tomatoes:
96%
PG
Year:
1975
129 min
3,515 Views


...as Peachy's hands will show.

Poor Peachy, who'd never

done them any harm.

He just hung there and he screamed,

but he didn't die.

The next day they came

and took him down...

...and said it's a miracle he wasn't

dead and they let him go.

And Peachy come home

in about a year...

...and the mountains they tried

to fall on old Peachy...

...but he was quite safe

because Daniel walked before him.

And Daniel never let go

of Peachy's hand.

And Peachy never let go

of Daniel's head.

His head?

You knew Danny, sir.

Oh, yes.

You knew most worshipful Brother...

...Daniel Dravot, Esquire.

Well...

...he became the king of Kafiristan...

...with a crown on his head.

And that's all there is to tell.

I'll be on my way now, sir.

I've got urgent business in the South.

I have to meet a man

at Marwar Junction.

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John Huston

John Marcellus Huston (; August 5, 1906 – August 28, 1987) was an Irish-American film director, screenwriter and actor. Huston was a citizen of the United States by birth but renounced U.S. citizenship to become an Irish citizen and resident. He returned to reside in the United States where he died. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), The African Queen (1951), The Misfits (1961), Fat City (1972) and The Man Who Would Be King (1975). During his 46-year career, Huston received 15 Oscar nominations, won twice, and directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins in different films. Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career, sketching each scene on paper beforehand, then carefully framing his characters during the shooting. While most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making them both more economical and cerebral, with little editing needed. Most of Huston's films were adaptations of important novels, often depicting a "heroic quest," as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed, forming "destructive alliances," giving the films a dramatic and visual tension. Many of his films involved themes such as religion, meaning, truth, freedom, psychology, colonialism and war. Huston has been referred to as "a titan", "a rebel", and a "renaissance man" in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on." more…

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Submitted on August 05, 2018

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