The Notebook Page #2
I don't have a lot of time.
- You're busy?
- Mm-hmm.
I have a very
strict schedule.
My days are all
planned out.
I get up in the morning... breakfast,
math tutor, Latin tutor, lunch,
tennis lessons, dance lessons...
sometimes both...
French tutor, piano lesson,
then I eat dinner.
And after dinner
I spend time with my family.
And then I... I catch up
on some reading.
Wow.
Sounds like the road
to success.
Oh, you bet.
We're applying
to all these colleges...
umm... Radcliffe, Sarah Lawrence...
those are the ones we want.
- And who's we?
- What?
You just said,
"The ones that we want."
Oh, Mom and Daddy.
We decide
everything together.
Everything?
No, not everything.
But the important
things, yes.
And then everything else,
you get to decide all by yourself?
- Don't be rude.
- I'm sorry.
what you do for fun.
What do you mean?
I mean...
I don't know,
I mean all those things
are things you
have to do, right?
So what do you do
because you want to?
I just told ya.
I don't know.
This surprises me.
Why?
I just always figured
you were kinda...
Kinda what?
Just...
- Free.
- What?
Free.
I am free.
You don't seem like it.
Well, I am.
Come here,
I want to show you something.
- Noah, what are you doing?
- Just come on.
- You're gonna get run over.
- By all the cars?
My Dad and I used
to come out here
and lay down and watch
the lights change.
And watch them go
from green to red to yellow.
You could try it,
if you wanted to.
- No.
- Why not?
Because I don't know...
will you just get up?
That's your problem,
you know that?
You don't do
what you want.
Okay.
What happens
if a car comes?
- We die.
- What?
Just relax.
Just trust.
You need to learn
how to trust.
Okay.
- Painting.
- Hmm?
You asked me
what I do for me.
- What now?
- I love to paint.
- Yeah?
- Mm-hmm.
Huh.
Most of the time, I have all these
thoughts bouncing around in my head.
But with a brush
in my hand,
the world just gets
kinda quiet.
Get out of the street!
Are you okay?
Why are you laughing?
Oh, that was fun.
Do you want
to dance with me?
Sure.
- Now?
- Mm-hmm.
- Here?
- Mm-hmm.
Not supposed to dance
in the middle of the street.
Who said dance
in the street?
And we don't
have any music.
Well,
we'll make some.
# Bum bum #
# Bum bum bum #
# Bum #
# Bum bum #
# Bum bum bum
bum bum. #
You're a terrible singer.
I know.
But I like this song.
# I'll be seeing you #
# In all the old #
# Familiar places #
# That this heart
of mine #
# Embraces #
# All day
and through #
# In that small cafe #
# The park
across the way #
# The children's
carousel #
- # The chestnut trees... #
- Southern summers
are indifferent
to the trials of young love.
- # The wishing well #
- Armed with warnings and doubts,
Noah and Allie gave a remarkably
convincing portrayal of a boy and a girl
traveling down
a very long road
with no regard
for the consequences.
They fell in love,
didn't they?
- Yes, they did.
- Good.
I like this kind
of story. Go on.
After that night,
Allie and Noah spent
every waking hour together.
And soon
they were inseparable.
- Noah, come on.
- Your boat cannot beat me there.
- That's really nice.
- Mmm, mmm, mmm...
"Beautiful dripping fragments.
The negligent list
of one after another,
as I happen to call
them to me.
Or drink to them.
The real poems,
what we call poems,
being merely pictures.
The poems of the privacy of the night.
And of men like me.
This poem,
drooping shy and unseen,
that I always carry.
And that all men carry."
Not bad for Whitman.
Hey, look,
we got a visitor.
I'm sorry,
I didn't mean to interrupt.
Well, don't apologize,
come on up here, darling.
We could use a little something here
besides the smell of lumber.
Dad,
this is Allison Hamilton.
Allison,
I'm glad to meet you.
- Allie.
- Allie.
Pleased to meet you,
Mr. Calhoun.
Well Mr. Calho...
What, am I old or something?
You can call me Frank.
- Here, come in and have a seat.
- Okay.
So, Allie.
Well, yeah, she is pretty, son.
- Yes.
- She's a lot prettier than you let on.
- Oh, is that right?
- No, it's not right.
Don't believe what he says.
- What is this you got?
- Umm, I... uh, I just...
I brought you something.
Let me see.
Let's have a look.
- Did you do this?
- Mm-hmm.
Well, that's beautiful.
Look at that.
That's a damn picture there.
Well, I know just where we can
put that, thank you.
Oh, that was
a lovely poem.
What was it?
- El...
- Whitman.
See when he was a little kid
he used to stutter real bad.
- Dad...
- So... well, you did.
- I didn't know that.
- God. I stammered.
Stammered, stutter,
what's the difference?
Couldn't understand
a damn thing he said.
So, I got him to read me poetry
out loud.
It wasn't
very pretty at first,
but then his stutter
went away.
Well, it's a good idea,
that poetry.
- Yeah, I thought so.
- Huh?
Unbelievable,
unbelievable.
I'm a Tennyson man,
myself, but he likes Whitman...
For some reason,
I don't know.
Say, how would you like some breakfast?
Would you like some breakfast?
- Breakfast?
- Yeah.
- Dad, it's 10:
00.- What's that got to do with it?
You can have pancakes
any damn time of night you want.
- Come on, you want some breakfast?
- Sure.
It was an improbable romance.
He was a country boy.
She was from the city.
She had the world
at her feet,
while he didn't have
two dimes to rub together.
Noah, come on.
Whoo!
Look at us.
What are we doing?
Do you think in another life,
I could have been a bird?
What do you mean?
Like reincarnation.
I don't know.
I think I could.
Say I'm a bird.
No.
- Don't do it.
- Say I'm a bird.
Stop it. Stop it now.
- You're not.
- Say it!
- You're a bird.
- Yeah.
Now say
you're a bird too.
If you're a bird,
I'm a bird.
- Come on, darling.
- What are you doing?
Don't.
Don't!
Here we go,
on the count of three, okay?
Real easy,
on three, ready?
- Okay, okay.
- One...
- Two... two...
- two...
...three!
- No! I can't.
Get in the water!
- Get in! I'm sorry.
- Come on, chicken.
Get in the water, baby.
Baby, would you get in.
- Get in the water.
- I can't.
- Go!
- Get in the water!
- One...
- Come on, jump.
- Two...
- Three.
Keep 'em together!
No, no, no.
- Get to your place.
- Down here.
And move.
And keep it.
No, don't move it!
I don't understand
what you're talking about.
They didn't agree on much.
In fact, they rarely agreed on
everything. They fought all the time.
- Don't kick me!
- Don't push me.
And they challenged
each other every day.
But despite
their differences,
they had one
important thing in common.
They were crazy
about each other.
Okay,
I have to go.
- No.
- Yes, I do.
Allie.
Daddy.
Oh, Daddy you're...
I didn't see you there.
You kinda scared me.
Becoming friendly
with that boy down there.
Yes.
Bring him
to the house on Sunday.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Notebook" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/the_notebook_20961>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In