The Night Manager Page #8
Season #1 Episode #3- TV-14
- Year:
- 2016
- 358 min
- 540 Views
PINE puts the vase of flowers on the side table, stares at
the sheets. At the Forbes Magazine, at the Grazia magazine,
at yesterday’s swimsuit hanging on the hook, the coffee table
books, and a language-learning book in Italian. At
photographs on her side of the bed. Of her and Roper.
PINE thinks, checks the drawers in her cabinet. Delves deep
amongst underwear and letters.
And finds a photo of a young boy, five years old. Smiling but
with a melancholy. PINE stares at it, takes a photo, then
carefully replaces it in the drawer.
Then he turns his attention to the office door.
Tries it. It’s locked.
PINE checks his watch. 10.58am.
Looks around. Goes to the Roper side of the bed. Sits. And in
a way “becomes” Roper. Lies back. Gets up. Reaches down.
Under the bed. Nothing. Thinks again.
Opens the drawer by his bed. Cufflinks. Box of peppermints.
Half full.
Then opens another drawer. Another box of peppermints. Empty.
Stares at it. Sees that the inside-bottom of the tin is
paper.
Lifts it.
There is the key.
He hears crunches on the gravel. Sounds of chat. He checks
the window, it’s just a GARDENER chatting to SECURITY.
He checks the clock. 10.58.
Sweat on his brow.
The clock hits 11 am. The alarms in the house go off as they
always do for the drill.
Instantly PINE is unlocking and opening the office door, he
slides the door open. Sees the alarm going off but it’s fine,
the drill covers it.
54
INT. MALLORCA. ROPER VILLA. ROPER’S BEDROOM/PRIVATE OFFICE. 54
DAY.
Walks into the office, closes the door behind him, relocks
the office door from the inside.
55
OMITTED 55
56
INT. MALLORCA. ROPER VILLA. ROPER’S PRIVATE OFFICE. DAY. 56
The alarm test continues. PINE knows he has to move fast.
The Night Manager ep 3 final
PINE looks round. A simple room. A soldier’s simplicity. A
plain Rexine-topped office desk. No computer, but wires for a
laptop.
And on the desk, a rather modest set of filing trays with
papers in.
The quiet centre of the Roper Empire.
PINE quickly moves to the desk. Sits.
His eye checks the exact location of everything.
Then he gets to work.
He stares at some papers labelled “Tradepass”.
He takes each paper from the tray, and photographs them with
Danny’s camera, then replaces them precisely.
We get glimpses. Names and numbers. Names on the left,
numbers on the right.
He puts the last one back. Breathes.
Then he sees it.
On the desk.
A long blonde hair. A woman’s.
He carefully picks it up. Stares at it.
That’s when he hears the noises from the courtyard outside.
The sound of horses hooves, dogs’ barks, then at last, human
voices.
JED (O.S)
Take him to his room. I’ll change
and be straight there.
He goes to the window. In the courtyard below DANIEL is being
helped off his horse. He is limping.
TABBY:
What happened?
JED:
Danny took a fall. But he’ll be OK.
JED starts to walks towards the house. Inside the office,
PINE stiffens. Acts entirely calmly.
Slowly rearranges everything perfectly, checks, yes
everything fine.
He takes the hair, wraps it in a handkerchief, puts it in his
pocket.
He takes out the key. Puts it back into the mints. Replaces
the chipped mint in the right place.
Breathes.
57 INT. MALLORCA. ROPER VILLA. STAIRWAY. DAY. 57
JED is walking up the stairs. And approaches the private
apartments of her and Roper.
Suddenly the alarms go off.
58 INT. MALLORCA. ROPER VILLA. ROPER’S BEDROOM. DAY. 58
JED walks into the bedroom.
To see JONATHAN PINE standing over the vase of flowers
arranging them on her side table.
There is absolute silence.
JED:
What the hell are you doing in
here?
She is flushes, furious.
PINE:
I brought you some wild flowers
from near my house.
He stares at her.
JED:
Why didn’t you give them to the
maids? How dare you even be in
here?
PINE:
If you’re that upset, call
Security. Frisky’s not here but
Tabby’s available. Just pick up the
house phone, say the word, and I’ll
end up leaving in the same state I
arrived.
A challenge.
JED:
Just get out. I have to change.
PINE:
Close the door.
The Night Manager ep 3 final
JED:
Excuse me? This is our bedroom.
This is where I sleep with Roper.
PINE:
But how much longer can you bear
it?
Beat. He takes out the handkerchief, holds her up the hair.
JED:
What is that?
PINE:
I found it on the desk top. You
broke into his office and spied on
his papers.
Beat. He approaches her. Close.
PINE (CONT’D)
I told you. The box is open now. No
going back.
Suddenly CORKORAN’s voice from the stairs.
CORKORAN:
Jed dear? The boy really needs you.
CORKY is walking up the stairs.
JED:
He can’t see you in here.
PINE:
Get rid of him.
He slips into the en suite bathroom. CORKY knocks.
CORKY:
You decent?
JED:
I’m coming.
CORKY stares at her. Then looks round the room, as if by pure
instinct knowing something is being hidden.
CORKY:
Well come on, the boy’s desperate.
I’ll wait outside.
JED nods. She slips out of her riding clothes. PINE watches
her from inside the bathroom. Then she stares at him and
walks out of the room.
The Night Manager ep 3 final
59 EXT. MONACO. HOTEL. DAY. 59
ROPER, LANGBOURNE and FRISKY are climbing out of a limo on
the Monaco riviera.
They walk into a high-class international hotel.
60 INT. MONACO. HOTEL. FOYER/CHAMPAGNE BAR. DAY. 60
FRISKY approaches the Maitre D, whispers to him, and they are
whisked through the foyer into the champagne bar.
A figure sits at the back of the bar in an alcove.
They approach and sit.
It is GALT. DROMGOOLE’s acolyte.
GALT:
Safe trip?
ROPER:
Yes. Why was it necessary?
PALFREY:
Halo’s not keen on intermediaries
right now.
ROPER:
Why?
GALT:
ROPER:
Cairo - she got too close for
comfort on a deal with Freddie
Hamid and we cleared out.
GALT:
Well she’s back with a US
enforcement cowboy called Joel
Steadman. Halo says you need to be
careful. Double check all your
people. Something’s not right.
ROPER:
I already had some intelligence of
my own. We’re changing the guard.
GALT:
Good. Well here’s what you came
for.
PALFREY passes an envelope across to ROPER. ROPER shakes his
head.
ROPER:
I don’t touch that sh*t. Give it to
my accountant when I’m not here.
He walks away into the bar. Flicks a look back. PALFREY is
passing the envelope to LANGBOURNE.
LANGBOURNE opens the envelope.
LANGBOURNE smiles.
61
INT. MONACO. HOTEL. BEDROOM. NIGHT. 61
ROPER, in dressing gown, walks out of the bathroom, drink in
hand, stares out at the sea. He is on the phone to JED who is
still cold and not pleased at what she has discovered.
JED:
How was your meeting?
ROPER:
It was fine.
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