The Safety of Objects Page #8

Synopsis: A series of overlapping stories about four suburban families dealing with different maladies. Esther Gold's life is consumed by caring for her comatose son; Jim Train is sent into a tailspin when he's passed over for a promotion; Annette Jennings' family is struggling in the wake of her divorce; Helen Christianson is determined to shake up her mundane life.
Genre: Drama
Director(s): Rose Troche
Production: IFC Films
  3 wins & 4 nominations.
 
IMDB:
6.6
Metacritic:
58
Rotten Tomatoes:
50%
R
Year:
2001
121 min
$86,250
Website
160 Views


I KNOW IT'S STUPID.

IT'S SOMETHING

MY MOM DOES.

IT'S SOMETHING

MY MOM DOES.

OH!

OH, THAT'S

THE ANTISEPTIC.

JUST BREATHE:

THROUGH YOUR MOUTH.

OH, GOD.

I USED TO HAVE SUCH

A CRUSH ON YOUR BROTHER.

YEAH. WHO DIDN'T?

YEAH, WELL, HE'S

CURRENTLY AVAILABLE

IF EITHER OF YOU ARE

STILL INTERESTED.

YOU SLEPT WITH HIM, RIGHT?

NO. I NEVER DID.

I MEAN, WE WERE DRUNK.

HE PASSED OU BEFORE ANYTHING HAPPENED.

HE PASSED OU BEFORE ANYTHING HAPPENED.

HEY, DO YOU THINK

HE CAN HEAR US?

MOM THINKS SO.

HEY, PAUL.

IT'S TINA.

IT'S TINA.

HE'S WARM.

WELL, HE'S NOT DEAD.

WHERE DO THESE TUBES GO?

PRETTY MUCH ANYWHERE

THINGS NEED TO COME

IN OR OUT.

DOES THAT MEAN:

HE HAS ONE IN--IN HIS...

YOU KNOW?

Tina:
CAN I SEE IT?

Julie:
YEAH. GO AHEAD.

OH, MY GOD!

IT LOOKS LIKE IT HURTS.

HE HASN' COMPLAINED.

WOW.

HIS IS BIGGER THAN--

BIGGER THAN ADAM'S.

STOP IT!

STOP!

STOP!

SORRY.

SORRY.

Tina:
I'M GOING TO WAI DOWNSTAIRS.

YEAH. WE SHOULD

PROBABLY GO BACK.

YEAH. WE SHOULD

PROBABLY GO BACK.

Paul:
THAT WAS GOOD.

THE NEW ONE WENT OVER WELL.

I THOUGHT PEOPLE RESPONDED.

Randy:
YEAH.

IT'S GETTING BETTER.

IT'S GETTING THERE.

HEY.

Randy:
OK THEN. I GUESS

I'LL TALK TO YOU LATER.

HAVE FUN YOU TWO.

COME HERE.

Bill:
ARE WE ROCKIN'

YOUR TOWN ROCKS?

I KNOW YOU'RE ROCKIN' MINE.

NEXT UP,

INSANE REINDEER CLAN.

FUN? THAT'S Z-100.

FUN? THAT'S Z-100.

I PLAYED THAT LAST SONG FOR YOU.

YOU LIKE IT?

I DID.

IT WAS BEAUTIFUL.

IT WAS BEAUTIFUL.

Tina:
OH, MY GOD.

LOOK AT THEM.

DON'T--DON'T--

DON'T MIND US.

YOU JUST KEEP DOING

WHATEVER YOU'RE DOING.

WHAT THE F***

ARE YOU GUYS DOING HERE?

IT'S A BAR, PAUL.

WE CAN SI WHEREVER THE F*** WE WANT.

WHO'S THIS?

ONE OF YOUR MOM'S FRIENDS?

THAT'S REALLY

F***ING FUNNY, KAREN.

I SHOULD GO.

YEAH. YOU SHOULD GO

GET SOME SLEEP.

IT'LL HELP WITH THOSE

WRINKLES THERE, HONEY.

STOP IT.

STOP IT.

UHH.

WHAT?

MAYBE, SHOULD I DROP BY

A LITTLE BIT LATER?

NO. STAY WITH

YOUR FRIENDS.

ARE YOU SURE?

YEAH. THEY DON' SCARE ME OFF.

I'LL SEE YOU

TOMORROW.

NO MATTER:

WHAT THEY SAY.

NO MATTER:

WHAT THEY SAY.

KAREN,

WHY DON'T YOU JUST GE THE F*** OUT OF HERE?

'CAUSE I REALLY DON' WANT TO SEE YOUR FACE

FOR THE RES OF THE NIGHT.

FOR THE RES OF THE NIGHT.

I HOPE WHEN I'M OLD

I GET TO HAVE SEX

WITH A YOUNG:

CUTE GUY.

THAT'D ROCK.

SHUT UP, TINA.

SHUT UP, TINA.

SEE WHAT YOU GE FOR NOT GOING OUT WITH ME?

[MACHINE BEEPS]

WELL, IT'S

THE 50th HOUR, FOLKS.

AND WE HAVE 5 CONTESTANTS

AND THEY ARE GOING STRONG.

I DON'T KNOW

WHAT THEY'RE RUNNING ON,

BUT I CAN TELL YOU

THIS MUCH,

IT DOESN'T LOOK LIKE ANYBODY

IS GOING TO GIVE IT UP

ANYTIME SOON.

[VOICES MURMURING]

IF ANYTHING ELSE BAD HAPPENS,

YOU'LL TELL THEM

IT WASN'T MY FAULT.

SAM, WHERE ARE YOU GOING?

WHERE ARE:

YOU GOING?

I GOT TO GE OUT OF HERE.

DID YOU HEAR ME?

DID YOU HEAR ME?

JULIE,

DID YOU HEAR ME?

WHAT'S HAPPENING

TO YOU?

YOU REALLY GOING TO DO

THIS THING?

YOU REALLY GOING TO DO

THIS THING?

DO I GET TO KNOW

WHO THAT IS,

OR DOES IT MATTER?

IT MATTERS.

YOU'RE A GOOD KID.

LOVE YOU.

YOU'RE A GOOD KID.

LOVE YOU.

WHAT HAPPENS:

TO LOVE?

WHAT HAPPENS:

TO LOVE?

WHAT DOES HE THINK

WE WERE DOING?

JUST IGNORE HIM.

HE'S STUPID.

JUST IGNORE HIM.

HE'S STUPID.

SUSAN?

SUSAN?

I DON'T UNDERSTAND YOU.

I DON'T UNDERSTAND YOU.

ACCEPT IT ALREADY.

EVERYONE ELSE HAS.

EVERYONE ELSE HAS.

Julie:
MOM?

Randy:
PUT I IN THAT CASE, JOHNNY.

CAN I HANG OU WITH PAUL AND HIS

FRIENDS TONIGHT?

NOT A CHANCE, CHUNKS.

RANDY'S THE ONE

WHO INVITED ME,

SO YOU CAN'T TELL ME

I CAN'T GO.

RANDY, WHAT'S UP, MAN?

SHE'S YOUR SISTER, MAN.

BE NICE.

I'M BRINGING MY BROTHER.

MOM, PLEASE. PLEASE.

WELL, LET'S

PUT IT THIS WAY.

IT'S 11:
30 AND YOUR

CURFEW IS MIDNIGHT, SO.

Paul:
DARN IT, CHUNKS.

I'M SORRY.

BETTER LUCK NEXT TIME, HUH?

Bill:
20 SECONDS

BEFORE THE MIDNIGHT HOUR.

A NEW DAY.

A NEW DAY.

HEY, COME HERE.

PICK A HAND, ANY HAND.

PICK A HAND, ANY HAND.

THAT ONE.

ALL RIGHT.

OPEN YOUR HAND.

NOW, DON'T LOOK, THOUGH.

DON'T.

DON'T.

ALL RIGHT. GUESS.

OH, MAN.

IT FEELS WEIRD.

I SAID DON'T!

IT FEELS WEIRD.

I SAID DON'T!

I GUESS YOU CAN GO AHEAD

AND LOOK NOW.

I GUESS YOU CAN GO AHEAD

AND LOOK NOW.

GET IT?

WE'RE GONNA GO FISHING.

WE'RE GONNA GO FISHING.

I WANT TO CALL:

MY MOM.

I ALREADY CALLED HER.

NO. BUT I NEED

TO TALK TO HER.

WELL, YOU CAN'T.

I DON'T HAVE A PHONE.

ISN'T THA ILLEGAL?

WHAT ARE YOU,

MISTER LAW AND ORDER?

JUST BECAUSE EVERYBODY'S GO A PHONE, FAX, COMPUTER,

DOESN'T MEAN

IT'S ILLEGAL NOT TO.

IT DOESN'T MEAN

THEY'RE SMARTER OR BETTER.

YOU JUST STAR COLLECTING THINGS,

YOU START THINKING

YOU CARE ABOUT STUFF.

AND THEN,

WHEN THEY'RE GONE,

WHEN THEY BREAK:

OR SOMEONE STEALS THEM,

WELL, YOU FEEL LIKE A PAR OF YOU IS GONE, TOO.

WHEN YOU HAVE THINGS

AND SUDDENLY YOU DON'T,

IT FEELS:

LIKE YOU'VE DISAPPEARED.

IT FEELS:

LIKE YOU'VE DISAPPEARED.

NOTHING SHOULD MAKE YOU

FEEL LIKE THA EXCEPT WHEN YOU

LOSE A PERSON.

EXCEPT WHEN YOU:

LOSE A PERSON.

[TELEPHONE RINGING]

FINCH, PEABODY, SINGER.

Jim, on phone:

MARILYN, HI. IT'S JIM.

JIM, WHERE ARE YOU?

YOU HAVEN'T CALLED

MY HOUSE, HAVE YOU?

NO. WHAT DID YOU

TELL THEM?

THAT WE HAD A BOMB THREAT.

A BOMB THREAT?

JIM, WHAT ARE YOU DOING?

YOU KNOW WHAT I'M DOING.

I WORK MY BUTT OFF

AT THAT FIRM:

AND THEY GIVE RYAN

A PARTNERSHIP AND ME A PLAQUE.

I'M NOT STUPID.

I CAN'T BELIEVE THEY'D

THINK I'D FALL FOR THAT.

YOU CAN'T DO THIS, JIM.

YOU'RE GOING TO LOSE

YOUR JOB.

I THOUGHT I ALREADY DID.

DON'T THEY KNOW

I WALKED OUT?

NO.

MARILYN, I WAS TRYING

TO MAKE A STATEMENT.

JIM, THESE PEOPLE DON' CARE ABOUT STATEMENTS.

ALL RIGHT? YOU QUIT,

THEY REPLACE YOU.

NO STATEMENT.

SO, WHAT ARE YOU

GOING TO DO?

IS THAT JIM?

HOW IS HE?

LET ME SPEAK TO HIM.

LET ME SPEAK TO HIM.

FINALLY, WE HAVE

ESTHER GOLD,

OUR 52-YEAR-OLD

PROFESSIONAL MOM.

SO, ESTHER,

WHAT DO YOU PLAN TO DO

WITH THIS MACHINE

IF YOU WIN?

WELL, FIRS OF ALL, BILL,

THERE'S A LOT MORE

TO BEING A MOM:

THAN YOU THINK.

OK. MY BAD.

BUT THE CAR.

WHAT DO YOU PLAN TO DO

WITH THAT?

I'M GOING TO GIVE I TO MY DAUGHTER JULIE.

WHOA!

I WANT YOU:

TO BE MY MOMMY.

I THINK.

WHERE IS:

THIS LUCKY DAUGHTER?

SHE'S RIGH OVER THERE. JULIE?

WOULD YOU MIND,

SWEETIE?

COME OVER HERE.

THANKS.

Bill:
HI.

Julie:
HI.

HOW DO YOU FEEL:

ABOUT YOUR MOM:

DOING SOMETHING:

LIKE THIS FOR YOU?

OH, IT'S GREAT.

IT'S GREAT THAT SHE'S

DOING THIS FOR ME.

IT'S UNBELIEVABLE.

HOW ON EARTH DO YOU GE SOMEBODY TO DO THIS?

WELL, I JUST ASKED HER.

I MEAN, IT'S ONLY, LIKE,

3 OR 4 DAYS OF HER LIFE.

IT'S REALLY NO THAT BIG OF A DEAL.

AND I KNOW IT'S HARD,

BUT SHE KNOWS:

IT'S GOING TO MAKE UP

FOR A LOT.

IT'S GOING TO MAKE UP

FOR A LOT.

Bill:
OK.

WELL, THERE YOU HAVE IT,

LISTENERS.

GUILT IS ALIVE AND WELL,

AND, IF IT'S USED PROPERLY,

IT MAY EVEN WIN YOU

A BRAND NEW, SHINY Z-100 S.U.V.

IT MAY EVEN WIN YOU

A BRAND NEW, SHINY Z-100 S.U.V.

I WILL NOT REGRE THE THINGS THAT I DO.

I WILL NOT REGRE THE THINGS THAT I DO.

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Rose Troche

Rose Troche (born 1964 in Chicago) is an American film and television director, television producer, and screenwriter. more…

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Submitted on August 05, 2018

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