The Night Manager Page #2
Season #1 Episode #2- TV-14
- Year:
- 2016
- 358 min
- 490 Views
SANDY:
It’s hypocritical. If you’re happy
eating venison, then why flinch at
killing the stag?
JED:
If you want to murder helpless
animals, go ahead. Just don’t dress
it up as preparing dinner.
CAROLINE:
Jed, I officially love you.
CORKORAN:
Chief, OK if we baptise the young
prince in the ways of the grape?
A pause. CORKORAN has a bottle poised over DANIEL’S glass.
ROPER gives nothing away. CORKORAN whispers to DANIEL:
CORKORAN (CONT’D)
Pretty sure that’s a yes.
CORKORAN pours. Just an inch. The adults raise their
glasses to DANIEL’S first drink. He sips, unsure whether his
father has approved. JED gets to her feet, a little drunk.
Night Manager ep 2 final
SANDY:
Dicky, please assure Jed that I do
not have a “blood lust”.
CORKORAN eyes Sandy’s NANNY.
CORKORAN:
You are a man of many lusts, Sandy.
It’s why we love you.
JED whispers into ROPER’s ear. He laughs.
JED:
What do you think?
ROPER:
Well go on then.
She signals to DANIEL, who follows. As he passes ROPER:
ROPER (CONT’D)
(quietly)
Drinking my wine, stealing my
woman. Whatever next?
ROPER and DANIEL eye each other. Something terribly fragile
about the boy here.
JED goes to talk to the waiter, conspiratorial look in her
eyes. CARO is having a go at SANDY, via their NANNY.
CAROLINE:
Lord Langbourne is a snob,
basically. Three generations of
Eton or you’re not on the map.
ROPER’S ears hear this, they prick slightly.
SANDY:
Caro, darling...
ROPER:
I’m not even one generation, Sandy.
What does that make me?
An alpha male challenge here, coded in wit. SANDY’S too smart
not to notice it.
SANDY:
You’re paying the bill, Dicky.
You are the map.
He raises a glass. They all toast ROPER, as -
SANDY (CONT’D)
To Richard!
Night Manager ep 2 final
9 EXT. MALLORCA. CLIFF TOP RESTAURANT. NIGHT. 9
Music begins. Spanish music, pop-traditional fusion, and
asking to be danced to.
And there is JED. She takes DANIEL’s hand and starts to dance
amidst the tables. Others join, CORKY dancing alone in a
joyous abandon, camp as hell, SANDY and the NANNY dancing,
ROPER alone sitting smiling, smoking a lovely cigarette.
Staring at his empire.
Behind him TWO MEN walk into the restaurant. Are led to
another table.
The music heightens in pace, JED leaps on to the table and
dances for ROPER, the crowd whistle and applaud, she is
playing out the whore her mother claimed her to be. And how.
Wild clapping, roaring of encouragement, ROPER humouring her,
Daniel is here... but he needs to learn.
DANIEL turns away, slightly embarrassed, smiling but abashed.
That’s when he sees the TWO MEN smiling at him.
JED’s body is alive, released, her hair wild in the evening
light.
An euphoria.
When suddenly the music stops.
JED turns, looks round.
And her face goes white in horror.
The TWO MEN, ALBANIAN, are staring at the party, guns in
hand.
And one of them has DANIEL in his arms. DANIEL is silent.
Pure terror.
Instantly FRISKY and TABBY’s hands are on their holsters.
But the ALBANIANS see the move and train their guns on FRISKY
and TABBY, screaming with adrenaline madness...
ALBANIANS:
GUNS DOWN!! Put the guns down! On
the FLOOR!!
The ALBANIANS, sweating, see FRISKY and TABBY with their
hands on their guns.
ALBANIAN 1
WHY YOU HAVE GUNS?? You police??
A long beat. ROPER stands.
Night Manager ep 2 final
ROPER:
They’re with me.
The ALBANIANS swivel to ROPER - wired, crazed with tension,
ready to go at any moment.
ALBANIAN 1
Guns on the floor!
ROPER:
Do as he says. Everyone stay still.
No one do anything silly.
They throw their guns on the floor.
ROPER (CONT’D)
Corks.
CORKORAN:
(to the other DINERS)
Quedate quieto y callado.
Almost at ROPER’S command, the tension drops an inch: THE
ALBANIANS regain some control, measuring the situation.
ALBANIAN 1
You are rich man.
ROPER:
Yes, I am rich man. Very rich man.
And I’m going to give you all the
money we have, all the jewelry. The
restaurant will give you everything
in the till. And then you’ll leave.
All right?
ALBANIAN 1
How much is in the till? No games.
ROPER:
Jorge go and get the man his money.
Danny stay still.
ALBANIAN 1
(realising)
Is your boy?
ROPER:
Yes. He’s my boy.
Another WAITER runs to the till.
ALBANIAN 1
No alarms. NO ALARMS!
ROPER:
Turn off the alarm Jorge. Do what
he says. I’ll reimburse you.
Night Manager ep 2 final
Turns to stare at the ALBANIAN 1. The WAITER takes money from
the till. A few hundred Euros.
ALBANIAN 1
Is this all? That’s sh*t man!
Where’s the rest?
ROPER:
Credit cards. Hateful things.
Meanwhile ALBANIAN 2 walks down the table, grabbing women’s
bracelets, necklaces. He reaches JED. Gestures to her
necklace.
ALBANIAN 2
Give it to me.
She stares at him with contempt. ROPER helps her take it off,
hands it to him. He stares at her with a kind of lust. She
returns his gaze unflinchingly.
ALBANIAN 2 (CONT’D)
Ear-rings. NOW!
She takes them off. Left one. Right one.
ALBANIAN 2 (CONT’D)
Wallet.
ROPER slowly gets out his wallet. Hands them the wallet.
ALBANIAN 1 grabs it.
ALBANIAN 1
It’s not enough! Where’s the
money?!
He stares at ROPER.
ROPER:
I can send someone for money.
Hundred thousand. Just let the boy
go.
But the ALBANIAN is beginning to drag DANIEL back down the
path.
ALBANIAN 1
Le t. dal nga k.tu (Let’s go...) We
contact you. You bring money to us.
We give you the boy.
ROPER:
You don’t need to do that.
But the ALBANIANS are dragging DANIEL away down the path.
JED:
Let him go! Take me instead.
Night Manager ep 2 final
No response.
JED (CONT’D)
Bring him back you bastards!
TABBY goes for his gun that’s on the floor. ROPER snarls.
ROPER:
Don’t be so bloody stupid!
The ALBANIANS are dragging DANIEL down the pine-needled path.
When they turn and see a small outhouse below the restaurant.
A dark window. Something about it.
ALBANIAN 1
What is it? WHAT IS IT?
HEAD WAITER:
It’s the wash-house.
10 EXT. MALLORCA. CLIFF-TOP RESTAURANT. WASH HOUSE. NIGHT. 10
And there’s just a flicker of movement from inside.
ALBANIAN 1
There’s someone in there. Who’s in
there?
HEAD WAITER:
I don’t know.
ALBANIAN 1
I told you to get everyone out!
WAITER:
It must be Thomas.
ALBANIAN 1
Who the hell is Thomas?
WAITER:
The new sous-chef. From England.
The ALBANIAN raises his gun, stares at the dark window. Walks
towards it.
ALBANIAN 1
Come out! Hands up! NOW!
But no one comes out.
The ALBANIAN approaches.
And we zoom into the darkness. Into the window.
Into a human eye that is staring out. Calmly.
Night Manager ep 2 final
And the eye belongs to JONATHAN PINE.
TITLE:
THREE MONTHS EARLIER11 INT. ZERMATT RESTAURANT. DAY. 11
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Night Manager" Scripts.com. STANDS4 LLC, 2024. Web. 18 Dec. 2024. <https://www.scripts.com/script/the_night_manager_795>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In