The Rowdy Girls Page #4

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Is that why you became a nun?

You little bastard.

No.

I knew my daddy,

right and simple.

How about you, Viola?

I didn't have to help you.

Oh my god, Sister.

I am sorry.

I mean-- I mean, Viola.

Find them?

Yeah, they're about

a mile up the creek.

They have the girl with them?

Yep.

Oh, she don't look

too good though.

Oh.

Who are you?

Does it matter?

No.

I don't reckon it does.

What kind of name is Viola?

Well, my mama said

it was the name

of a tall, beautiful flower.

I guess you're not a nun.

I guess you're not a boy.

I guess not.

You like me already, don't you?

You've got some nerve.

Hell, you might even love me.

You know what I'm

gonna do to you?

Comancheros.

Know what those are?

Savages.

They're gonna like a sweet

piece of meat like you.

Too bad you ain't

a virgin no more.

They might've been nicer to you.

But seeing as you're

damaged goods and all.

They might just want

to mark you first.

[speaking spanish]

I might stick around long

enough to hear you scream.

Then I'm gonna get that

son of a b*tch Billy.

Comprende?

Comprende?

[thud]

Why didn't you kill them?

I'm not like them, remember?

Besides, this whole area's

crawling with Comancheros.

So be quiet.

There you go.

Get your money and

head to San Francisco.

They can't have my money, Joe.

Why is it so important to you?

It's the only thing standing

between me and what I was.

No, Viola, it's not.

Not anymore.

They'll be waiting for

us across the river.

You ready?

[gunshots]

Sound like it came

from Silverton.

It's an abandoned mining

town just over those hills.

I'm riding ahead.

No matter what

happens, you stay put.

Excuse me, Mr. It's

Just You and Me, Sister.

I got some unfinished

business to take care of.

Well, I got some unfinished

business of my own.

Fine.

Have it your way.

-Fine.

I will.

[footsteps]

Well, if it ain't Joe.

You're not so

tough now, are you?

You're just a kid.

That's right.

The kid that knocked

you on your ass.

I don't have any

liquor in me now.

Let's see how tough

you really are.

Where's the money?

I'll tell you what, tough guy.

If you're a faster

draw than me, then I'll

tell you where the money is.

Do you want to play

with the kid or what?

Don't think I'm

stupid, 'cause I'm not.

Now you tell me

where the money is.

Now.

It's right behind you.

Trying to trick me.

You know, I think I'll

just shoot you now.

[gunshot]

I told you you needed me.

[gunshots]

Who the hell is shooting at us?

Hold it right there.

Hello, Sister.

Where's my money?

Come on, Sarah.

You don't want to do this.

You know I do.

You're gonna get hurt then.

I'm going to win.

You can't.

Why?

Because you always do?

Well, not this time.

Put your gun down, ma'am.

You ain't winning

today, Sister.

Hand over the money.

What keeps not too daily

Mick.

Now how about that money?

Who is he?

Joe.

Joe Pepper.

I know you.

You're that deputy

from Sweetwater.

The one everybody talks about.

I remember that story.

You almost got

your brother killed

'cause your pants were down.

Hell, you ain't

nothing but a boy.

Your brother was beautiful

when I killed him.

[gunshots]

You chicken sh*t!

You can't do it.

That's why you needed me, Billy.

[gunshots]

Billy, get the money.

Well, Sarah.

Looks like it's time for you

to start fending for yourself.

You got a choice to make.

What's it gonna be?

[guitar playing]

(SINGING) And now the sun

is setting on the story

of the rowdy girls, with

lives as tough or tougher

than in the man's world.

And in this land of freedom,

still great dangers lurk.

But if you stand tall and

you're quick on the draw,

a woman can still make it work.

And you'll ride out west for

freedom like the rowdy girls.

Well, Viola, where to now?

Would you quit calling me that?

San Francisco it is.

And who says you're going?

I heard San Francisco

is so full of sinners

that a man of my extreme

youthful exuberance

and a woman of your

advanced age and expertise

can live together in sin.

And it will be viewed as

a wholesome occurrence.

Hey, Sister.

Wait.

Hell, Viola and Joe

are the next pillars

of San Francisco society.

I thought you had a

stagecoach to catch.

I have something for you.

Your mama's watch.

I knew you would.

Thank you.

Where's the rest of my money?

What money?

See you in San Francisco.

I know you like me.

Not a chance.

Well, you coming or what?

MINSTREL (SINGING): And so ends

the story of the rowdy girls.

Yahoo!

[music playing]

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