The Pumpkin Eater Page #3

Synopsis: Film screenwriter Jake Armitage and his wife Jo Armitage live in London with six of Jo's eight children, with the two eldest boys at boarding school. The children are spread over Jo's three marriages, with only the youngest being Jake's biological child, although he treats them all as his own. Jo left her second husband Giles after meeting Giles' friend Jake, the two who were immediately attracted to each other. Their upper middle class life is much different than Giles and Jo's, who lived in a barn in the English countryside. But Jo is ruminating about her strained marriage to Jake, with issues on both sides. Jo suspects Jake of chronic infidelity, she only confronting him with her suspicions whenever evidence presents itself. And Jo's psychiatrist believes that Jo uses childbirth as a rationale for sex, which he believes she finds vulgar. These issues in combination have placed Jo in a fragile mental state. They both state that they love the other, but neither really seems to like th
Genre: Drama
Director(s): Jack Clayton
Production: Sony Pictures Entertainment
  Nominated for 1 Oscar. Another 6 wins & 5 nominations.
 
IMDB:
7.4
Rotten Tomatoes:
64%
Year:
1964
118 min
212 Views


- That's silly.

- No.

It's not what you want.

You never show the slightest

interest in anything I do...

Why are we talking about it?

You' re just not interested

in what I do, are you?

You leave me. You' re never with me.

I have to work. It's my life.

- Where's mine? Where's my life?!

- With me!

I've worked. I've had to.

The children go to good schools.

- Do you love me?

- I wouldn't be here if I didn't.

- You'd always be here if you did.

- That's ridiculous.

- Always.

- You resent the money.

Money! It has nothing to do

with the money.

Look at that damned kitchen!

And all of this!

What about the new house?

You wanted it. I did it.

You just want to go back

and live in that barn!

It has nothing to do with the kitchen.

It has nothing to do with the money.

It has nothing to do with any of it.

Well, what? What is it?

What do you want? Hm? What?

- You' re going out.

- I have to.

Don't go out now.

Why are you going out now?

I've got to. You know that.

I can't not go.

Stay.

Not for long.

I'm late. It's business, not friends.

- If it was friends, you could come.

- What friends?

We haven't got any friends.

The only friend I ever had

was Philpot.

But she was more YOUR friend,

wasn't she, than mine.

But you've had lots of friends

since Philpot.

Lots of nice friends. For years.

You' re quite wrong.

I don't want to come to the studio.

I don't want to meet your... people.

Never.

Never.

They' re ready for you to say

good night to them, Mrs Armitage.

Mrs Armitage?

Are they out of the bath?

Yes, sir.

- Bye, Dad.

- Bye.

- Say goodbye to Daddy.

- Goodbye, Daddy.

Bye!

Bye!

Bye!

Goodbye, Daddy!

Goodbye!

So you do like children,

Mrs Armitage?

- Well, they don't do you any harm.

- Yes.

Yes. Let's see.

- Now, you have...

- I had them of my own free will.

- Of course.

- Nobody forced me to have them.

Your two eldest boys have been

at boarding schooI for some years.

- Yes. For some years.

- You agreed to their going away.

Yes.

Have you seen them recently?

No. Not recently.

Do you want to see them?

I believe they' re doing terribly well.

Tell me about your first husband.

- I can't remember.

- Oh?

You were married to him

for two years.

Well...

He was sweet.

Quite sweet.

Drank a bit, I think.

He was nice.

He was killed.

The second one was a violinist. Giles.

He was nice.

We lived in this, uh...

barn with the children.

Hardly went out, really.

For some years, I think.

Why did you leave him?

What happened?

Happened?

Jake happened.

Excuse me.

Excuse me.

I do hope you don't mind.

I've just been looking at a photograph

of you in one of these magazines.

A photograph of you all,

all your family,

your wonderfuI children

and your wonderfuI husband.

I thought it must be the same person.

Yes.

I think you' re much lovelier

than your photo.

I do, really.

- Do you mind my speaking to you?

- No.

To tell you the truth,

my life is an empty place.

To tell you the honest truth.

Your eyes are much more beautifuI

than your photograph.

You didn't always have things

so good.

That's why you appreciate, don't you?

I never dreamed I'd meet you like this.

And, well, you' re so kind to me,

you' re so full of sympathy for me.

My husband

doesn't come near me any more.

No, nowhere near me.

But don't you think I'm still attractive

any more? I think I am.

Of course you are.

I'm not as attractive as you are.

But in a different way I am.

That's one thing I do know.

I had a hysterectomy operation

four months ago.

Yes, a hysterectomy.

You know, they take it all away.

You should see the way men look

at me. The way they still look at me.

You can tell by that, you see.

I'm desirable.

I'm not old. I know.

But... he doesn't seem to care

about cheering me up any more.

I'm so thirsty.

- Would you like some tea?

- I'm off liquids.

Oh.

- I am sorry.

- It's no use your being sorry!

What are you going to do about it?

I've just told you,

my life is an empty place!

Well, what do you want me

to do about it?

Well, don't do me any favours,

for a start.

Don't patronise me, for a start!

But I'm not.

- I'm really not.

- " I'm not. "

" I'm really not. "

God, I thought you'd be different.

I thought you'd be

a very different woman, miss.

Very different

from the woman you are!

- I'm sorry.

- Are you? Yes, you look sorry

You've got such wonderfuI children.

Well, they' re wonderfuI, wonderfuI.

I think you' re wonderfuI, too.

You must be a lovely woman.

You must be such a lovely woman.

I think women are the only ones.

I think they' re the only ones.

I can see your grace and

sweetness just sitting there.

What does your husband

think of you?

Does he find you attractive?

Hm?

Hey! I've been thinking,

do you think your husband

would find me desirable?

- Look, I really...

- I'd show him some tricks.

I'd show him some tricks.

You want to bet?

I'd show him a few things

I bet you don't know.

My love. My little darling.

Anyone ever clawed your skin off?

Hm? You see these claws?

Ever had your skin clawed off?

Is your hair dry yet, madam?

Are you...

Are you going to give me

two little curls this time?

Are you? Over the ears?

You know, one each side?

Are you? Are you?

What has Jak e got to do with me?

Why do you keep asking me

about Jake?

I come here and all you ask me about

is Jake. Why don't you see Jake?

Perhaps it's him

you should be seeing, not me.

Besides, there's nothing to say

about him.

Do you like him?

No.

- Do you love him?

- Yes. So what?

- You don't...

- What?

I've forgotten what I was going to say.

Do you think Jake is likely to change?

No.

What would you say

was the difference

between Jake

and your previous husbands?

They weren't necessary.

When you say

they weren't necessary...

You need a bowI

in front of that gas fire.

- A bowI?

- Of water.

- A bowI of water.

- Ah, yes.

- You need it, for God's sake.

- Mm.

Trouble is, if you have

a bowI of water,

people throw matchsticks into it.

They float about for days and become

soggy, the water becomes black,

and anyway... it all dries up anyway.

Do you find the thought of sex

without children obscene?

No.

Are you sure the idea doesn't

disgust you?

Perhaps you find the idea... messy.

Perhaps sex is something you feeI

you must sanctify, as it were,

by incessant reproduction.

I shall have to give that question

a little thought.

You would do well to, I think.

I won't be seeing you

for a couple of weeks.

- Just go on with the pills.

- A couple of weeks?

Didn't my secretary tell you?

I'm off to Tenerife on Friday

for a spot of water-skiing.

- It's my great passion.

- Water-skiing!

And cut down on liquids

as much as you can.

Can we make an appointment

for the 19th?

Can't make it.

No. Can't make the 19th.

Then what about the... 20th?

- Can't make it.

- Oh, come now.

- What liquids?

- Well, liquids.

Yes, but what liquids?

Listen, why are you going

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Harold Pinter

Harold Pinter (; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980. Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as "comedy of menace". Later plays such as No Man's Land (1975) and Betrayal (1978) became known as "memory plays". He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007. Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008. more…

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Submitted on August 05, 2018

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