The Pianist Page #5
Szpilman gazes at the map, horrified.
SZPILMAN:
But...they won't get all of us...
we'll...it's too small...there's
four hundred thousand of us in
Warsaw!
HENRYK:
No. Three hundred and sixty
thousand, so it'll be easy.
He laughs but they're disturbed by a sound from another
room, the sound of crying. They look at each other puzzled,
then Halina opens a door and looks in. Szpilman and Henryk
join her.
BEDROOM:
Father is asleep but Mother is sitting on the bed, holding
a purse, crying. Halina sits beside her, puts an arm round
her.
HALINA:
Mama, what is it?
Mother opens the purse to reveal a crumpled note.
MOTHER:
Twenty zlotys. That's all we've
got left. What can I buy with twenty
zlotys?
(breaking down)
I'm sick of cooking potatoes,
potatoes, potatoes.
She weeps. Halina tries to comfort her. Szpilman and Henryk
watch.
INT. SZPILMAN APARTMENT, SLISKA STREET - NIGHT
Hands on the piano keyboard. Podgy, hairy hands with dirty
nails. They play an octave, harsh, toneless, with straight
fingers.
The hands belong to Mr Lipa, a dealer, early fifties. He
sits at the piano, now examining the lacquer. Regina stands
in the bow, watching him. Henryk is at the table, also
watching intently.
Szpilman sits apart, aloof, his back to the piano and to
Mr Lipa.
MR LIPA:
That's the price. That's what I'm
offering. And my advice is to
accept. You won't get more from
anyone else.
REGINA:
But...but it's a Steinway, Mr
Lipa...
MR LIPA:
Two thousand. My advice is to take
it. What you going to do when you're
hungry? Eat the piano?
Henryk suddenly makes a lunge for him, grabs hold of him,
a rough struggle takes place and during it Mother and Father
appear at their bedroom door to watch, appalled.
HENRYK:
Get out! You're a thieving bastard,
we don't want your money, get out!
We'd rather give it away! Get out!
Regina tries physically to restrain him.
MR LIPA:
(overlapping, warding
off Henryk)
Hey! Hey! What's the matter with
you? Haven't you eaten today, what
you suffering from? Hey!
REGINA:
(overlapping)
Henryk, stop it, leave him alone.
MR LIPA:
(recovering, catching
his breath,
overlapping)
You people are crazy! I'm doing
you a favour, two thousand, and
I'm paying for the removal, I'm
not even charging for the removal.
Henryk subsides, glowering at him.
MR LIPA:
You haven't eaten today, you're
crazy...
Suddenly:
SZPILMAN:
(turning to them,
severe)
Take it.
EXT. STREET LEADING TO GHETTO - DAY AUTUMN
A great column of Jews of all ages make their way towards
the area that will become the ghetto. On foot, on bicycles,
on horse-drawn platforms, some pushing prams loaded with
belongings. A great moving mass of humanity.
They're watched on either side of the street by Poles.
On a horse-drawn platform, the Szpilmans with their
belongings. All wear armbands.
Szpilman, Halina and Henryk walk beside the platform with
Mother, Father and Regina seated on it.
Szpilman catches sight of someone among the onlookers,
smiles and pushes through the crowd to Dorota, close to
tears.
SZPILMAN:
Dorota!
DOROTA:
I didn't want to come, I didn't
want to see all this, but I couldn't
stop myself.
SZPILMAN:
How are you doing?
DOROTA:
Fine, no, not really, they arrested
my cousin, but Jurek says they'll
let him out.
(stops, tears in
her eyes.)
This is disgraceful.
SZPILMAN:
Don't worry, it won't last long.
DOROTA:
That's what I said, it's so - it's
too absurd!
SZPILMAN:
I'll see you...soon.
He smiles and runs to catch up with his family. He looks
back, but Dorota is lost to sight and the procession
continues on its way.
INT./EXT. GHETTO APARTMENT AND STREET - DAY
Two rooms on the third floor: a living room and a kitchen.
The Szpilmans are unpacking their belongings in silence.
Father pauses for a moment to take stock.
FATHER:
To tell you the truth, I thought
it would be worse.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Pianist" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/the_pianist_72>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In