The Raven Page #5

Synopsis: THIS IS NOT THE CORRECT SCREENPLAY / SCRIPT In this tongue-in-cheek movie inspired by Poe's poem, Dr. Craven is the son of a great sorcerer (now dead) who was once himself quite skilled at that profession, but has since abandoned it. One evening, a cowardly fool of a magician named Bedlo comes to Craven for help - the evil Scarabus has turned him into a raven and he needs someone to change him back. He also tells the reluctant wizard that Craven's long-lost wife Lenore, whom he loved greatly and thought dead, is living with the despised Scarabus.
Director(s): Roger Corman
Production: American International Picture
  1 win.
 
IMDB:
6.7
Rotten Tomatoes:
92%
G
Year:
1963
86 min
Website
896 Views


You're all right.

You stay here, OK?

- What happened?

- My pistol, I lost it.

- I saw him.

- Damn it.

- Seal the doors! He's here!

- Yes, sir!

The missing stagehand,

what was his name?

Maurice.

Hey! Where do the crew

keep their things?

We have lockers downstairs.

Here. Poe!

Fields, up here.

What is that?

Looks like a piece of fish.

That is a human tongue.

What does it mean?

Wait. Yes. "The Facts

in the Case of M Valdemar."

A man's suspended

between life and death by mesmerism.

A living corpse who can only speak

via the vibrations of his tongue.

It's a bit of burlesque.

But the tongue wasn't severed.

Mr. Poe! Sir,

there's been an accident.

Put your backs into it!

Come on! Keep it going!

We're gonna need more!

The fire's not going

to put itself out! Come on!

Jack, get all those people

back from the building!

Please, step back! Move back!

It's not safe. Get back, sir.

Everybody, get back!

A damnation on earth.

Hell's brimstone his food,

consumed from birth, in solitude.

Let's go, men! Move it, move it!

The windows were shattered first.

I don't think it was an accident.

I'm certain you're correct.

Sir, we also found this.

I'll take it if it's not yours.

He's stuck with us since we got here.

I can tell from the sound

of his voice he's mine.

Thank you, Officer.

Why are you doing this to me?

Please let me out.

I can't.

Yes, you can.

You can.

Please.

I'm so cold.

Why are you doing it?

Please don't let me die in here.

Miss Hamilton...

No! No! No!

Mr. Poe.

I'm afraid I found myself

without lodgings.

Yes, I heard.

I don't mean to impose.

Oh, yes, of course.

Forgive me, please. Come in.

It appears to Baltimore I've become

one of the very demons I conceived.

- The fire was intentional.

- Yes, I heard.

The town is angry.

The mayor wants results.

Another set of unsolved murders?

Is that it?

He was inc-hes away.

If I hadn't drapped my weapon

Perhaps.

But we have made some headway.

According to theater records, the

sailor's name is Maurice Robichaux.

Does that mean anything to you?

No.

Cantrell and I made some inquiries

at the docks.

He was signed on to a trading vessel

which made port five days ago.

The start of the murders.

And, like many sailors,

he took employment in the theater,

working the backstage riggings.

But, as we know,

he wasn't there today.

Everything down to our entrance

was prearranged.

Look, it may be arduous,

but I've learned, in order

to find a needle in a haystack,

you have to go through the hay.

- These ship's records I think...

- Ship's records?

I must remind you, Mr. Poe,

every detail here is essential.

Tell me, are you not piqued

by your abject failure

to ferret out this assassin?

Your reputation is at stake.

Look at me.

Four people are dead!

An angel breaks on the rack

of some depraved beast,

but this clerk squints over his

eyeshades at ledgers and timetables!

Is this a f***ing joke?!

What else should we do?!

Run around all of Baltimore

screaming out her name?!

Now, please, think.

Start with the sailor.

Have you ever written

anything about a sailor'?

No.

Did you speak with the ship captain?

- I did.

- And?

Robichaux was a valued crewman.

Well liked.

Had a family back home.

- Where?

- In France.

Nmes.

- Anything?

- No.

Yes. Possibly. Who knows?

You see, what I keep asking myself

is... why Baltimore?

The Fortunato had docked

in ports around the world.

- The what?

- All over the world.

- The name of the ship, say it again.

- Fortunato.

"The thousand injuries of Fortunato

I had borne as I best could."

What is that?

The first sentence of

"The Cask of Amontillado.

- Go on.

- A story I wrote about revenge.

A man kills his rival by walling him

up. Fortunato is entombed alive.

- Where?

- In the catacombs of a palazzo.

- The story is set in Italy.

- There are no catacombs here.

No, but there are tunnels

underneath the city.

Tunnels?

The waterworks.

You are looking for anything that

would indicate recently laid masonry.

We will be timing this.

I will blow my whistle as such...

We will then shout her name in unison

from all areas of the tunnels.

Emily!

There'll be a pause

often seconds of absolute silence

when we will listen

for the smallest sound.

Anything to indicate movement

from behind the walls.

If an officer detects something,

he will blow his whistle

and we will examine the wall

at that point.

- Are we clear?

- Yes, sir.

Then move out.

Emily!

Emily!

Emily!

Shh!

Emily!

Emily!

EMILY!

Over here.

They're down here.

The mortar's a different color.

Look.

Hold that.

Here. Stand back.

What is it? Do you have hen'?

- Give me that.

- What is it, Inspector?

- Keep digging.

- Yes, sir.

Halt!

Aaarghhh!

Get the doctor.

"Do not bemoan the sailor's life.

"He was always sure to die anyway.

"But his demise did serve a purpose

of leaving you clues.

"Godspeed, Poe.

Emily weakens by the hour,

"both physically and spiritually."

I will kill him.

No matter how this ends,

I will kill this perversion of a man.

"Godspeed"?

Even his prose is barbaric.

Why dress him up like Miss Hamilton?

For the thrill of watching me suffer.

Here, John. Bring the light closer.

I think I've found something.

What is that?

Help me turn him over.

I think we've found

our missing sailor.

It's a sextant.

Natural choice for a seaman,

I suppose.

My brother, he went to sea.

A lot of men,

they get these in the Orient.

This notch in the esh is fresh.

It's still clotted.

The killer did this.

Think it was part of the struggle?

- Too deliberate.

- It's a latitudinal co-ordinate.

If you mark the angle of the sun

at its highest point

it shows you how far you are

from the equator.

It's useless without longitude.

Even in the army

they teach basic navigation.

I went to West Point.

I was expelled, don't worry.

Fields, look there.

Get me a scalpel.

Here.

His tongue has been removed.

And this...

has replaced it.

What's it for?

Longitude.

Pen and paper.

He's giving us a location.

Open up! Open the door!

Where's Hamilton?

- Hamilton!

- What's happened?

We need your navigational maps

and celestial almanacs.

- Why?

- He gave us the location of Emily.

This watch is mine.

I thought I'd lost it.

- The kilter left this?

- On the dead sailor.

- In, to be more exact.

- The utter gall.

Along with

the latitudinal co-ordinates.

Incredible.

Forgive me. I have no background

in navigational techniques.

To plot an exact position,

you need three things:

a sextant, an accurate chronometer

and a celestial almanac.

The almanac tells the exact time

at which the sun hits its zenith.

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Richard Matheson

Richard Burton Matheson (February 20, 1926 – June 23, 2013) was an American author and screenwriter, primarily in the fantasy, horror, and science fiction genres. He is best known as the author of I Am Legend, a 1954 science fiction horror vampire novel that has been adapted for the screen four times, as well as the movie Somewhere In Time for which Matheson wrote the screenplay, based on his novel Bid Time Return. Matheson also wrote 16 television episodes of The Twilight Zone, including "Nightmare at 20,000 Feet" and "Steel". He adapted his 1971 short story "Duel" as a screenplay directed by a young Steven Spielberg, for the television film of the same name that year. Seven more of his novels or short stories have been adapted as major motion pictures — The Shrinking Man, Hell House, What Dreams May Come, Bid Time Return (filmed as Somewhere in Time), A Stir of Echoes, Steel (filmed as Real Steel), and Button, Button. Lesser movies based on his work include two from his early noir novels — Cold Sweat, based on his novel Riding the Nightmare, and Les seins de glace (Icy Breasts), based on his novel Someone is Bleeding. more…

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Submitted on August 05, 2018

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    "The Raven" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/the_raven_21160>.

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