The Producers Page #2
- PG
- Year:
- 1967
- 88 min
- 1,925 Views
BIALYSTOCK:
Oooooooops!
BLOOM:
(backing out of door)
Ooooooops.
LITTLE OLD LADY HOPS OFF BIALYSTOCK'S LAP AND GOES TO DOOR.
LITTLE OLD LADY:
There's one in the apartment just
opposite my bedroom window. I
swear that man NEVER takes his
field glasses off me for a minute.
7.
SHE LOCKS DOOR AND STARTS BACK TOWARD BIALYSTOCK.
LITTLE OLD LADY:
Feeling better?
BIALYSTOCK NODS HIS HEAD IN ASSENT.
LITTLE OLD LADY:
Good. Let's fool around. Now,
I'll be the innocent little milk
maid and you'll be the naughty
stable boy.
(she goes into her act)
Oh, this milk is so heavy. I'll
never reach the house. Help. Will
someone help me?
BIALYSTOCK:
(stopping her)
Wait. Wait. We can't play today.
I have too many appointments.
LITTLE OLD LADY:
(crushed)
We can't play today?
BIALYSTOCK:
Thursday. Thursday. We'll play
Thursday. We'll play the Contessa
and the chauffeur.
LITTLE OLD LADY:
Oh, the best one.
BIALYSTOCK:
(trying to steer her
towards the door)
Until Thursday, then, Contessa Mio.
LITTLE OLD LADY:
(she sits on the sofa)
Oh, Bialy, please, just a little.
Just a little.
BIALYSTOCK:
(harassed)
All right. All right.
HE SQUATS DOWN IN FRONT OF HER IN CHAUFFEUR FASHION, HIS
8.
LITTLE OLD LADY:
morning, Rudolfo ... Watch the road
... Watch the road.
BIALYSTOCK:
I can't take my eyes off you. How
can I drive when you drive me mad.
Mad.
LITTLE OLD LADY:
(she squeals with delight)
Rudolfo, you dirty pig! Pull over.
BIALYSTOCK:
(upright)
Good. That's enough. We'll do the
rest on Thursday.
(he reaches down and
helps her off the couch)
That's a good girl.
(leading her to the door)
It's always such fun to see you.
BIALYSTOCK OPENS THE DOOR AND USHERS HER OUT ONTO THE LANDING.
CUT TO HALLWAY. FAR SHOT. REVEALING BLOOM WAITING OUTSIDE.
WE SEE HIM. THEY DO NOT. BLOOM, VERY EMBARRASSED, HUGS THE
WALL TRYING TO MAKE HIMSELF LESS CONSPICUOUS.
MEDIUM SHOT. BIALYSTOCK AND THE OLD LADY IN FRONT OF
BIALYSTOCK'S DOOR.
BIALYSTOCK:
Until Thursday, then, you bawdy
wench.
LITTLE OLD LADY:
Oooh. I love it. Hold me, touch me.
CUT TO BLOOM IN SHADOWS, AGHAST.
BACK TO MEDIUM SHOT LITTLE OLD LADY AND BIALYSTOCK.
BIALYSTOCK:
Thursday. I'll see you Thursday.
LITTLE OLD LADY:
Contessa and Rudolfo.
9.
BIALYSTOCK:
Good. Yes. Thursday.
LITTLE OLD LADY:
And after that we'll play the
Abduction and cruel rape of Lucretia
... And I'll play Lucretia.
CUT TO BLOOM IN SHADOWS. IT IS ALL TOO MUCH FOR HIM. HE
LOOKS THE OTHER WAY. SUDDENLY HIS EYES WIDEN IN SURPRISE,
AS HE DISCOVERS ANOTHER MAN HIDING IN THE NEXT DOORWAY. THE
MAN PUTS A FINGER TO HIS LIPS INDICATING SILENCE. THERE IS
NO PLACE LEFT FOR BLOOM TO LOOK. HE LOOKS TO HEAVEN.
BACK TO LITTLE OLD LADY AND BIALYSTOCK.
LITTLE OLD LADY:
Oh, Thursday. Will Thursday ever
come?
BIALYSTOCK:
(to himself)
Like clockwork.
LITTLE OLD LADY:
BIALYSTOCK:
Goodbye, my angel ... My angel!
(calling after her)
Hey, touch me ... wait! Hey, uh ...
Lucretia, Lucretia!
WE HEAR A MOUNTING CLATTER OF FOOTSTEPS AS THE LITTLE OLD
LADY FLIES BACK UP THE STAIRS.
LITTLE OLD LADY:
(eagerly)
Yes???
BIALYSTOCK:
Oh, Angelcake, you forgot to give
me the check. Can't produce a play
without money, ha, ha, ha.
CUT TO BLOOM. ONCE MORE HE STEALS A GLANCE AT THE STRANGER
HIDDEN IN THE SECOND DOORWAY. ONCE AGAIN THE MAN GESTURES
CUT BACK TO BIALYSTOCK AND THE OLD LADY.
10.
LITTLE OLD LADY:
(opening her handbag
and reaching inside)
Of course, the check, I had it with
me all the time.
SHE TAKES OUT THE CHECK AND HANDS IT TO HIM.
LITTLE OLD LADY:
I don't know what's happening to me.
I must be getting old.
BIALYSTOCK TAKES CHECK AND READS IT.
LITTLE OLD LADY:
Is it all right? I made it out to
cash. You didn't tell me the name
of the play.
BIALYSTOCK:
Oh, it's fine. Fine. Good. Good.
Bye. Bye.
LITTLE OLD LADY:
Til Thursday, my Darling, I shall
count the minutes.
LITTLE OLD LADY:
(descending)
Ta. Ta.
BIALYSTOCK:
(waving check at her)
Ta. Ta.
THE MAN, WHO HAS BEEN LURKING IN THE SECOND DOORWAY, SUDDENLY
SPRINGS INTO ACTION. HE DARTS FORWARD AND QUICKLY TAKES THE
CHECK OUT OF BIALYSTOCK'S HAND.
THE MAN (LANDLORD)
He who signs a lease, must pay rent.
HE SHOVES THE CHECK INTO HIS POCKET AND STARTS DOWN THE
STAIRS.
LANDLORD:
That's the law.
BIALYSTOCK:
Murderer! Thief! How can you take
the last penny out of a man's pocket?
11.
LANDLORD:
(turns back, shrugs)
I have to ... I'm a landlord!
BIALYSTOCK:
(shouting to heaven)
Oh Lord, hear my plea. Destroy him.
He maketh a blight on the land.
CUT TO LANDLORD ON THE WAY DOWN.
LANDLORD:
(to the Lord)
Don't pay attention. He's crazy.
CUT BACK TO BIALYSTOCK. HE TURNS TO RE-ENTER HIS OFFICE.
BIALYSTOCK:
(biting his knuckle)
Nnnnn. That hurt.
(he sighs)
I'll have to make another call.
HE STARTS IN AND STOPS. HE NOTICES BLOOM.
BIALYSTOCK:
(to Bloom, quietly)
Have you been there all this time?
BLOOM NODS.
BIALYSTOCK:
And did you see and hear everything?
BLOOM NODS.
BIALYSTOCK:
Then what do you have to say for
yourself?
BLOOM:
Uh ... uh ... ooooooops?
BIALYSTOCK:
(shouts)
Who are you? What do you want?
Why are you loitering in my hallway?
Speak, dummy, speak! Why don't you
speak?
BLOOM:
Scared. Can't talk.
12.
BIALYSTOCK:
All right. Get a hold of yourself.
Take a deep breath, let it out
slowly and tell me who you are.
BLOOM:
(breathes deeply.
Words tumble from his
mouth as he exhales)
I'm Leo Bloom, I'm an accountant,
I'm from Whitehall and Marks, I was
sent here to do your books and I'm
terribly sorry I caught you with
the old lady.
(he has run out of breath)
BIALYSTOCK:
"Caught you with the old lady."
Come in, Mr. Tact.
CUT TO OFFICE. THEY ENTER. BLOOM ENTERS TIMOROUSLY. HE
DOESN'T KNOW QUITE WHERE TO GO. HE LOOKS TO BIALYSTOCK FOR
GUIDANCE. BIALYSTOCK STUDIES BLOOM CURIOUSLY FROM HEAD TO
TOE.
BIALYSTOCK:
So you're an accountant, eh?
BLOOM:
(timidly)
Yes sir.
BIALYSTOCK:
Then account for yourself! Do you
believe in God? Do you believe in
gold? Why are you looking up old
lady's dresses? Bit of a pervert,
eh?
BLOOM, WHO HAS BEEN QUAKING UNDER THE ASSAULT, REACHES INTO
HIS POCKET AND TAKES OUT THE TATTERED CORNER OF AN OLD BLUE
BABY BLANKET. HE TWISTS THE BLUE BLANKET NERVOUSLY IN HIS
HANDS.
BLOOM:
Sir, I ...
BIALYSTOCK:
Never mind. Never mind. Do the
books. They're in that desk over
there. Top drawer.
13.
BLOOM DUTIFULLY GOES TO DESK. OPENS TOP DRAWER AND BEGINS
REMOVING BOOKS.
BIALYSTOCK:
How dare you condemn me without
knowing all the facts.
BLOOM:
But sir, I'm not condem ...
BIALYSTOCK:
Shut up. I'm having a rhetorical
conversation.
(to himself)
How humiliating. Max Bialystock.
Max Bialystock.
BIALYSTOCK SUDDENLY WHEELS AND SHOUTS AT BLOOM.
BIALYSTOCK:
You know who I used to be? Max
Bialystock! The King of Broadway!
Six shows running at once. Lunch
at Delmonico's. Two hundred dollar
suits. Look at me. Look at me now!
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"The Producers" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/the_producers_918>.
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