The Pumpkin Eater Page #5

Synopsis: Film screenwriter Jake Armitage and his wife Jo Armitage live in London with six of Jo's eight children, with the two eldest boys at boarding school. The children are spread over Jo's three marriages, with only the youngest being Jake's biological child, although he treats them all as his own. Jo left her second husband Giles after meeting Giles' friend Jake, the two who were immediately attracted to each other. Their upper middle class life is much different than Giles and Jo's, who lived in a barn in the English countryside. But Jo is ruminating about her strained marriage to Jake, with issues on both sides. Jo suspects Jake of chronic infidelity, she only confronting him with her suspicions whenever evidence presents itself. And Jo's psychiatrist believes that Jo uses childbirth as a rationale for sex, which he believes she finds vulgar. These issues in combination have placed Jo in a fragile mental state. They both state that they love the other, but neither really seems to like th
Genre: Drama
Director(s): Jack Clayton
Production: Sony Pictures Entertainment
  Nominated for 1 Oscar. Another 6 wins & 5 nominations.
 
IMDB:
7.4
Rotten Tomatoes:
64%
Year:
1964
118 min
229 Views


but I don't know...

He was really fond of Jake.

- Jake was fond of him, too.

- I know he was.

I'll never see him again.

I'm glad he wanted to be cremated.

I wish I could believe

I'd see him again.

But I'm glad he'll be cremated.

I couldn't bear

to think of him... buried.

The thought of him under that...

I mean, just the thought...

- Mother.

- Just to think, just to think...

Mother, listen.

I want to tell you something.

- I'm going to have a baby.

- What?

No! You can't.

You're not... You' re not. You can't.

Well, there it is.

But what can Jake be thinking of?

He doesn't know. Nobody knows.

You must be mad.

- Won't you ever get any rest?

- It'll be all right.

How can you be so careless,

and so thoughtless?

How can you want

to start all that over again?

He was so fond of you, he was.

And so proud of you, too.

Only the other night he said we must

go and see your new film, he did.

- Of course, he couldn't go.

- No.

No. Oh, no, he couldn't go.

Oh, dear, there they are.

There they are.

You go and wait in the garden

and I'll...

Thank you, sir.

I'm very sorry to trouble you, sir.

He loved his vegetables.

We never bought

a single vegetable untiI last winter.

He just couldn't manage it any more.

Remember the strawberries,

Dinah?

- You loved his strawberries.

- Yes. They were marvellous.

- I know you did.

- In a few minutes.

- How's things at home?

- Fine.

- Chaos.

- It isn't. All in order.

I don't know what George

would have said if he knew.

Knew? About what?

- You could let this off for allotments.

- He loved the children,

but he always thought

there were too many.

I don't know

what you' re thinking of, Jake.

- What do you mean?

- Are they ready yet?

It's too much.

I'm glad he didn't live to see it.

- Go and find out if they' re ready.

- See what?

- Won't they tell us?

- No.

They might be waiting. Go on, please.

OK.

At least he's going to be cremated.

- I'm so glad about that.

- Live to see what?

On top of everything else.

As if she hasn't got enough.

Mind you, he loved...

he loved the children.

Look, the boys are here.

The boys have come.

They' re ready, Mummy.

Hello, Mum.

Hello. Hello.

Hello.

Dinah.

What do you think of your sister?

Pretty good.

- Everything all right?

- Fine.

Yes, fine.

Come along.

It was when the coffin went

in. You know, when they pushed it in.

I think that's when it was.

I suddenly thought:

well, it might be possible.

You know, God might be possible.

Have you read Thomas Aquinas?

I'm reading a book. It's marvellous.

"That the divine being cannot be... "

Wait a minute.

".. cannot be specified by the addition

of a substantiaI difference. "

- See what I mean?

- Mm-hm.

"Since all things

which are subject to divine... "

- You look awfuI.

- I feeI it.

- You must be tired.

- Mm. And you?

Mm-hm.

- I'm sorry.

- Sorry?

I know you don't want it.

I know you don't want the baby.

Can't be helped.

It will be all right. It will.

I mean, you'll like it.

I mean, perhaps it'll be a girI.

You've never had a daughter.

When the house is ready,

we could spend the summer there,

spread out a bit. I mean...

- You won't notice.

- It really doesn't matter.

It does. It does matter.

You really don't want it?

No.

- What do you want, then?

- It doesn't matter.

- Why?

- Because I don't want it, that's why.

I wanted us to change,

and now we can't change, you see?

I thought we could change,

branch out, be free.

Now we can't.

We' re back where we started.

I'm not blaming you. I blame myself.

It's my fault, I know that.

But we haven't lived.

I don't want it. It'd kill us.

I really thought

that we could begin and...

Remember you used to say that you

wanted to be with me wherever I went,

wanted to go with me everywhere?

Well...

We could traveI. We can afford it.

Even have a proper honeymoon.

Go for a world trip or something.

Now with this,

we' re trapped here, again.

I mean, there is a world apart...

apart from birth.

There's a world apart from...

Look, we don't want any more.

How can we have any more?

Darling,

I know the idea of abortion's

repellent to you. It is to me, too.

It's ghastly, the idea of abortion.

But it would be legaI.

You've been treated for depression.

The psychiatrist says that...

he advises that medically,

for your health's sake,

you shouldn't have this child.

There wouldn't be anything

underhand.

I got you into this

and I just want you to be happy.

I want to get you out of it.

I want to get us both out of it,

while there's still time for us,

that's all.

Now, you' re certain, Mrs Armitage,

that you don't want this child?

Yes. I'm quite certain.

I have, in fact, already had a long talk

with your doctor

and your psychiatrist, Mr Ingram.

We all appear to be in complete

agreement on this matter.

We do consider that,

by having this child,

your health would be

severely affected.

But we also feeI

that we should point out

that the reasons for recommending

that this pregnancy be terminated

must apply with equaI validity

to any future pregnancy.

Do you see what I mean?

You've had

a considerable number of children.

Perhaps it would be wise for you

not to have any more.

It's, um... It's a matter of sterilisation.

Perfectly simple and straightforward.

And afterwards, you can live

a completely normal married life.

But, of course,

you'll never conceive again.

What did my husband say?

Oh, he left the decision

entirely to you, of course. As we do.

Oh, darling, be carefuI.

You'll hurt yourself.

- I'm so happy.

- Good.

I'm free, you see.

- I'm free, aren't I?

- Yes, I know.

Completely free.

We don't have to worry

about it any more.

It'll just never happen. We don't

have to worry about it any more.

Never.

Oh, I'm going to get rid

of that nanny, for a start.

I've always hated her.

Then we can move to the country,

to the new house...

Yes.

.. and live with the children again,

properly.

And then we can

go away together, hm?

And just do anything.

And just do anything.

Yes.

- Be carefuI. Be carefuI.

- Yes.

- Hello, Mummy.

- Hello, darling.

- I brought you these.

- Thank you.

They don't stand a chance

with these others.

- Ah, yes, they do.

- Look at them!

Whew!

- Who are they all from?

- Oh, mostly friends of Daddy's.

- Are you feeling better?

- Marvellous.

- How are the children?

- Oh, fine.

It was a sort of womb thing,

I suppose, was it?

Yes. Something like that.

Does it happen to everyone?

No.

Of course not.

- It just happens to some women?

- Mm-hm.

Oh, look, help me make this list.

- We'll make a clean sweep.

- What list?

There'll be some changes.

We' re going to do things.

- What?

- Moving things to the new house.

- All that junk in the attic?

- All that junk.

- Not all!

- Put it down!

- How?

- " Move junk to the new house. "

We'll buy furniture for the new house.

Lots of new furniture.

- Send everything to the cleaners.

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Harold Pinter

Harold Pinter (; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980. Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as "comedy of menace". Later plays such as No Man's Land (1975) and Betrayal (1978) became known as "memory plays". He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007. Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008. more…

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Submitted on August 05, 2018

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