The Pacifier Page #2
CHARLES:
Lieutenant, thank you. (He pats his
briefcase) You saved more than just my
life today. Can I call my wife to let
her know I’m okay?
SHANE:
Negative. Not imperative to the mission.
We have to keep moving. I have strict
orders to get you out of here safely.
CHARLES:
I’m safe, Lieutenant. Please. She thinks
I’m dead. (then) Don’t you have a family?
6.
SHANE:
(this gets him:
)Make it quick.
Charles picks up his briefcase. He holds the lock up to
his mouth and whispers into it:
CHARLES:
Zoe, Todd, Lulu, Peter, Tyler.
The briefcase pops open. Shane looks at him, puzzled.
.
CHARLES (CONT'D)
My kids. It’s voice activated. Designed
it myself. I do security, that’s my
specialty. (gestures back:) Those guys
back there tried to get this case open
for five days -- couldn’t crack it. And
you should see what happens to you if
open it without the code. I have a
picture of my kids in here, you want to
see it?
SHANE:
Negative.
Charles takes a cell-phone out of the case. Shane looks
in the case:
it’s EMPTY, except for the phone and afamily PHOTO. Charles dials his cell phone... nothing
CHARLES:
Battery’s dead...
Shane considers, then hands him his satellite phone.
Charles dials, and talks...
CHARLES (CONT’D)
Honey, I’m alive...
Shane climbs in the Hawk and approaches the cockpit. The
PILOT sits, back to him.
SHANE:
We’re almost ready. Just gives us a
The Pilot slumps forward... DEAD. Shane turns-
SHANE (CONT’D)
Professor, RUN!!!
WHAM. Shane drops, knocked unconscious. All goes black.
7.
EXT. PAVE HAWK - MOMENTS LATER
The helicopter is on fire. Wolf lies facedown in the
stream. He looks around, barely conscious.
SHANE’S P.O.V.: Everything is a blur, in slow-motion. He
sees Charles, unconscious. A Huey Helicopter lands. A
VERY TALL MAN steps out, and takes Charles’ Briefcase.
There is huge explosion, as the chopper ignites.
Everything is ablaze. Shane reaches out, grabs the
picture of Charles’ kids then goes unconscious.
.
FADE TO BLACK:
EST. HOSPITAL - DAY
TITLE CARD:
1 Month LaterINT. HOSPITAL - DAY
Shane lies in a hospital bed, despondent. His arm and
face bandaged.
Shane’s Captain enters: BILL FAWCETT (35) -- friendly,
unassuming. He looks like he hasn’t slept in days. Shane
salutes him with his bandaged arm -- it hurts to salute,
but he does it anyway.
SHANE:
Captain, sir.
BILL:
As you were Lieutenant.
Bill sits down beside the bed. He takes a long look at
Shane. He holds a REPORT in his hand.
BILL (CONT’D)
We’ve been through a lot together Shane.
You’re the best man I ever trained. And a
good friend.
SHANE:
... I know sir. And I except full
responsibility for the mission's failure.
BILL:
Why the hell did you let him use the
satellite phone?
SHANE:
He had to call his family. A lapse in
judgement on my part that I regret sir.
8.
Bill shakes his head, disappointed. He pulls up a chair,
and sits opposite Shane.
BILL:
... Plummer was the best security expert
the department of defense ever had -- a
genius. He was working on a program that
scrambles launch codes. He called it
G.H.O.S.T.:
Guided High-altitudeScrambling Transmitter. One pulse from
the GHOST satellite and a country can’t
launch its own nukes. That’s what the
Serbians kidnapped him for, but they
couldn’t get inside the briefcase.
.
SHANE:
The case was empty sir, as I stated in my
report.
Bill considers this. Then...
BILL:
Not a surprise, really. Not like the
professor to hide things where someone
might look for them. G.H.O.S.T. is still
out there, (Bill smiles:) which is why
I’m going to give you another shot.
Shane sits up. He can’t believe his good fortune.
SHANE:
Sir. Thank you. I... appreciate your
confidence.
Invigorated, he pulls off bandages, disconnects an IV,
and starts to rise.
SHANE (CONT’D)
I’ll need to put a team together. I’m
gonna need the mini sub, I need access to
an EP3 aries 2 spy plane...
BILL:
(interrupting:
)Negative. It’s not that kind of mission.
Shane listens, intrigued.
BILL (CONT’D)
Two days ago, I got a call from the
professor’s wife... Widow. She told me
someone had broken into her home.
Searched the place, top to bottom.
(MORE)
9.
BILL(CONT'D)
She’s scared. The family’s scared.
Whoever killed the professor must think
G.H.O.S.T. is in that house. Maybe it is,
maybe it isn’t. Either way, I need
someone to stay at that house, and
protect them. And while you’re there -find
out if the program is in there.
SHANE:
That’s it? Why would you want me for
that, sir.
BILL:
The professor’s wife requested you.
Shane is surprised... Bill pulls a tiny tape recorder
from his pocket, presses play, we hear PROFESSOR
PLUMMER’S voice.
.
CHARLES (O.S.)
Honey, I’m alive. Listen: A lot can
happen between here and home -- if
anything happens to me, call Lt. Shane
Wolfe. He’s a good man... anyway, I
should go. I’ll call you in an hour. I
love you.
Shane is shocked, hearing the dead man’s voice.
BILL:
... You gotta problem with this mission?
SHANE:
Sirnosir. It’s just that... I’ve never
been very good with kids, sir. Not even
when I was a kid sir.
CUT TO:
INT. SHANE’S APARTMENT - NIGHT
Shane packs his duffel bag. He opens a drawer: There’s
five t-shirts, identical to the one he wears. He opens
another drawer:
Five khaki pants, also identical to theone he wears. He opens the closet: There’s a massive fur-
collared coat. Hm. He rejects it.
Shane packs his duffel with military gear: GPS compass,
night vision goggles, camouflage vest, machete... they
all go in. Shane heads to the door, then goes back to his
chest of drawers. He reaches in, and pulls out a small,
old MEDAL:
the ribbon is faded and frayed. He looks at itfor a moment, then unzips his suit and pins it to the
inside, like it’s a lucky rabbit’s foot.
10.
EXT. SUBURBAN STREET - AFTERNOON
A taxi door opens. Shane looks like a bad ass, ready for
anything. He steps from the taxi onto an adorable TROLL
doll on the sidewalk. It SQUEAKS.
.
Shane’s P.O.V.: Julie’s unkempt suburban house, with toys
all over the lawn, and a “BLESS THIS MESS” welcome mat.
Shane double-checks the address. The sprinklers go off.
Shane darts to the door and rings the bell (it’s one of
those long cheerful doorbells).
WE hear TINY FEET approach -- then the door swings open,
Shane looks down -- and sees LULU, 8, peering up at him.
Shane eyes Lulu. Lulu eyes Shane, then:
LULU:
Mom! There’s some weird bald guy at the
door!
SLAM. Lulu shuts the door in Shane’s face. Shane frowns.
WE hear heavier footsteps approaching.
FEMALE VOICE (o.s.)
(before she sees Shane:)
Look, if you’re with the Hare Krishnas,
we’re not interested...
The door opens revealing JULIE PLUMMER. Julie holds
NAKED baby PETER, 2. She sees Shane, and stops, a little
startled by his size...
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Pacifier" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/the_pacifier_1005>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In