The Pianist Page #9
Szpilman shrugs.
JEHUDA:
Five hundred. You know how many
people on average read one copy?
Twenty. That makes ten thousand
readers. These will start the
uprising. Majorek hides them in
his underpants. And leaves them in
toilets.
SZPILMAN:
Toilets?
MAJOREK:
As many toilets as I can find.
Germans never go into Jewish
toilets. They're too clean for
them.
Jehuda loves this too, but his laugh makes him cough
appallingly.
INT. GHETTO APARTMENT - EVENING
Summer. The windows are open and the sounds of the ghetto
can be heard in the background. The family sit round the
small table as Mother comes with a saucepan of soup and
starts to serve.
MOTHER:
And, please, tonight, for once, I
don't want anything bad talked
about. Let's enjoy our meal.
HENRYK:
Okay, then I'll tell you something
funny. You know who I mean by Dr.
Raszeja.
REGINA:
The surgeon?
HENRYK:
The surgeon. Well, for some reason,
don't ask me why, the Germans
allowed him into the ghetto to
perform an operation...
HALINA:
On a Jew? They allowed a Pole to
come in to operate on a Jew?
HENRYK:
He got a pass, that's all I know.
Anyway, he puts the patient to
sleep and starts the operation.
He'd just made the first incision
when the SS burst in, shoot the
patient lying on the table, and
then shoot Dr. Raszeja and everybody
else who was there. Isn't that a
laugh? The patient didn't feel a
thing, he was anaesthetised -
He laughs. No one else does.
MOTHER:
Henryk, I said nothing bad.
HENRYK:
What's the matter with you all?
Have you lost your sense of humour?
SZPILMAN:
It's not funny.
HENRYK:
Well, you know what's funny? You're
funny with that ridiculous tie.
SZPILMAN:
What are you talking about, my
tie? What's my tie got to do with
anything? I need the tie for my
work.
MOTHER:
Boys, boys...
HENRYK:
Your work, yes, playing the piano
for all the parasites in the ghetto,
they don't give a damn about
people's sufferings, they don't
even notice what's going on around
them!
FATHER:
I blame the Americans.
The others look at him.
SZPILMAN:
For what? For my tie?
FATHER:
American Jews, and there's lots of
them, what have they done for us?
What do they think they're doing?
People here are dying, haven't got
a bite to eat. The Jewish bankers
over there should be persuading
America to declare war on Germany!
Suddenly, there's a roar of engines and a screech of brakes.
Slamming of doors.
The family rush to the windows.
EXT./INT. BUILDING OPPOSITE AND GHETTO APARTMENT - NIGHT
A Gestapo vehicle has entered the street and screeched to
a halt. Helmeted, jackbooted SS MEN, led by an NCO, pour
out of the vehicle.
The Szpilmans gather at their open window to watch. Regina
turns off the lights before joining them. They are all
terrified. Their half-eaten meal still on the table behind
them.
POV - from Szpilman apartment: the building opposite.
The SS men pouring into the building opposite. Sound of
the jackboots on stairs. Lights go on floor by floor.
In an apartment directly opposite, a businessman, his wife,
three young people and an old man in a wheelchair sit at
their dining table. The SS men burst in, machine pistols
at the ready. The family is frozen with horror, remain
seated.
The NCO scans their faces.
NCO:
(in a towering rage)
Stand up!
The family rise to their feet fast, except for the old man
in the wheelchair. The NCO bears down on him.
NCO:
Stand up!
The old man in the wheelchair grips the arms of the chair
and tries desperately to stand. But he can't. Without
warning, the SS men seize the chair with the old man in
it, carry him out on to the balcony.
THE SZPILMANS:
Mother SCREAMS, Father shrinks back, Halina comforts him
and Regina comforts Mother.
Szpilman's and Henryk 's POV - the apartment opposite:
The SS men throw the old man in his wheelchair over the
balcony. He seems to hang in the air for a second then
drops out of the chair and out of sight. But there's a
terrible thud as his body hits the pavement and a clatter
as the wheelchair follows him.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Pianist" Scripts.com. STANDS4 LLC, 2024. Web. 24 Dec. 2024. <https://www.scripts.com/script/the_pianist_72>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In