The Passion of Darkly Noon Page #3

Synopsis: After the death of his strictly religious parents, forlorn young Darkly gets lost in the woods. A truck driver, Jude, rescues the exhausted man, who has only a bible for comfort. He brings him to the house of Callie and Clay, two lovers who live in the forest. While Clay is away in the forest, beautiful Callie nurses Darkly back to health, and he develops an obsession with her that is totally contrary to his upbringing - a sexual obsession. When Clay returns home and Darkly sees the two lovers kiss, it is too much for him. Every night he hears them making love. Darkly's descent into madness has begun... An extremely dramatical and exciting ending!
Director(s): Philip Ridley
Production: Exclusive Media
  2 wins & 3 nominations.
 
IMDB:
5.9
Rotten Tomatoes:
17%
NOT RATED
Year:
1995
101 min
76 Views


I'd be out of business in a week

if everyone was like you.

Everywhere else people are

starving to death, dropping like flies.

No one has any money, no jobs, no nothing.

People are begging for food.

It's the end of the world.

Hallelujah! Hallelujah.

It's the end of the world.

You're starting to sound like

a preacher again, Quincy.

My papa was a preacher. I ever tell you that?

- A million times.

- Well, he taught me how to preach.

He said, "You start slow and very low,

"and then you get higher

until you catch fire!"

That's what I believe. That's what I do.

- Hallelujah!

- Get out of here

before you talk us all six foot under.

It's the end of the world. Hallelujah!

Damn, Quincy, your battery's gonna run dry.

Hey, I'll come visit you soon, okay?

- Okay.

- It's the end of the world.

Hallelujah! Hallelujah!

It's the end of the world! Hallelujah!

Hallelujah! It's the end of the world!

Hallelujah! It's the end of the world!

The end is coming! The end of the world!

Don't be scared. She won't hurt you.

Well, just so long as

you don't make any sudden movements.

Seems to me like

you spent the whole night in this forest.

I did.

Don't need people, not anymore.

People let you down.

You love them, give them everything,

and then they leave you.

Forest is all I need now.

It's beautiful in here.

Beautiful?

Well, no, come to think of it,

I used to feel the same way.

But you can't let that fool you, boy.

Don't you know how

a thing can be beautiful on top,

and underneath it's uglier than sin?

Well...

That's because of the monster.

What monster?

What? The monster of the forest, boy.

It's out there.

It's vicious, mean, spiteful, teeth like knives.

And you know what it feeds on.

No.

Men.

Beautiful, young men, just like you.

Have you seen it?

Yeah. I've seen it.

That there is where I live, boy.

My name's Roxy, by the way.

Roxy and her dog. That's me.

I found... I found one of these.

Careful. That's a barbed wire bird.

Barbed wire?

Yeah. There must be lots of those

all over the forest.

Why?

I use them to train Dog here.

See, when I shoot a bird,

Dog's gotta go get it.

Now, in the early days,

Dog used to bite down,

used to mash them birds to a pulp.

So, I made that.

When she went to retrieve that thing

and bit down, boy, did she know it.

It had to be done, though.

Had to give her a soft mouth.

Let's get in the house.

You wanna sit down?

- What do you think?

- It's very, very...

Well, it's home.

It's my home, and that's the important thing.

Got a roof over my head and food to eat.

These days that's a minor miracle.

It's like the Dark Ages.

Nobody cares anymore.

Nobody cares for the family.

You're absolutely right.

You got a family?

I had one.

Stay and have some coffee with me.

No. I gotta get back.

To her?

I know where you're staying.

With Callie.

That's what she calls herself,

but you know who she is really?

- Who?

- Witch.

- Why?

- Why?

That's what she is, so that's her name.

And if you're staying with her

but sleeping out in the forest,

I think you know that.

Her name's Witch, boy. She's a witch.

So, you met Roxy?

Yeah.

You should ignore everything she says.

Lee, she's crazy.

You should stay away from her.

Why?

She has her own reasons for hating me.

Like what?

Please don't make me talk about it, Lee.

Clay and me, we're happy here.

That's really all that matters.

Roxy's a crazy woman.

Trust me?

You should be careful.

It can get infected.

Turn to poison.

You'd be surprised

how quickly that happens.

How does that feel?

Feels much better.

What?

What?

Are you going to help Clay?

No.

It's nothing. He'll be back soon.

She said that

I wasn't supposed to see you again.

Course she did.

She knows I know what she is, that's why.

A witch.

On her good days, yes.

Something I wanted to show you. Here.

What do you see there?

A family.

My family. Years ago.

What happened?

She happened.

Callie?

The witch happened.

You can tell me about it.

Once, boy, I lived in a house.

That house where you're living now?

I lived there

with Jake, my husband here,

and my beautiful boy.

And then one day, my husband found a girl

at the edge of the forest.

She was sorely tired

and had broke her ankle.

So, my husband

brought her back to our home,

to my house.

I knew she was evil from the start.

And then she commenced to tempt him,

to tease him.

She made him lose control.

It wasn't his fault. It was her.

She killed him.

She killed him.

She tempted him to her and

stopped his heart.

It takes a witch to do that.

You took the words from my mouth.

But killing my husband

was not enough for her.

After that,

she put her spell on my son,

my beautiful, silent son.

Silent?

Clay.

Your son is Clay?

He can't resist her.

It's not his fault.

She's turned him against his own mother,

but he's helpless.

But he can never be happy with her. Never!

- And do you know why?

- Why?

Because she can never have children.

She told me that when I was nursing her.

She's barren.

She committed sins!

God has placed a curse on her.

I like you, boy.

Was it you who shot at the house?

It was.

What'd you go and do a thing like that for?

To remind her that I am still here,

watching and waiting.

Waiting for her to be punished.

You ruined a family.

You don't understand anything, Lee.

It's not like she says it was.

We're gonna make this work here.

I know we are.

Listen, Lee...

The three of us together, like a family.

That woman has already

turned an entire town of people against me,

telling them that I killed her husband

and put a spell on her son

and threw her out of her own house.

But that's not the truth.

Clay's daddy tried to rape me, Lee.

He died while doing it, and that's the truth.

I haven't done anything wrong, Lee.

I just loved Clay.

I told you Clay was the only one

who could get a song from the radio.

No, I'm not sick.

I have a pain in my heart.

Missing my ma and my pa.

That's... That's all.

Just missing my ma and my pa.

Don't.

What's wrong?

Nothing.

Not hungry?

No.

Are you feeling sick?

No. Why does everybody

think I'm sick around here?

Lee?

Can I get you anything?

No.

Can I do anything?

I'm just trying to sort something out,

and when I've sorted it out,

I'll be all right again.

Can I help?

Why are you looking at me that way?

Listen.

Perhaps you should...

Do you want me to leave?

No. That's the last thing I want.

You're scaring me.

Clay has a really bad temper.

- Lf he suspects you're...

- What?

Nothing.

Say it.

Nothing.

- What?

- Don't!

It's all right, Clay.

Everything's all right.

See you in the morning, Lee.

Witch.

Witch. Witch! Witch!

No!

What happened?

Dead.

Dead and gone.

I'm all alone now.

Nothing to love. Nothing to live for.

Gotta say goodbye to her.

She won't go to heaven

if I don't say goodbye.

Animals don't go to heaven.

They do.

You just gotta know

how to say goodbye right.

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Philip Ridley

Philip Ridley (born 1964 in East London) is an English storyteller working in a wide range of artistic media. In the visual arts he has been cited as a contemporary to the 'Young British Artists', and had his artwork exhibited internationally.As a novelist he has created fiction for both children and adults, and has had particular success and recognition as a children's author.In the field of cinema he is perhaps best known for his award-winning screenplay for the 1990 film The Krays (1990), a biopic about the Kray twins which was directed by Peter Medak. As a film-maker in his own right he is recognised for creating a loose trilogy of horror films; The Reflecting Skin (1990), The Passion of Darkly Noon (1995) and Heartless (2009) for which he has acquired a cult following.As a playwright he has been cited as a pioneer of 'In-yer-face theatre', with his debut play The Pitchfork Disney (1991) considered by many to be a seminal work in the development of the style, with one critic even dubbing it "the key play" of the 1990s. A great number of his plays for adults have been perceived as controversial, being met with both condemnation and high acclaim upon their initial reception. As a writer for the stage he is also recognised for creating an ongoing series of plays for young people (The Storyteller Sequence) and has written theatrical works for children and family audiences.As a songwriter he has created songs for his cinematic and theatrical works, frequently collaborating with composer Nick Bicât. He and Bicât have also formed a music group called Dreamskin Cradle with singer Mary Leay. Ridley has also written songs for composer Anna Meredith, particularly operatic work.Ridley is also a poet, photographer, and performance artist and has written drama for radio.Although Ridley creates stories through a wide range of media he dislikes his work being categorised by the medium in which it is told, often referring to them belonging to each other as "different peaks of the same mountain." more…

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Submitted on August 05, 2018

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