The Rock Page #22
- R
- Year:
- 1996
- 136 min
- 2,702 Views
INT. NEW INDUSTRIES BUILDING - DAY
Goodspeed's world slows down. Is he dying? He sees IMAGES in SLOW MOTION=
He and Carla together his parents moments from his childhood...
Slowly Goodspeed's breathing normalizes. He gazes up at the dawning sky. =
SEES something shimmering in the distance. Through the HEAT WAVES=
...
THE SOUADRON OF F-16S.
INT. PIER 39 COMMAND CENTER - DAY
Sanchez, Director Womack, and the F.B.I. TECHNICIANS watch
from the window as --
THE F-16s wing across the Bay toward Alcatraz.
SANCHEZ:
May god have mercy gn their souls.
CARLA (face buried in his hands)
You can't do this, you can't let this happen.
EXT. NEW INDUSTRIES BUILDING - DAY
Goodspeed exits and kneels, reaching for HIS OTHER PANTLEG. PUllS out his=
GREEN FLARES. He cracks the flares and fires them up.
EXT. SAN FRANCISCO BAY BRIDGE - DAY
The F-16s fly under the span of bridge, just 50 feet off the
water, shooting up a PLUME OF WATER.
EXT. ALCATRAZ - NEW INDUSTRIES BUILDING - DAY
GOODSPEED, in slow motion, waves the flares.
INT. LEAD F-16 - COCKPIT - DAY
The LEAD F-16 Pilot speaks on this air-to-air mike.
LEAD F-16 PILOT
Arm up.
INT. PIER 39 - F.B.I. COMMAND CENTER - DAY
CARLA watches the approach of the F-16s on Alcatraz in
horror. Every second is excruciating.
F.B.I. TECHNICIAN Ten seconds to the drop zone. And now counting eight,=
seven, six ...
EXT. WORLD WAR II BUNKER (SPOTTING POSITION #1) - DAY
A hilltop on the Marin side of the Golden Gate Bridge. Two spotters watch=
the action through SPOTTING SCOPES. SPOTTER 1 watches the F-16s. SPOTTER=
2, watching ALCATRAZ, nearly jumps out of his skin.
F.B.I. TECHNICIAN
Green smoke! It's... GOODSPEED!!
A RADIO OPERATOR fires a message to command.
INT. PIER 39 ~ F.B.I. COMMAND CENTER - DAY
SANCHEZ:
Abort. Abort immediately.
EXT. ALCATRAZ - SHORELINE - DAY
On come the F-16s, ROARING over Alcatraz. They're almost on
top of Goodspeed now. It's too late. It's all over.
INT. LEAD F-16 -
-16 - COCKPIT - DAY
F-16 FLIGHT CONTROLLER
(v.o. cockpit radio)
ABORT, RED THUNDER, ABORT!
LEAD F-16 PILOT
Abort. Abort.
THE LEAD F-16 PILOT safeties the bomb release lever.
276 INT. REAR F-16 - COCKPIT - DAY
The REAR F-16 PILOT is wrestling with his release lever.
It's stuck. He can't "safety" it.
REAR F-16 PILOT
.Sir, something's wrong. I can't
disengage... !
LEAD F-16 PILOT
Then peel off...
EXT. SKIES OVER ALCATRAZ - DAY
The four F-16s veer away from the island. But for the REAR
JET, the order came too late ...
EXT. REAR F-16 - WING UNDERCARRIAGE - DAY
The REAR F-1,6 releases its Willy Peter canisters. They
plummet to the island.
EXT. ALCATRAZ - NEAR NEW INDUSTRIES BUILDING - DAY
The WILLY PETER CANISTERS land, detonating on impact in a
MONSTROUS INFERNAL EXPLOSION.
The awesome concussion knocks GOODSPEED off the New
Industries Building pier into the bay.
EXT. UNDERWATER - DAY
Goodspeed, concussed in the water, tries to keep
consciousness. He can't. He sinks.
ANOTHER FORM appears above him. It's MASON, swimming for
Goodspeed. Mason gets under his arms and pulls him up.
EXT. ALCATRAZ - SHORELINE - DAY Mason drags Goodspeed ashore. 283 INT. =
PIER 39 - COMMAND WAREHOUSE - DAY
Sanchez, Director Womack and the F.B.I. TECHNICIANS stare out the window at=
Alcatraz, enshrouded in PLUMES OF SMOKE.
Total silence. Only CARLA, weeping quietly in the corner. SANCHEZ puts his=
arm around her. Ushers her away. Suddenly a VOICE CRACKLES:
GOODSPEED (V.O.)
Pier 39 come in. Pier 39 ...
(freezes)
My god he's alive.
Director Womack grabs the mike.
F.B.I. DIRECTOR WOMACK
Goodspeed, this is Director Womack.
Are the hostages alive?
GOODSPEED (V.O.)
Every one of em sir.
F.B.I. DIRECTOR WOMACK
What about Mason?
INT. ALCATRAZ - CIVIL WAR RUINS - DAY
Goodspeed stares at Mason, letting the question dangle.
F.B.I. DIRECTOR WOMACK
Goodspeed. Is Mason-alive?
A pause. The question still dangling there. Then:
GOODSPEED:
(deep breath)
Just come and get me, sir. I'm tired.
SANCHEZ:
Name your vacation spot, Goodspeed.
The Bureau'll pay for it.
Goodspeed hangs up. The two men regard each other.
GOODSPEED:
Mason, uhm, John, I have something to tell you. You know that pardon=
contract you signed?
MASON:
Womack ripped it up, right?
GOODSPEED:
You knew? All this time?
MASON:
I'm not a fool, Billy.
GOODSPEED:
All I know is that whatever you did,
you don't deserve to go back.
MASON:
Goodspeed. You know the etymology of
your name?
GOODSPEED:
God's speed.
MASON:
Yes. To wish someone a prosperous
jouey.
Mason smiles. Goodspeed smiles back. There is an immediate
tacit understanding.
MASON:
And if you turn around I'll tell you a
secret.
Goodspeed, confused by this, gives Mason a look. Slowly
turns around. Camera doesn't leave him.
MASON (O.S.)
St. Michael's Church, Fort Walton, Kansas. Front pew. Right leg. =
Hollow.
GOODSPEED:
What's that?
(beat)
Mason?
Goodspeed turns around. John Paul Mason is gone.
EXT. ALCATRAZ - DOCK - DAY
Goodspeed is standing on the dock. Sanchez comes down=
the
gangplank.
SANCHEZ:
You surprised me, kid. Never thought
you could do it.
GOODSPEED:
Neither did I sir.
F.B.I. DIRECTOR WOMACK
Where's Mason?
GOODSPEED:
vaporized, sir. Blown out to sea.
GOODSPEED:
He saved my life, sir.
Is Sanchez going to accept this?
.
SANCHEZ:
Yes (smiles; acknowledges)
Poor son-of-a-b*tch.
F.B.I. AGENT
Sir, the White House calling. It's the
President.
F.B.I. DIRECTOR WOMACK
I'll take it.
WOMACK elbows past Goodspeed and Sanchez.
F.B.I. AGENT
Uhm, sir, actually it's for Goodspeed.
Womack glares at Goodspeed, who takes the phone.
GOODSPEED:
Bill Goodspeed, Mr. President.
PRESIDENT (V.O.)
I am in your debt, Goodspeed, the country is in your debt. You're a hero,=
son.
GOODSPEED:
Thank you, Mr. President. The man you
should be thanking is John Mason.
PRESIDENT (V.O.)
So I've been informed.
Would you put the F.B.I. Director on please?
GOODSPEED:
Director Womack.
Goodspeed hands the phone to Womack. Womack looks at the
phone. Slowly takes it.
F.B.I. DIRECTOR WOMACK
I can explain all of this, sir ...
PRESIDENT (V.O.)
I don't want your explanation, Womack.
I want your resignation.
Womack grimaces. Goodspeed, smiling to himself, turns away.
CARLA races into his arms. A long, warm embrace.
CUT TO:
EXT. PACIFIC COAST HIGHWAY - DAY
A jeep motors up the Freeway. Passing a sign: VANCOUVER 30
MILES.
INT. JEEP - DRIVING - DAY
.Mason and Jade. Jade driving. Father smiles. Daughter smiles back. CUT=
TO:
BEGIN CLOSING CREDITS. The following plays over:
KANSAS - DAY
EXT. A ROAD IN FORT WALTON, KANSAS - DAY
A beat-up PORSCHE SPEEDSTER exits a BAPTIST CHURCH.
INT. PORSCHE SPEEDSTER - DAY
Carla is driving. Goodspeed next to her. He opens a WORN
PLASTIC CANISTER. Spools out a REEL OF MICROFILM.
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"The Rock" Scripts.com. STANDS4 LLC, 2024. Web. 26 Nov. 2024. <https://www.scripts.com/script/the_rock_1013>.
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