The Raven Page #4
"If I do not read a vivid
accounting of this convergence
"of fact and fiction,
then dear Emily will die.
"Your only hope
is to imagine a way to save her.
"I dare you to try to conceive
of the painstaking care
"and the elegant means
leading inexorably to her end.
"Are you up to the task, Mr. Poe?
"Are you even capable of imagining
"the means to save
your beloved's life?
"Or shall this tale end
as all your stories do,
"with Madness, Sin and Horror
the soul of the plot?"
Your men are right. I've killed her.
We must assume
Why must we assume that? Because
it's more convenient to do so?
Why am I to blame?
Where were all these officers
last night?!
Where were you?!
He told you he was coming!
Mr. Poe, listen to me.
This killer is methodical.
He will keep her alive
to keep you involved.
It's part of his game and that's
the logic that will trap him.
It's the facts of this case
that give us the advantage.
Did you tell your people to
familiarize themselves with my face?
They'll see it every hour
till my daughter is returned to me.
Mr. Hamilton, I'm very sorry.
As well you should be!
She was taken under your watch.
- Sir, if you would please...
- What the hell is HE doing here?
- Bastard!
- Hey!
Arrest him. It's his fault.
There is plenty of fault
to be passed around.
I'm sure you understand
what I mean by that, Mr. Hamilton.
Mr. Poe here is our only connection
to the man who has your daughter.
Out of the way.
We will reconvene in two hours.
Until then, I want every street
in Baltimore manned. Understood?
Yes, sir.
Lord help my poor soul.
Oh. Oh, Lord.
Wait. No. No...
Wait... Please...
Help! Let me out!
Let me out of here!
No, stop! Stop!
Shut it, Emily,
or I'll shut it for you.
OK.
OK. I'm sorry.
Sorry.
The human body is to be revered.
We must at all times be respectful
and remember that a cadaver
is more than a mere learning tool.
This man is an alleged victim
of consumption.
Professor'? What is it?
Dear God.
She could be a prostitute,
the way she's painted up.
Did you open this?
Were your hands clean?
Yes. I don't believe
I left that smudge, Inspector.
She must have fought him
or scratched him.
She didn't fight him.
There are no wounds on her wrists.
It can't be her blood, Inspector.
He came at her from behind.
Strangled.
Another of your stories?
Mr. Poe, I asked
is this another of your stories?
It's a sailing knot.
It's a bowline knot, to be exact.
Just as it was in the story.
All right. Then what of it?
Who was she?
She was a girl...
who worked in the stores in Paris
near the Quais.
She drowned. There was no mention
of blood on her hands.
He added that detail.
You must write it now. Every detail.
The knot, her dress, her hands.
Her eyes. Her end.
Her innocence was the first part
of her soul to die.
And while it happened,
he stood still,
watching to fully enjoy
the dreadful metamorphosis
from a life full of hope
Mr. Poe.
I've been, erm...
I'm sorry to disturb you but...
I was a little concerned
about your...
- My progress?
- Yes.
I feel as if I've gone from author
to character in one of my tales.
As trapped and bedevilled as any of
the hapless bastards I ever created.
I can appreciate that.
Regardless of what
you think of me, Fields,
I am a master of my art,
and I will not fail her.
I know that.
Look, I... I think I was overly harsh
with you the other day,
and for that I'd like to apologise.
My wife was singing at the piano
when she first coughed up blood.
I prepared myself for the worst,
but Virginia seemed to recover,
and foolishly I succumbed to hope.
But by year's end
the blood came again...
and again.
Great effusions of blood.
Raging fevers, her sheets spattered
with crimson, drenched with sweat.
the sound of darkness
as it stole across the horizon
rushing towards me.
But here I...
I was overwhelmed
by a sorrow so poignant,
when she finally died I felt
in all candour a great release.
But it was supplanted by the return
of that dark and morbid melancholy
that followed me like a black dog...
all my life...
until I met Emily.
Time is running out, Inspector.
Do you really believe
she's still alive?
I'm sure of it.
ls)
ls)
Magnificent.
Poe, you have done it again.
The invention is... breath-taking.
The line of truth and fiction
has never been so...
SO...
I'm not sure about your headline.
Henry, you will not change one word.
Fine. Ivan? Ivan...
Reset page one immediately.
..melancholy that's followed me
like a black dog all my life.
I love you, Edgar.
Fields!
- The blood, Poe, it's fake!
- The blood?
The prostitute. She's no prostitute.
It's stage blood. She's an actress.
- The blood on the hands. "Macbeth."
- Exactly.
Poe's like the hangman, the bastard,
making money off the dead.
Get your paper!
About a serial killer on the loose!
Cantrell is at the theater.
All the exits are secured.
The Imperial, I'm assuming.
My mother's playhouse.
The victim was still in her costume,
which suggests she was abducted
directly from the theater.
We'll find her.
I would gladly give my life for hers,
Mr. Fields.
I know you would.
Out, damned spot. Out, I say!
One, two...
...then, 'its time to do it!
Hell is murky!
Who are you?
Police. I have a warrant
What for? There's a show on!
- Bring all stagehands now.
- They have to man the ropes.
First Lady Macbeth takes a powder,
and now you bastards...
Ten seconds.
Put out your hands.
Ladies and gentlemen,
the play will resume shortly.
Please take your seats.
You, step forth.
Take off the gloves.
- Is this your entire crew?
- Yes.
- Are you sure?
- I am.
Count them again.
What are you doin'?!
We've got seven minutes
before the act change.
- You, where are you from?
- Liverpool.
to make extra scratch.
- So if you don't mind, please...
- Read it.
It's "Macbeth". I know the play.
- Someone's missing.
- Who?
- Maurice.
- Where is he?
I don't know, but nobody's allowed
to leave until the show is over.
He's here.
If any of them try to leave,
shoot them.
Yes, sir.
...put on your nightgown...
You there, come out. Show yourself.
Stop!
Show yourself!
I will kill you!
Come out now. Put your hands
where I can see them or I will fire.
Don't shoot me!
I'm in the play!
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Raven" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/the_raven_21160>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In