The Passion of Darkly Noon Page #4

Synopsis: After the death of his strictly religious parents, forlorn young Darkly gets lost in the woods. A truck driver, Jude, rescues the exhausted man, who has only a bible for comfort. He brings him to the house of Callie and Clay, two lovers who live in the forest. While Clay is away in the forest, beautiful Callie nurses Darkly back to health, and he develops an obsession with her that is totally contrary to his upbringing - a sexual obsession. When Clay returns home and Darkly sees the two lovers kiss, it is too much for him. Every night he hears them making love. Darkly's descent into madness has begun... An extremely dramatical and exciting ending!
Director(s): Philip Ridley
Production: Exclusive Media
  2 wins & 3 nominations.
 
IMDB:
5.9
Rotten Tomatoes:
17%
NOT RATED
Year:
1995
101 min
77 Views


That's what I believe.

Come on. Come on.

Go to heaven.

- Go to heaven!

- Heaven.

Dead dog.

- Dead dog.

- Say goodbye.

- Bye-bye.

- Bye, Dog!

Where'd that come from?

Well, I don't know where it come from,

but if I can get hold of it,

I do know where it's going.

Go to heaven.

Heaven.

Darkly.

- Darkly?

- Ma? Pa?

Is that you?

Where are you?

- We're up here, Darkly.

- We're up here, Darkly.

Don't be scared, Son.

We're here to help you.

- Right, Ma?

- Right, Pa.

We're here to tell you what to do.

You've got the Lord's work to do.

The Lord's work.

- The Lord's work.

- The Lord's work.

The Lord's work.

- The Lord's work.

- The Lord's...

Callie!

Callie!

Callie!

Lee?

Callie!

Where have you been?

I've been worried sick about you.

Jesus!

What happened to you? What happened?

Clay!

Clay? Clay, it's all right.

Clay, don't hurt him!

Clay, don't hurt him!

I don't know! I don't know!

Lee, keep calm!

No!

Stop it! Stop it!

Oh, my God.

Oh, my God, Lee!

What have you done to yourself?

Take your things and go.

You've got to, Lee.

You've got no choice.

Don't, Clay. Leave him.

Time for my walk in the dark.

No.

Gone? Gone where?

I don't know. He just went.

I told him to go.

I... Wait. Why?

He was just a kid, for Christ's sake, Callie.

He was ill.

I know.

I know.

Well, do you have any idea

where he could be?

Come on, Callie.

He wouldn't just go. He was my friend.

Besides, he had nothing.

He had nowhere to go.

Just go on out to work. I'm fine.

Clay, leave the rifle here.

I didn't want to

say anything in front of Clay.

If he knows where he can find him,

I think he'll kill him.

You know where he is?

Is it my fault?

Is it something I did?

Callie, where is he?

Lee, you up here?

Lee?

Jesus Christ!

What are you doing here?

What's going on?

Leave me alone.

Just go. Just leave me alone.

No.

Hell. You're coming with me. Come on.

No. No. Not yet.

Listen. You remember what I said?

About me running away?

I'm doing it.

Tomorrow night.

I'm taking the truck, and I'm gone.

And you're coming with me.

The two of us, we're getting out of

this forest once and for all.

No!

All right.

All right.

Tomorrow night.

All right.

I'll come back for you here tomorrow night.

Okay.

You hang on till then, okay?

Yeah.

Damn.

Roxy!

Darkly.

Darkly, don't upset yourself, Son.

Good morning, Son.

Did you see what she did?

Terrible sin.

Don't think I have ever known a forest

with more sin. Have you, Pa?

Don't think I have, Ma.

Ma, Pa, I...

I'm sorry I ran away the other day.

I was very scared.

Don't mention it, Son.

Have you been eating properly?

- Yes, ma'am.

- And saying your prayers?

- Yes, sir.

- Every night?

- Well...

- Now, don't lie to us, Son.

Well, almost every night. Just...

It's just that

I do when I can.

You know you should

say them every night, Son.

Praise the Lord

for all his merciful blessings.

I've tried. It's just that it's...

It's very difficult here,

and there's a lot that I don't understand.

I know, Son.

But you're here for a reason.

- Hallelujah.

- Hallelujah.

I am?

Of course you are, Son.

Should we tell him, Ma?

I think so, Pa.

Now, listen, Son.

There once was a happy family in this forest.

Clay, his poor mother there,

and her husband.

It was a good family. And then...

Why, then a witch came upon them

and spoiled their happiness forever.

- But, Pa...

- Son?

She said that...

That it was Clay's father

who was the one who

tried to attack her, and then...

You believe that, Son? You believe her lies?

Well, I don't think we do, do we, Ma?

Of course not, Pa.

It was her. All her. Putting a spell on men.

Now, don't tell me

you can't feel it yourself, Son.

Look at you. Look what she's done to you.

She's cursed you, Son!

But it wasn't your fault.

It was hers.

You're helpless in the spell of a witch.

You know, I am.

But you gotta fight back, Son.

That's the reason you're here.

God has tested you,

and you've got to prove to him

that you've passed the test.

Pa?

You've got to purify the forest.

You know the way it is, Son.

The word of our Lord.

When someone sins, try to forgive them.

And if you can't, well,

- kill them.

- No faith without blood. Right, Pa?

You know what you got to do.

- Hallelujah.

- Hallelujah.

Hallelujah.

Hey, Lee! You ready, partner?

Lee?

Callie.

I'm your punishment.

For the love of God!

Precisely.

Stop it! Stop it! Please! Stop it!

No!

Clay!

I love you.

Clay!

Clay. Clay! Clay, where's Callie?

I love you, Darkly.

Who will love me now?

He's dead, Callie.

No. No! No!

Callie.

I could have stopped him.

We gotta go.

- No.

- We gotta go.

Clay! Clay!

Clay.

Callie.

There's nothing left of him.

Hello.

Hello!

My God. You folks had a tragedy.

Yes.

Same with us.

See, I run a circus,

and a few days ago,

the boat we were using

to cross the river sank.

We lost about everything.

Our giant silver shoe went floating off.

Now all we got left is this little model.

It's my son's favorite thing.

It's very beautiful.

By the way, this is my family.

We've all been lost since the wreck.

It's funny.

I thought you could

only go halfway into the forest.

Then you'd just start making your way out.

No, it can go on forever sometimes.

Can you help us? Do you know the way out?

Yes.

Callie, come on.

Is that for me?

Thank you.

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Philip Ridley

Philip Ridley (born 1964 in East London) is an English storyteller working in a wide range of artistic media. In the visual arts he has been cited as a contemporary to the 'Young British Artists', and had his artwork exhibited internationally.As a novelist he has created fiction for both children and adults, and has had particular success and recognition as a children's author.In the field of cinema he is perhaps best known for his award-winning screenplay for the 1990 film The Krays (1990), a biopic about the Kray twins which was directed by Peter Medak. As a film-maker in his own right he is recognised for creating a loose trilogy of horror films; The Reflecting Skin (1990), The Passion of Darkly Noon (1995) and Heartless (2009) for which he has acquired a cult following.As a playwright he has been cited as a pioneer of 'In-yer-face theatre', with his debut play The Pitchfork Disney (1991) considered by many to be a seminal work in the development of the style, with one critic even dubbing it "the key play" of the 1990s. A great number of his plays for adults have been perceived as controversial, being met with both condemnation and high acclaim upon their initial reception. As a writer for the stage he is also recognised for creating an ongoing series of plays for young people (The Storyteller Sequence) and has written theatrical works for children and family audiences.As a songwriter he has created songs for his cinematic and theatrical works, frequently collaborating with composer Nick Bicât. He and Bicât have also formed a music group called Dreamskin Cradle with singer Mary Leay. Ridley has also written songs for composer Anna Meredith, particularly operatic work.Ridley is also a poet, photographer, and performance artist and has written drama for radio.Although Ridley creates stories through a wide range of media he dislikes his work being categorised by the medium in which it is told, often referring to them belonging to each other as "different peaks of the same mountain." more…

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