The Scavengers
- Year:
- 1959
- 79 min
- 51 Views
(dramatic orchestral music)
- Well, kanpai ex-partner.
- Kanpai.
When are you leaving Hong Kong?
- Oh, no hurry.
I don't have to be in Manila
'til the end of the month.
- [Mr. Puan] What does
Marissa say about it?
- Haven't told her.
- A good girl that one.
I like her.
- Yeah, she's a good girl.
I'm gonna feel bad
about leaving her,
but I'm leaving just the same.
- I think you're making
a big mistake, Stuart.
You don't even know if
Philippinel Ranch will take you.
- We'll see.
- What are you really
looking for, Stuart?
- A fella named Stuart Allison.
He's been gone a long time.
him pretty soon, I may...
- What's the matter?
(expression in foreign language)
- Marion?
(boat horn blowing)
(whistles blowing)
(intense orchestral music)
(footsteps)
- Making us another
little visit, I see.
The usual thing, eh?
Drunk.
- [Stuart] I didn't start it.
- Of course not.
Still.
It does happen to you with
almost haikuic regularity,
doesn't it?
- Hearing on Friday, 10:00 a.m.,
municipal court, room 16.
- A few parting words
if you don't mind.
We have treated you
rather decently thus far
under the circumstances,
but we really don't
like smugglers
even if they happen
to be Americans.
I'm afraid we are
bound to great more
and morals as time goes by.
Most unfortunate.
- Well don't sweat over it,
I just went out
of business today.
- Really?
How did that happen?
- I was offered a job in Manila.
Sold my interest in a boat.
- So Mr. Puan now takes over
sole management of the firm?
- I'm going into the
fishing business, Inspector.
Well, good luck to both of you.
So nice to have had
this little chat.
(daunting orchestral music)
(footsteps)
- Bourbon.
(bouncy orchestral jazz music)
(coin clanking)
(suspenseful music)
(dramatic orchestral bursts)
(thudding)
(footsteps)
- Hey what's going here?
- [O'Hara] No, no, no.
They did not get anything.
- American?
- Officer, they went that way.
I think you can
still catch them.
- Who?
- The robbers.
Two of them.
And they were
hidden in the dark.
And as I past them,
they jumped me.
Fortunately, this
gentlemen came along.
They did not get my wallet.
- What did they look like?
- They were bigger than me.
It was so dark,
and it happened so suddenly.
- [Voiceover] Hey, come on here.
- You wait here.
- You wanted to talk?
I'm listening.
- Do you like chestnuts?
- No, and I wouldn't
like to Tango
with you again,
but I will have to.
- My name is Casimir O'Hara.
It's not really a strange name.
It just happens to be
Chinese, Filipino, Irish.
- Why were you
following me all day?
- You're looking for a
Is that correct?
- You know where she is?
- What do you know
about Ms. Kramer,
and what do you have
to do about her?
- Just this, she just doesn't
happen to be Ms. Kramer,
she's Mrs. Stuart Allison.
(laughing)
- Try again Mr. Allison.
I have been acquainted
at Ms. Kramer
- And she walked out
on me six years ago.
I was a flyer in the Korean War.
I left her in Tokyo.
When I got back she was gone.
Just disappeared.
She could've been
dead for all I knew.
Can't you understand?
She just vanished,
walked out on me.
I was only married
to her two months
when I got called
back in service,
and I knew her a couple
Her going off like that
came out of left field.
All I could do was look for her.
Spent every dime I had.
Even begged,
borrowed, and stole.
Only thing was important
was gettin' her back.
And now I don't know what for.
- Would you kill her?
- [Stuart] What?
- It's a reasonable question.
A man can store up a great
deal of hate in six years.
Is that the way
you feel about her?
- No.
- All right, Mr. Allison.
I will tell you
where to find her
on one condition.
- What's that?
- That you meet me at the
lobby of your hotel tomorrow,
and tell me all about
your meeting with her.
- What's your angle?
for the time being.
You will have to
take me on trust.
- OK.
- You will find her at
this address tonight.
It is sort of an
exclusive place,
but they will let you
in if you show this note
to the man at the door.
About our meeting tomorrow.
Do not approach me or
show any recognition of me
until I've come to you.
- Is Marion in any
kind of trouble?
- We might talk
about that tomorrow.
One thing more, Mr. Allison,
I would suggest
that from now on,
you proceed with
extreme caution,
as if your life were
in grave danger.
That is all I can tell you now.
(daunting orchestral music)
(door slamming)
(engine purring)
(crowd chattering)
- All done.
(door shutting)
Sorry sir, private room.
- Is the manager's
office in there?
- That way.
(thudding, rustling)
- Taklo, this is a friend.
Hello Stu.
Did you come looking for me?
- Let's get out of here.
- You want to?
- We've got a lot to talk
about, don't you think?
- All right.
(footsteps)
(slow orchestral music)
Don't turn on the lights, Stu.
I like quiet, dark places.
Something so
soothing about them.
Something so present
Do you know that about me, Stu?
little crazy, didn't you?
How long has it been?
Five years, six years.
A long time ago in
a different world.
Sometimes when I look back,
it's like it happened
to two different people.
- It happened to us, Marion.
- Yes I know.
Give me a cigarette.
(slow, romantic
orchestral music)
Do you hate me?
Do you?
- No.
I don't know if that answers
your question though.
- You haven't changed
at all have you, Stu?
- I've changed.
- All means nothing to you now?
- I don't know.
- I thought about
you a great deal.
You don't know how many times
I've wanted to come back to you.
- But you always
managed to talk yourself
out of it, didn't you?
- Does it have to be like this?
Couldn't you just
believe me once?
Try to understand that I--
- Understand?
How do you expect
me to understand?
Marion, for three years lookin'
for you was my whole life.
I gave up everything that
meant anything to me.
I didn't know what made you go.
I didn't know why
you disappeared.
You could've been forced to
or you could even be dead.
All I could do is look for you.
I kept that up as
long as I could.
But I couldn't
keep it up forever.
And after a while, even
that didn't make any sense.
- We had a good
thing, didn't we?
- [Stuart] You want the truth?
I don't remember.
- Don't hate me, Stu.
Help me.
I'm all alone.
Please help me.
- Why did you do it, Marion?
- Don't ask me any questions.
Just be with me.
Just be with me.
(orchestral music)
- Marion?
(phone ringing)
Hello?
Who is it?
Just a minute.
He says it's your travel agency.
How'd they know you were here?
- Yes?
Yes but I--
No, I didn't.
No.
Yes, all right.
- Who was that?
I have to go, Stu.
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"The Scavengers" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/the_scavengers_21249>.
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